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@_eclipse_k

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Akira Toriyama Artwork Collector
Research & Archive | 鳥山明
Original Artwork Autographs Rare Archives
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"Before the world discovered Dragon Ball, this bird (鳥) already existed." Long before Goku became one of the world's most recognizable characters, Akira Toriyama was sketching a small bird that would later become the emblem of his official fan club—the Akira Toriyama Preservation Society (鳥山明保存会). This is one of the original concept sketches. Formally authenticated by Mandarake as a hand-drawn work by Akira Toriyama, it preserves a rare moment in the creative process—the moment before a logo became an identity. The accompanying images show how this early concept evolved into the official emblem of the Akira Toriyama Preservation Society, appearing on membership cards, newsletters, publications, and merchandise throughout the 1980s. For collectors, published artwork tells one story. Original production material tells another. It records not only what the world eventually saw—but also how the idea first took shape. Original. Authenticated. Preserved. #AkiraToriyama #DragonBall #OriginalArtwork #鳥山明 #OriginalSketch by @_eclipse_k
22
3 months ago
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It was really special to be in Houston to celebrate Masako Nozawa’s 90th birthday. I also finally got to meet friends I’d known through Instagram for a long time, and we had a really fun two days together. During my time in Houston, I met four voice actors who have played Goku, including Masako Nozawa, as well as the voice actor of Beerus. I also completed a collection that means a lot to me. I had a chance to talk briefly with Masako Nozawa and wish her a happy birthday in person. I also gave her a short handwritten letter, and she read it right there in front of me, haha. When I told her I had come from South Korea, she seemed surprised. When I showed her an old Dragon Ball animation script I had brought with me, she looked at it and said, “I remember this.” That was a special moment for me. I also showed her an original piece of artwork hand-drawn by Akira Toriyama around 40 years ago. She seemed surprised when she saw it. As I said goodbye and turned to leave, I heard Masako Nozawa say behind me, “Sugoi desu ne” (すごいですね / “That’s amazing”). Those words stayed with me. I think she was probably referring to Toriyama-sensei’s original artwork I had just shown her. It was only two days in Houston, but I came home with a lot of great memories. Just like these moments captured on film, I hope the memories of those days stay with us for a long time. To everyone who shared those days with me, thank you. taken in Reliant Center by @_eclipse_k
11
14 days ago
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Between 1982 and 1983, Akira Toriyama created this original hand-drawn and colored sketch for the logo designs of the Toriyama Akira Hozonkai and BIRD STUDIO. This time, I took a closer look at the original artwork under high magnification. The moment a pencil touches paper, graphite is pushed and spread into the fibers—and those traces are still there. Where each line begins and ends, where strokes overlap, where more pressure was applied, and even the minute traces left by pen and coloring materials all look completely different from what we can see with the naked eye. Following these tiny details, we can get a sense of how Toriyama formed each line and shape, and how an idea