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@030___030

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The Pirate’s Journal and Companions🗺️

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OOTD in my hometown🇹🇼
要把舊衣服捐掉了
做個紀念🌸 taken in Miaoli, Taiwan by @030___030

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a year ago

“The Dull-Ice Flower”
is a Taiwanese film released in 1989,
directed by Yang Li-Kuo and written by Wu Nien-Jen.
The movie is adapted from the novel of the same name
by Chung Chao-Cheng.

Set in the rural Taiwan of the early 1960s,
the film was primarily shot
around Mingde Reservoir in Touwu Township, Miaoli County,
and at Xishan Elementary School in the Shilin District of Taipei.

The title “The Dull-Ice Flower”
refers to the lupine flower (Lupinus),
a small yellow flower commonly planted among crops or tea fields.
After blooming,
the flower is plowed back into the soil to enrich it
symbolizing silent dedication and selfless contribution. In both the film and the novel,
it represents a gifted young artist who dies young
though his life was brief, his talent and spirit deeply moved and inspired others.

The term “Lupine” in Mandarin
is transliterated as Lu Bing Hua (魯冰花),
which coincidentally sounds similar to the Hakka and Taiwanese phrases for “roadside flower”
a metaphor for something that blooms quietly and beautifully, yet often goes unnoticed.

《魯冰花》（The Dull-Ice Flower）
是一部於1989年上映的台灣電影，
由楊立國執導，吳念真擔任編劇，
改編自鍾肇政的同名小說。

電影以1960年代初期的台灣農村為背景，
主要拍攝地點為苗栗縣頭屋鄉明德水庫周圍，
以及台北市士林區的溪山國小。

片名《魯冰花》源自「羽扇豆」（Lupinus），
是一種黃色的小花，常被種植於田地或茶樹間。
花開後會被犁入泥土，用以滋養土地，
象徵奉獻與默默付出。
在電影與小說中，
它代表那位早夭卻天資聰穎的美術天才兒童，
雖然生命短暫，卻啟發了人們的心靈。

「魯冰花」的發音來自英文學名的音譯，
巧合地也與台灣客語與台語中「路邊花」的發音相近，
進一步強化了「靜靜綻放卻難以被看見」的寓意。 taken in Miaoli Taiwan by @030___030

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a year ago

These pieces explore circles trying to become human again. In this conceptual project by Paris-based designer Chris Lee, a speculative future unfolds where humanity has vanished and only colored circles remain, objects carrying the trapped thoughts of extinct humans. Moving across dimensions, these circles constantly reshape themselves in pursuit of becoming human once more. For a long time, none succeed, until one finally does: the blue circle. Through fashion, the project visualizes transformation, persistence, and identity in a post-human world.

Designer: @811blu @bluc_studio
Photographer: @030__030
Hair: @foxyhair.upload
MUA: @xikncw
Nails: @ikki_nail
Models: @mvondoll @jazzisnotmyname @htarpon
Photography assistant: @daham_lee
MUA/Hair assistant: @by.andrek by @030___030

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7 months ago

上個週末瑪麗和我一起去了楓丹白露附近。

她想去看看那裡的一間人類歷史與史前文化博物館，
對她而言，史前時代是一個特別容易激發創作靈感的時期：
一個人類尚未與自然徹底分離的時代，人們依賴自然生存，從動植物、石頭、火焰與季節的變化中理解世界，
人與自然之間的界線，不像今天這樣清晰。

上一次來到楓丹白露附近的這些小鎮還是夏天，
沿路的樹葉開始由綠轉黃，有些葉片的邊緣已經染上暗紅，像是顏色從葉脈深處慢慢滲出來。
還有一些樹維持著原本的綠色，另一些則已經稀疏，枝條之間露出更多天空。森林像是正在經歷一場緩慢的換季掉髮，地面鋪著乾燥的落葉，枝頭仍然保留著一些不願離開的顏色。

我們坐在車上，沿著道路駛向森林更深的地方。
某個瞬間，我注意到路旁茂密的樹叢裡，
有幾朵異常巨大的蘑菇附著在樹幹上，它們從樹皮上橫向長出，形狀像層層堆疊的扇面，表面帶著粗糙的紋理，彷彿已經在那裡生長了很久。

車子沒有停下來。

我試著拿起手機，卻發現無論怎麼取景，都無法把眼前的比例、距離和那種突如其來的震撼完整地收進畫面裡。螢幕上的森林只是普通的一片綠，但肉眼看見的東西卻完全不是那麼回事。那些蘑菇大得近乎不真實，像是森林裡某種不需要向人類解釋自身存在的生物。

