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Thom Hinton

@thom.hinton

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Auckland @4brvce For bookings: [email protected]
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Thank you @kikibabyrockwell matching cuffs made in one session @4brvce #celtic #singleneedletattoo #celtictattoo by @thom.hinton
Tattoo of a lifetime for @rogermoore_tattoo what a blessing, thank you #celtic #tattoo #singleneedle #celticart #celtictattooer by @thom.hinton
๐˜›๐˜ธ๐˜ฐ ๐˜‰๐˜ช๐˜ณ๐˜ฅ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜›๐˜ธ๐˜ฐ ๐˜‹๐˜ฐ๐˜จ๐˜ด, 2024. Plaster, oxide pigment, fresco, charcoal, graphite. 450x550 @grace_aotearoa by @thom.hinton
DM for next years waitlist. Thank you for hosting me @sanctum and @eilytat #celtictattoo #celticart #celtic by @thom.hinton
We should talk a little bit about the Other World #knotwork #celticart #celtictattoo by @thom.hinton
DM for Tokyo waitlist. Taking bookings for Auckland in November #celticart #celtictattoo #tokyotattoo by @thom.hinton
Last two days to see our show. @grace_aotearoa is open Friday and Saturday 11am-4pm. Pictured: Thom Hinton โ€˜Hide (small piece of land)โ€™, 2026 Acrylic, charcoal on linen 200x300 Installation shot from Te Ata Pล. Thom Hinton โ€˜Smiling Purpleโ€™, 2026 Oil, charcoal, oil stick on linen 1020x1520 All photos by @samuel_hartnett ๐ŸคŽ special thanks to @temarunuihotene chur by @thom.hinton
Meet the Artists, Te Ata Pล Saturday, 26 September 10amโ€“12pm Rationalist House To mark the closing of Te Ata Pล, Te Marunui Hotene and Thom Hinton will share personal insights and kลrero about the exhibition and their practices in the gallery. A beautiful print edition of Ruth Minh Haโ€™s essay โ€˜On the margins of languageโ€™ will also be available. Courtesy of @highlowstudio.mark Supported by Beabeaโ€™s Bakery โ€” join us for a coffee and pastry! @beabeas.bakery by @thom.hinton
A favourite from Naarm. Thank you Thistle. Done @sanctumstudio #celtic #celtictattoo #celticart by @thom.hinton
Essay: On the margins of language Ruth Minh Ha Grace presents a commissioned essay by Ruth Minh Ha on the occasion of 'Te Ata Pล' by Te Marunui Hotene and Thom Hinton: โ€œAnother cosmological diagram that Hinton looks to is 'Saltair na Rann', which lends titles to two works in the show: the 'Smiling Purple' painting from earlier in the text, and 'Babbling Dun', a delicate pink landscape rendered on a half-plaster, half-canvas support. 'Saltair na Rann' is a tenth-century classic of Middle Irish poetry, and includes a chromatic map of the cosmos: From the East, the smiling purple, from the South, the pure white, wondrous, from the North, the black blustering moaning wind, from the West, the babbling dun breeze." Read the full text online via the link in the bio. - Ruth Minh Ha is a writer and curator based in Tฤmaki Makaurau. Of Russian and Vietnamese heritage, she was born in Moscow and relocated to Aotearoa in 2015. She studied Art History and Computer Science at the University of Auckland Waipapa Taumata Rau and in 2023 was the recipient of the Michรจle Whitecliffe Art Writing Prize. She is currently an assistant curator at Gus Fisher Gallery, and has previously worked as a curatorial assistant at Auckland Art Gallery Toi o Tฤmaki. - Pictured: Thom Hinton 'Babbling Dun', 2026 Oil, charcoal, graphite, plaster, linenย  250 ร— 300 Portrait of Ruth Minh Ha ๐Ÿ“ท Liam Philp @thom.hinton @ruthminhha by @thom.hinton
๐“ฃ๐“ฎ ๐“๐“ฝ๐“ช ๐“Ÿล is an exhibition by ๐—ง๐—ต๐—ผ๐—บ ๐—›๐—ถ๐—ป๐˜๐—ผ๐—ป and ๐—ง๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜‚๐—ป๐˜‚๐—ถ ๐—›๐—ผ๐˜๐—ฒ๐—ป๐—ฒ currently on at @grace_aotearoa. Placing their practices in conversation with one another, a rich dialogue is created within the space surrounding expression and form, distinct cultural histories and relationships to place, as concepts and aesthetic languages that thread their practices together. ๐—ง๐—ต๐—ผ๐—บ ๐—›๐—ถ๐—ป๐˜๐—ผ๐—ป (@thom.hinton) is a Tฤmaki-based artist and tattooist whose painting and drawing practice brings in these earthly materials โ€“ charcoal, oxide, clay, plaster โ€“ in an exploration of archetypal symbols in European cosmology. Drawing on ancient histories of mark making and their impact on contemporary structures, Hinton examines these early medieval artistic practices, or insular art, in relation to our understanding of beauty and reverence today. What comes out of these curiosities is this rhythmic mark making โ€“ a beautiful contrast between abstract and symbolic sensibilities and material languages. ๐—ง๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜‚๐—ป๐˜‚๐—ถ ๐—›๐—ผ๐˜๐—ฒ๐—ป๐—ฒ (@temarunuihotene) is a multidisciplinary artist based in Taneatua, whose practice draws on his cultural identity and whakapapa, using his art as a platform for reflection and processing experience. Within ๐’ฏ๐‘’ ๐’œ๐“‰๐’ถ ๐’ซล, Hotene presents a beautiful series of new works, as well as some older pieces from his earlier practice โ€“ creating this beautiful conversation around the self, past and present. His recent pencil drawings draw on his mau rฤkau practice, utilising realism to document scenes from recent wananga held in Tลซhoe. From this exploration, Hotene has brought in mฤnuka as a material, subject, and framing device โ€“ materially expanding his artistic practice through its burning and tikanga. Listen back to Sofโ€™s kลrero with each artist about the exhibition and their respective practices at the link in bio โ™ฅ๏ธ by @thom.hinton
Who likes dogs #celticdog #celticart #celtictatto by @thom.hinton

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