in his mind gradually developed into a design. With just a few lines, an idea begins to take shape. Then color is added, and the design comes together. Looking this closely at those traces feels almost like watching Toriyama’s distinctive ideas and artistic sensibility take physical form on the paper. The high magnification also revealed something that was almost impossible to see with the naked eye. In several areas where the yellow and black meet, minute traces of red can be seen. It is an intriguing detail that suggests another pen or coloring material may have been used in addition to the colors previously visible to the naked eye. At some moment between 1982 and 1983, Toriyama’s hand moved across this paper with pencil and pen, adding color and leaving these traces behind. That moment of creation has remained here like a time capsule, preserved on the paper for more than 40 years. Akira Toriyama Original Hand-Drawn & Colored Logo Design Sketch 鳥山明保存会 / BIRD STUDIO 1982–1983 For the full story, check out this blog m.blog.naver.com/treeheart9/224374421938 #toriyama #toriyamaakira #birdstudio #鳥山明 #鳥山明先生 by @_eclipse_k
15
17 days ago
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안녕하세요, 운동하는 오타쿠 아저씨 기글킴입니다. 11월 한 달간 기글베이 매장은 정신과 시간의 방으로 운영될 예정입니다. 이클립스K 선생님의 원화들과 기글킴의 쿰쿰한 장난감들까지, 오셔서 중력 10배 아래에서 함께 수련해 봐요. 그럼 우리 모두 만화 보고 운동합시다! Hello, I’m Giggle Kim, the otaku uncle who loves sports. For the entire month of November, Gigglebay will transform into the Hyperbolic Time Chamber! From original artwork by Eclipse K to Giggle Kim’s collection of quirky old toys, come train with us under 10 times Earth’s gravity! Let’s all read manga and get some exercise! こんにちは、運動するオタクおじさん、ギグルキムです。 11月の1ヶ月間、ギグルベイは「精神と時の部屋」として営業します！Eclipse K先生の原画から、ギグルキムの古くて味のあるおもちゃまで。ぜひ遊びに来て、10倍の重力の中で一緒に修行しましょう！ それでは、みんなで漫画を読んで運動しましょう！ * Directed by ‘Giggle Kim’ * Project with @_eclipse_k @ilsikkim @gigglebay.kr @gigglebay.shop @gigglekim @commonground.official “기글베이 본점 at 건대 커먼그라운드” 🕰 매일 11:00–22:00 🏡 서울 광진구 아차산로 200 건대 커먼그라운드 MH동 1층 “Gigglebay Main Store at Konkuk University Common Ground” 🕰 Daily 11:00–22:00 🏡 1F, MH Building, Common Ground, 200 Achasan-ro, Gwangjin-gu, Seoul, Korea 「ギグルベイ本店 at 建大コモングラウンド」 🕰 毎日 11:00–22:00 🏡 ソウル特別市広津区アチャサン路200 コモングラウンド MH棟 1階 taken in 커먼그라운드 by @_eclipse_k
0
2 days ago
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안녕하세요, 운동하는 오타쿠 아저씨 기글킴입니다. 내국인, 외국인 모두 환영합니다. 오셔서 같이 드래곤볼 카드깡해요. 카드는 일식이랑 태영이가 사올거니까 가위만 가져오세요!! 그럼 우리 모두 만화 보고 운동합시다! @_eclipse_k @jellyboyshop_vintage @gigglebay.kr @gigglebay.shop @gigglekim @commonground.official “기글베이 본점 at 건대 커먼그라운드” 🕰 매일 11:00–22:00 🏡 서울 광진구 아차산로 200 건대 커먼그라운드 MH동 1층 “Gigglebay Main Store at Konkuk University Common Ground” 🕰 Daily 11:00–22:00 🏡 1F, MH Building, Common Ground, 200 Achasan-ro, Gwangjin-gu, Seoul, Korea 「ギグルベイ本店 at 建大コモングラウンド」 🕰 毎日 11:00–22:00 🏡 ソウル特別市広津区アチャサン路200 コモングラウンド MH棟 1階 taken in 커먼그라운드 by @_eclipse_k
0
4 days ago
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서각 작업은 해본 적도 없는 저에게 작업을 의뢰해주신 덕분에, 저에게도 재미있고 새로운 작업을 해볼 수 있었습니다. AKIRA TORIYAMA 작가님의 그림을 나무로 옮기는 작업은 서각 경험이 전혀 없는 제가 작업하기에는 어려운 부분도 많았습니다. 하지만 나무를 깎아내는 과정, 그리고 그 안에 마음을 담는 과정은 크게 다르지 않다고 생각해서인지 작업하는 내내 즐겁게 작업했던 것 같습니다. 다행히 받으시는 분께서도 만족해주셔서 저 또한 참 기분 좋았습니다. 처음 해보는 작업을 믿고 맡겨주신 덕분에 저에게도 새로운 경험이 되었고, 좋은 작업을 할 수 있는 기회를 주셔서 감사드립니다. #emok #woodart #woodcarving #akiratoriyama by @_eclipse_k
6
10 days ago