最後我什麼也沒有拍到。

早上的我其實還沒有完全清醒，坐在旁邊的瑪麗似乎也差不多。但她仍然很有精神地連續播放著馬賽與巴黎年輕人的饒舌音樂

我們一邊聽，一邊討論兩個城市的差異。馬賽的音樂有一種更直接的律動感，節奏彷彿帶著身體一起移動；巴黎的某些作品則顯得更加嚴肅、冷峻，像是混合了城市裡的壓力、競爭，以及那些從其他地方來到首都、試圖在這裡找到自己位置的人，她也同時嘗試和我解釋一些歌詞對她的意義，

我聽著聽著，意識卻逐漸從車內抽離。

音樂還在播放，窗外的樹木一棵接著一棵向後退去。
車內是瑪麗選擇的聲音，車外則是我忍不住想要觀看的景象。我像是同時待在兩個空間裡，一部分參與著對話，另一部分卻已經被窗外的森林帶走。

在進入博物館之前，我們決定先步行十五到三十分鐘，去附近的一座修道院看看。

那不是一般印象裡熱鬧的教堂。比起聚集人群、舉行儀式的場所，它更像是一個讓人暫時退出日常生活的空間。人可以在那裡安靜下來，獨處，思考，重新調整自己與世界的距離。

這種使用空間的方式，讓我想到亞洲某些用來修行的場所。文化與信仰或許不同，但人似乎始終需要一些地方，讓自己從日常生活的聲音裡退開，重新回到內在。

我想，這樣的地方倒是很符合我們兩個當時的心境。

沿途，瑪麗和往常一樣，不斷觀察著周圍的森林。

她會在小路旁停下來，注意那些容易被忽略的東西：
石頭表面的紋理、樹枝折斷後留下的形狀、落葉底下露出的細小結構。有時候她會彎下腰，撿起一塊石頭，翻過來看它的另一面；有時候則把一截樹枝拿在手裡，像是在判斷它為什麼會長成這樣。平常，她甚至會收集昆蟲留下的殘骸。

在她眼裡，森林似乎從來不是一個只需要經過的地方，
每一小段路都可能藏著什麼，每一個不起眼的物件，都可能因為被發現而有了新的意義。她像是在尋寶，但那些寶藏沒有被埋在地下，也不需要被誰藏起來。它們只是一直存在那裡，等待某個願意放慢腳步的人看見。

而我也像平常一樣，在一旁記錄她的行徑。

我看著她停下、彎腰、拾起東西，又繼續向前走。她有時候會因為某個小小的發現而停留很久，彷彿眼前的事物值得她暫時忘記目的地。我不一定知道她正在想什麼，卻總是忍不住想把那些瞬間記錄下來。

很多時候，和她相處的我感覺自己就像一台相機。

不是因為我總是拿著相機，而是我的注意力會不自覺地停留在她身上。她的動作、她觀看事物的方式、她對那些微不足道的東西所表現出的興趣，都讓我目不轉睛。我甚至會忘記自己原本也有想看的東西，只是跟著她的視線移動，看看她下一次會因為什麼停下來。

她像是我的繆思。

不是直接告訴我應該創作什麼的人，而是讓我重新感覺到，世界上還有多少東西值得觀看。她的存在讓我想記錄，而她觀看世界的方式，也讓我重新發現自己觀看世界的方式。

前往修道院的途中，我們經過了一片奇特的地貌。

森林之間，突然出現了裸露的岩石與大片沙地，和周圍茂密的樹木形成鮮明的對比。地面不再被落葉完全覆蓋，而是露出粗糙、乾燥的砂礫與岩層。那些石頭有的平坦，有的堆疊成不規則的形狀，沙地則沿著地勢延伸，在樹木之間留出一片空曠的空間。

我不知道那裡原本是做什麼用的，是自然形成的地貌，還是曾經經過人為開採或其他用途的場地。但它看起來不像一般的森林步道，更像是森林裡某個突然被留下來的空白，那個地方讓我想起前陣子推薦給瑪麗看的影集《Primal》。

夜晚降臨，恐龍與那個原始人尋找地方休息的畫面。
他們在荒涼的地貌之間移動，四周沒有現代世界的痕跡，只有岩石、沙土、樹木，以及隨時可能出現的危險。當夜色覆蓋大地，兩個生物便暫時停下腳步，在廣闊而陌生的世界裡找到一個可以棲身的地方。

我們後來抵達了修道院，但那裡沒有任何人。

沒有迎面走來的遊客，沒有交談的聲音，四周安靜得有些不真實，彷彿我們並不是沿著一條正常的道路走到這裡，而是不小心穿過了某個看不見的入口，
闖進了一個與原本世界稍微錯開的空間，
我們在修道院裡的世界地圖前停留了許久。

離開前我注意到停在那裡的幾輛車，
其中一輛的車牌上數字是 333 taken in Musée de Préhistoire d'Ile-de-France by @030___030

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5 days ago

@francegalop @q_rec 🏇📹
Qatar Prix de l’Arc de Triomphe🇫🇷🇬🇧🇯🇵🇮🇪🇩🇪

The Prix de l’Arc de Triomphe has been held in Paris since 1920. Born in the years following the First World War, it was created as a celebration of peace and quickly became one of the great traditions of French horse racing.

