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Seokmin
Art piece, Costume
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Styling for THE H
"기억이 춤추는 공간" — The H 10th Anniversary Heritage Film
with MUJER dance company

#TheH #현대건설 #StylingProject #FashionStyling #HeritageFilm #BrandCampaign #visualstorytelling by @51_projet
0
a year ago
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≪ FLATLAND ≫, Garimda
Apr.2025
Choreography 차주연 | Juyeon Cha
아르코예술대극장 | ARKO Arts Theater & Daehakro Arts Theater, Seoul
무대 의상 디자이너 | Costume Designer by @51_projet
2
a year ago
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Custom looks for 
GENTLEMONSTER @gentlemonster 
Pocket Collection
worn by Karina @katarinabluu
with @sikhomodes

#GENTLEMONSTER #KARINA #BRATZ
#pocketcollection by @51_projet
1
a year ago
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Co-Designer & Model — FER 25SS
@fer_fabriqueenrecre by @51_projet
3
a year ago
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≪ENHYPEN Madrid concert ≫
Oct.2024
Costum with @sikhomodes by @51_projet
2
a year ago
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≪Taeyang concert ≫
Sep-Oct 2024
Costum with @sikhomodes by @51_projet
2
a year ago
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≪Encore, BACH x MOVEMENT ≫
Sep.2024
SFAC theater QUAD, Seoul
퍼포머 | Perfomer
Choreography 강요찬 | Yochan Kang
Violin 진영훈 | Younghoon Jin

https://www.youtube.com/watch?v=1ACqvLc8Zs8 by @51_projet
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a year ago
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costum for
aespa 에스파 'Supernova (Grimes Remix)' MV (The Other World Ver.)
2024. 9. 27. #aespa #Grimes #Supernova
https://www.youtube.com/watch?v=tY2q55Sw3jA by @51_projet
1
a year ago
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Art piece for Eve by @51_projet
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a year ago
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≪ GangGang ≫, Critics choice 
Jul.2024
Choreography 강요찬 | Yochan Kang
아르코예술대극장 | ARKO Arts Theater & Daehakro Arts Theater, Seoul
무대 의상 디자이너 | Costume Designer

GangGang 은 원시 시대부터 이어져 온 인간의 본능적인 공동체 놀이의 본질을 살리면서, 강강술래가 미래에도 지속될 수 있는 가치를 몸으로 표현했다.

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GangGang preserves the essence of a primal, communal human play passed down since prehistoric times, expressing through the body the enduring value of Ganggangsullae into the future. by @51_projet
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a year ago
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 by @51_projet
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a year ago
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≪ STRUCTURE AND CONSCIOUSNESS I ≫
Dec.2022
Choreography 강요찬 | Yochan Kang 
Understandavenue, 성수 
무대 의상 디자이너 및 퍼포머 | Costum Designer and Performer

퍼포머로서 나는 ‘재봉틀’이라는 오브제가 지닌 기계적 리듬과 반복성에 주목했다. 헛도는 바퀴의 금속성 울림, 부러진 바늘이 천에 박히는 날카로운 소리, 페달 밟는 리듬. 재봉틀의 본래 기능을 제거한 후 그 소리와 움직임을 무용수들의 신체 언어와 결합시켰다. 

의상 디자인에서는 ‘구조’의 가시화와 해체 과정을 핵심으로 삼았다. 사회적 격식을 상징하는 수트를 기본 패턴으로 선택한 뒤, 각 무용수의 개성과 움직임을 반영해 실루엣을 과감히 분해·재조합했다. 

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As a performer, I focused on the mechanical rhythm and repetition embedded in the sewing machine as an object. The metallic resonance of a spinning wheel, the sharp sound of a broken needle piercing fabric, and the steady rhythm of the foot pedal — I stripped the machine of its original function and fused its sounds and motions with the dancers’ physical language.

In the costume design, I centered on the visualization and deconstruction of “structure.” Using the suit — a symbol of social formality — as a base pattern, I boldly dismantled and reassembled the silhouette to reflect each dancer’s individuality and movement. by @51_projet
2
a year ago
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