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안녕하세요, 운동하는 오타쿠 아저씨 기글킴입니다. 일식이랑 아모레에서 한 번, 커먼그라운드에서 한 번. 지금까지 총 두 번 진행했던 ‘드라곤의 비밀’ 전시 팝업. 둘 다 드래곤볼을 좋아하고, 특히 옛날 것들을 사랑하다 보니 별생각 없이 시작했던 일들이에요. 돈 버는 일을 해야 하는데 자꾸 재밌는 일만 찾아서 하니 좀 큰일인 것 같지만, 뭐 어쩌겠습니까? 태생이 이런걸 ㅋㅋㅋㅋㅋㅋ 10월엔 마징가 팝업 행사에 집중하고, 11~12월 사이에 세번째 계획을 잡고 있습니다. 좋은 공간을 계속 찾고 있으니, 함께 재밌는 일을 벌여보고 싶은 곳이 있다면 어디든 편하게 제안 주시면 감사하겠습니다. 그럼 우리 모두 만화 보고 운동합시다! With my SOUL brother @_eclipse_k @ilsikkim @gigglebay.kr @gigglebay.shop @gigglekim @commonground.official “기글베이 본점 at 건대 커먼그라운드” 🕰 매일 11:00–22:00 🏡 서울 광진구 아차산로 200 건대 커먼그라운드 MH동 1층 “Gigglebay Main Store at Konkuk University Common Ground” 🕰 Daily 11:00–22:00 🏡 1F, MH Building, Common Ground, 200 Achasan-ro, Gwangjin-gu, Seoul, Korea 「ギグルベイ本店 at 建大コモングラウンド」 🕰 毎日 11:00–22:00 🏡 ソウル特別市広津区アチャサン路200 コモングラウンド MH棟 1階 taken in 커먼그라운드 by @_eclipse_k
0
12 days ago
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Full recap of @tokyox.usa 😎 Off the jump, I want to say thank you to the homies @xenosgalla & @barbs_cels_animation for coming down and wanting to be a part of the show! Getting to meet @godlycomics, @_eclipse_k, @highendhobby and so many others for the Masako Nozawa signing was incredible. Seeing original Toriyama drawings, unbelievable storyboards, manga, and even genga/douga getting signed was something else. My personal experience with Masako is something I’ll cherish forever. During my signing, she recognized my Hajime No Ippo shirt, which sparked a small conversation—and somehow ended with me doing the Dempsey Roll in front of her 😂🥺 Definitely a moment none of us expected, but one we all enjoyed! Finally meeting @nostalgicdza was something I’ve looked forward to for quite some time. He brought me straight back to my childhood with the opportunity to meet the VAs from Ed, Edd n Eddy, including @samuelvincentkhouth. Getting to do the main intro with them and share some timeless moments about cartoons, anime, and the impact they’ve had on all of us was awesome. Last but not least, I was able to secure custom shikishi from Gen Sato & Hidetoshi Omori. Watching the artwork come to life right in front of me made it that much more special. Seeing the Gundam sketch take shape was incredible, and having Hidetoshi create a custom Hajime No Ippo shikishi for me on the spot is something I won’t forget. The event itself was run beautifully by the entire staff. My good friend @ds_kinchi looked out for us every step of the way, and even Mr. Naoki-san himself made sure we were good and enjoying ourselves throughout the weekend. That was truly the cherry on top. Amazing art, amazing people, and memories I’ll have for a lifetime. Already looking forward to next year 🙌🏼 by @_eclipse_k
20
17 days ago
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@cgccomics Are you ready 😈 taken in Houston, Texas by @_eclipse_k
25
21 days ago
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A New Year card sent by Akira Toriyama to a reader in 1986. A surviving example from nearly 40 years ago. This was an official reader prize from Weekly Shonen Jump’s 1986 New Year Issue No. 6. Each participating manga artist presented message cards to 100 readers, including Akira Toriyama for Dragon Ball. The card shows Toriyama driving a car marked “1986.” “Please keep supporting both the manga and the TV anime. This year, I’m planning to enjoy lots of drives with my wife!!” “But I have a pretty terrible sense of direction… I might accidentally end up going ‘Back to the Future.’” “Excuse me… could you tell me the way back to Nagoya……?” The joke is that Toriyama’s terrible sense of direction has taken him all the way to another era — a great example of his distinctive sense of humor. During the Dr. Slump years, Toriyama actually owned and cherished an Autobianchi A112. His interest in cars and motorcycles can also be seen throughout his work and illustrations from the period. The Autobianchi A112 from his Dr. Slump years, followed by another car and a story about driving in this 1986 card from the early years of Dragon Ball. This is one of the surviving examples from the 100 cards originally presented to readers in 1986, nearly 40 years ago. Hand-signed on the reverse: “DRAGON BALL / 鳥山明 (Akira Toriyama)” Authenticated by Mandarake. 