For more than a century, horses, jockeys, breeders, aristocrats and spectators have gathered in Paris to watch the same race unfold. The setting, the horses, the clothes and the rituals have changed with time, but something of that old world still remains.

Every year, on the first Sunday of October, Longchamp becomes a meeting place between French racing history and the present day.

4 octobre 2026,Hippodrome de Longchamp taken in Hippodrome de Longchamp by @030___030

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11 days ago

🌳🌾When I lived in the sweet potato🍠
The most romantic thing my father ever did for me
was plant a tree the same date I was born

It still stands today
surrounded by rice fields
and fragrant osmanthus trees🦗
神永遠祝福這片土地

如果非要在這份愛上加上一個期限
我希望是一萬年 taken in Miaoli, Taiwan by @030___030

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3 months ago

La vie à Paris🧑‍🌾🍵🚴

Picking herbs in the garden to make tea,
playing ping-pong in the courtyard,
looking at figs of different sizes and colors on the trees,
lights glowing in the woods,
matcha and lychees,
the green water of the Seine.

Green also symbolizes nature, purity, and the nourishment of life.
This year, Paris is having a green summer.** 🌿 Les lumières du Chemin Vert🔮 by @030___030

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3 months ago

Working with women from different backgrounds and with different personalities has been the greatest joy of my journey as a photographer.

It has become something far beyond photography.
It’s about the moments when we connect with the little girl inside each of us, and about the strength that clothing can give to women.

The journey from girlhood to womanhood,
or from being a woman back to embracing the girl within

These are the moments I witness and feel through my camera, as I observe every person who stands before my lens with @_stella.ab

grateful to my friends for making all of this possible everytime,from winter to summer,
Because of her,
I came to see womanhood in so many different forms
courageous, strong, and quietly resilient.
@aerilshan 👐🏻🩶 taken in Paris, France by @030___030

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3 months ago

Walking along
the path called Chemin Vert（Green Lane🐛🍀 ❇️）
cats here all have green eyes

On my way to meet someone
before we even see each other
I find traces of them everywhere along the way

今年的暑假沒有蟬聲
只有花叢裡蜜蜂採蜜時翅膀震動的聲音
迎來我人生開始平靜接近透明的時刻
回到了生命的起點🌱 by @030___030

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3 months ago

Hippodrome ParisLongchamp,juillet 2026
shoot for @francegalop @paris.longchamp taken in Hippodrome Parislongchamp by @030___030

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3 months ago

Merci à mon ami de longue date,
vétérinaire équin.

J’ai adoré écouter toutes les histoires qu’il m’a racontées sur son travail dans des hippodromes aux quatre coins du monde.

Après avoir regardé la première course, il est déjà reparti en direction de Londres.

在longchamp看到好多女生男生寄放longchamp
感謝獸醫長朋友
比賽前聽他說了很多和馬一起環遊世界工作的故事
見了不到一個小時就接著趕去倫敦了

Shoot for @francegalop @paris.longchamp 🐎 taken in Hippodrome de Longchamp by @030___030

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3 months ago

At the African Museum in Paris,
found a book about Taiwan’s Tsou Indigenous people that was photographed and written by a Japanese author.

關於前世今生，關於血液交融
我們已不是第一次相見

曾在某座山林擦肩而過，
在某條河流並肩同行，在某片海洋彼此凝望，

被時間沖淡的故事，從來沒有消失，
化作一種難以言喻的牽引，
讓今生的我們在世界的另一個角落再次相遇

Taiwan has always been an island where cultures meet.

Across different eras, people from diverse backgrounds arrived on this land. Some stayed, some left, some blended with one another,
and all left behind pieces of their stories.

History is more than the rise and fall of dynasties
it is a series of encounters, exchanges, and connections that have slowly shaped who we are today.

Sometimes I wonder if blood is more than a biological inheritance. Perhaps it also carries memories that transcend time.

We often believe we have nothing in common with one another, yet perhaps, long ago, our ancestors once crossed paths. The bloodlines that flowed between different peoples may still quietly run through our veins today, even though we can no longer tell which mountain, which river, or which chapter of history they came from.

And if we stretch our sense of time a little further, perhaps our encounters are not confined to this lifetime alone.

Maybe, in another life, we passed each other in the mountains, walked side by side along a river, or gazed across the same sea.

Those stories may have been softened by time, but they never truly disappeared. Instead, they became an invisible thread, gently drawing us together again, allowing us to meet once more in another corner of the world.

History and culture do not exist only in the pages of books, within the walls of museums, or in the records of a distant past. They also flow through our blood, live on in our memories, and continue with every encounter we share.

Perhaps none of our meetings are ever truly by chance
Perhaps
we have known each other for a very long time🌏

在非洲博物館找到了家的記憶 by @030___030

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3 months ago