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abi

@4bigails4rchive

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~𝖆𝖗𝖈𝖍𝖎𝖛𝖊~
in between things..
MA fashion futures LCF
founder @art.we.ar
main @abisara_

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@ditzband hanging out @fiddlerselbow_btn by @4bigails4rchive

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3 years ago

Some more of @oscars.online in the apocalypse🫀 taken in Brighton by @4bigails4rchive

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4 years ago

🥒🥒🥒

#blender #blender3d by @4bigails4rchive

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2 years ago

Some natural textures on film from the trip to @kewgardens with @ual_postgrad_community 🍃 by @4bigails4rchive

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2 years ago

Get ready with me !

End of term showcase/performance on avatars and emotional agency🤓 taken in London College of Fashion by @4bigails4rchive

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2 years ago

awkkkies ! by @4bigails4rchive

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2 years ago

Some fun process from this term🫠

#metahuman #unrealengine5 taken in London, United Kingdom by @4bigails4rchive

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2 years ago

can take the gorl outta Wales not Wales outta the gorl

ECHOFLORA made with Gabriel and Iris taken in London College of Fashion by @4bigails4rchive

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2 years ago

Do you want to disable the monitoring? by @4bigails4rchive

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2 years ago

References from @seeyourselfsensing by @4bigails4rchive

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2 years ago

Making biodegradable string🧶 taken in Chelsea College of Arts by @4bigails4rchive

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2 years ago

Also today unreal @tere_solar @hayward.gallery

These hit something in my brain🫠

“These three Tunnel Boring Machines by Teresa Solar Abboud resemble composite entities combining industrial and organic materials and forms. Emerging from clay bases, sleekly shaped limbs’ painted in bright, artificial colours, suggest a range of forms - fins, propeller blades, aerodynamic appendages - all of which appear to be engineered to generate dynamic movement.
In contrast, roughly-worked, heavy clay ‘joints’ function as bases or points of equilibrium for these polished elements.
For the artist, clay evokes the ancient, raw material of mud, which ‘always speaks to the underground, the mountains, the landscape; that which is underneath us all the time but we can never see.’” taken in Hayward Gallery by @4bigails4rchive

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2 years ago