1986년, 토리야마 아키라가 독자에게 보낸 신년 카드. 약 40년의 시간을 지나 현재까지 살아남은 개체. 『주간소년점프』 1986년 신년 6호에서 진행된 공식 독자 경품으로, 각 작가가 100명의 독자에게 메시지 카드를 선물했습니다. Dragon Ball의 토리야마 아키라도 참여했습니다. 카드에는 자동차를 타고 있는 토리야마의 모습과 함께 "1986" 숫자가 그려져 있습니다. “만화도 TV 애니메이션도 응원해 주세요. 올해는 아내와 둘이서 신나게 드라이브를 다닐 생각입니다!!” “하지만 저는 상당한 길치라서… 무심코 ‘백 투 더 퓨처’를 해버릴지도 모르겠네요.” “저기요~ 나고야로 돌아가는 길을 알고 싶은데요……?” 길치인 자신이 드라이브를 하다가 엉뚱한 시대까지 가버렸다는 설정으로, 토리야마 아키라 특유의 유머가 그대로 담겨 있는 카드입니다. 토리야마는 《Dr. Slump》 연재 시절 실제로 Autobianchi A112를 소유하고 아꼈습니다. 자동차와 오토바이에 대한 관심은 당시 작품과 여러 일러스트에서도 자주 확인할 수 있습니다. 《Dr. Slump》 시절의 Autobianchi A112, 그리고 《Dragon Ball》 연재 초기인 1986년에 그려진 자동차와 드라이브 이야기. 당시 100명의 독자에게 전달된 카드 가운데 약 40년의 시간을 지나 현재까지 살아남은 개체입니다. 카드 뒷면에는 “DRAGON BALL / 鳥山明” 친필 사인. Mandarake 정식 감정 완료. by @_eclipse_k
13
a month ago
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안녕하세요, 운동하는 오타쿠 아저씨 기글킴입니다. 정열이형, 일식이, 중갑이, 승신이랑 재밌게 다녀왔던 일본 출장. 지난주였는데 또 가고 싶네요 ㅋㅋㅋ 빨리 구미래 투어 만들어서 가야겠습니다. 이제 허리 통증이 50% 이상 사라졌네요. 다 나으면 가벼운 무게로 웨이트도 병행해야겠어요. 다행히 디스크가 터진건 아니라, 다음주부터 체육관 복귀할 수 있을거 같습니다. 여러분, 진짜 건강이 제일입니다. 그러니까 우리 모두 만화 보고 운동합시다 !! @gigglebay.kr @gigglebay.crew @gigglekim @commonground.official “기글베이 본점 at 건대 커먼그라운드” 🕰 매일 11:00–22:00 🏡 서울 광진구 아차산로 200 건대 커먼그라운드 MH동 1층 “Gigglebay Flagship Store at Konkuk University Common Ground” 🕰 Daily 11:00–22:00 🏡 1F, MH Building, Common Ground, 200 Achasan-ro, Gwangjin-gu, Seoul, Korea 「ギグルベイ本店 at 建大コモングラウンド」 🕰 毎日 11:00–22:00 🏡 ソウル特別市広津区アチャサン路200 コモングラウンド MH棟 1階 taken in Japan by @_eclipse_k
0
a month ago
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1987년, 드래곤볼 제48화가 만들어지던 순간. 『ブルー将軍攻撃開始！』 「블루 장군 공격 개시!」 1987년 1월 28일 후지TV에서 방영된 《드래곤볼》 제48화의 오리지널 프로덕션 스크립트입니다. 애니메이션이 완성되기 전, 오공과 부르마, 크리링, 블루 장군의 대사와 장면 지시가 이 종이 위에서 먼저 존재했습니다. 잠수정 안에서 드래곤볼을 찾는 오공 일행, 그들을 추적하는 블루 장군의 잠수함, 그리고 어뢰 공격이 시작되는 장면까지. 화면으로 익숙하게 보아왔던 장면들이 실제 제작 과정에서는 어떤 문장과 지시로 기록되어 있었는지 한 페이지씩 직접 확인할 수 있다는 점이 이 대본의 가장 큰 매력입니다. 특히 표지에 적힌「ブルー将軍攻撃開始！」 라는 제목과 No.48 표기는 이 자료가 어느 에피소드의 제작 현장에서 사용된 대본인지 명확하게 보여줍니다. DRAGON BALL — Episode 48 「ブルー将軍攻撃開始！」 Original Production Script, 1987 On Air: January 28, 1987 / Fuji TV 1987 — the moment Dragon Ball Episode 48 was being created. 『ブルー将軍攻撃開始！』 “General Blue’s Attack Begins!” This is an original production script for Dragon Ball Episode 48, which aired on Fuji TV on January 28, 1987. Before the episode was completed, the dialogue and scene directions for Goku, Bulma, Krillin, and General Blue already existed on these pages. From Goku and the others searching for the Dragon Ball underwater, to General Blue’s submarine pursuing them, and finally the beginning of the torpedo attack, the script preserves the episode in its production-stage form. That is what makes this piece so interesting to me: you can follow the episode page by page and see how familiar scenes were originally written before they reached the screen. The cover itself is marked with: 『ブルー将軍攻撃開始！』 No.48 clearly identifying the episode this script was prepared for. DRAGON BALL — Episode 48 “General Blue’s Attack Begins!” Original Production Script, 1987 On Air: January 28, 1987 / Fuji TV by @_eclipse_k
13
a month ago
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