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Ahmad Naboulsi - احمد نابلسي

@_microperson

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Honored to be collaborating with such great souls on the visual identity of Red Thread.
One poster beautifully illustrated by the incredible @tracychahwan , and another crafted through the sensitive and thoughtful collaboration between @returnthecart and @poladian.jpg
A special shoutout as well to the talented @hiba.chaarani who brought our title to life with calligraphy full of care and professionalism.
Grateful for this generous creative energy. ❤️ taken in Tripoli, Lebanon by @_microperson

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a year ago

"لا خطوط مستقيمة في الطبيعة"
"There are no straight lines in nature"

Stills from: Tripoli, the encounter 2024
لقطات من طرابلس اللقاء ٢٠٢٤ by @_microperson

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2 years ago

Between 1962-1975, Oscar Niemeyer was commissioned to design the Tripoli International Fair. As the structure was on the verge of completion, the events of the 1970s transfigured the structure into something gargantuan, incomplete, and abandoned - a white elephant. A biker’s trip through Tripoli becomes the backdrop through which we explore these events from the standpoint of the city’s residents. Along his journey, the fair catches his eye. He approaches its gates only to enter a state of delirium and be taken on a sonic journey along the Orient Express. Niemayer takes a drag of his cigarette and waxes poetic. Somewhere along this stream of consciousness, he reflects on the relationship between structures and the society that surrounds them, eventually commenting on what has become of the thing he built. taken in Oscar Niemeyer by @_microperson

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4 years ago

Marsah ArtWeek TAKEOVER — Hammam Ezzedine
DAY 6: WEDNESDAY, Oct 14

As part of Marsah Art Week’s expansion beyond its own walls, The Beginning Was Water takes the form of a site-specific exhibition at Hammam Ezzedine, approaching water, the river, and the hammam as carriers of memory, movement, history, and transformation.

Rebecca Tawk’s documentary work follows the Abu Ali River’s journey into Tripoli, revealing the layers of memory embedded within its course.

Ahmad Nabulsi’s immersive VR installation creates a fictional journey through what has been erased, blending documentation, imagination, and reconstruction. Through the character of Abu Ali, the river is given a human presence and a voice to reflect on its own transformation.

Within the hammam, Nabulsi’s sound installation reimagines the space through the sounds of water, bathing, voices, and movement, bringing its former life into the present.

Together, the works create an encounter between river, site, memory, and imagination.

10:00–18:00 | Exhibition Opening - Hammam Ezzedine
This exhibition is public and will remain open until Wednesday, Oct 18

#MarsahArtWeek #GeographiesOfReUnion #Tripoli

يتخذ معرض *كان البدء بالماء* شكل معرض موقعي في حمّام عزّ الدين، مفعّلًا هذا الموقع التاريخي كامتداد لجغرافيا المهرجان. يتناول المعرض الماء والنهر والحمّام بوصفها حوامل للذاكرة والحركة والتاريخ والتحوّل.

في طرابلس، لا تنفصل حكاية الماء عن جغرافيا المدينة وتاريخها. فنهر أبو علي، الآتي من وادي قاديشا إلى المدينة، يشقّ طريقه عبر المناظر الطبيعية والمجتمعات وطبقات التاريخ والتحوّلات العمرانية. في عملها الوثائقي، تتبع ريبيكا طوق مسار النهر عند وصوله إلى طرابلس، كاشفةً طبقات الذاكرة المتجذّرة في مجراه.

يقدّم عمل أحمد النابلسي بتقنية الواقع الافتراضي رحلة غامرة ومتخيّلة عبر ما تمّ محوه، جامعًا بين التوثيق والخيال وإعادة البناء الفني. ومن خلال شخصية أبو علي، يُمنح النهر حضورًا وصوتًا يتأملان تحوّلاته وما مرّ به.

وفي داخل الحمّام، يعيد النابلسي تخيّل المكان من خلال عمل صوتي غامر يستحضر أصوات الماء والاستحمام والأصوات والحركة، مستعيدًا حياة المكان السابقة في الحاضر.

تلتقي الأعمال في هذا المعرض عند تقاطع النهر والمكان والذاكرة والخيال. by @_microperson

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3 days ago

Your 10-day roadmap to Marsah ArtWeek 2026: Geographies of Re-union is here!

Swipe through to discover the full schedule for Marsah ArtWeek 2026, featuring our main exhibition at Marsah, the Beginning Was Water takeover at Hammam Ezzedine, live performances, workshops, and forums.

The program offers public & ticketed events- check the program.

🎟️ Tickets & full passes are available on Ihjoz or at Marsah (Students get 50% off with a valid ID). Link in bio!

#MarsahArtWeek #GeographiesOfReUnion #Tripoli

دليلكم للمهرجان صار جاهز!

تعرفوا من خلال الصور التالية على البرنامج الكامل لـ"أسبوع مرسح الفني" 2026، من المعرض الرئيسي "جغرافيا الوصال" بمرسح، لمعرض "في البدء كان الماء" بحمّام عزّالدين، بالإضافة للعروض الحيّة، وورش العمل، والمنتديات.
البرنامج بقدم فعاليات عامة و فعاليات مع بطاقات- إطلعوا على البرنامج الكامل.

🎟️ التذاكر متوفّرة بـ"مرسح" أو على موقع ihjoz (خصم 50% لكل حامل بطاقة طالب سارية المفعول)

🗓️ من ٩ لـ ١٨ تشرين الأول ٢٠٢٦

الرابط بالـbio!

#أسبوع_مرسح_الفني #جغرافيا_الوصال taken in Marsah-مرسح by @_microperson

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13 days ago

هكذا نحن، شتات ذكرياتنا والقلب النابض
توجعتُ يوم كتبتُك وتعفّنتُ حينها
دمي المسكوب على نواصي الأمكنة التي ما اعترفنا بها يومًا
وشعري المتساقط وأوجاع الخصر والكزّ عالأسنان
هكذا صنعنا كل شيء
كل ما أردتُ هو أن ألعب، وكل ما عشقتُ هو قصة أريد أن أرويها
أحبابي الأصدقاء الذين وقفوا أمام الكاميرا وخلفها
أشارككم بعض الكوادر، لطالما أحببتها، من فيلم "خيط أحمر" الذي تُصوّر أثناء الحرب على لبنان بينما نختبئ في ملاجئنا الصغيرة ونكتب كي لا ننتحر.

This is us, memories scattered, hearts still beating anyway.
I broke the day I put you into words, and something in me rotted after.
My blood is soaked into the corners of places we never dared to name.
My hair falling out, my back aching, my jaw clenched shut.
This is what we built out of all of it.
All I ever wanted was to play. All I ever loved was a story I needed to tell.
To my friends, my loved ones, the ones who stood in front of the camera, and the ones who stood behind it
I'm sharing a few frames I've always been fond of, from "Red Thread," a film we shot in the middle of the war on Lebanon, while we hid in tiny shelters, writing just to stay alive. taken in City complex souvenir by @_microperson

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18 days ago

On Saturday, September 19, Écrans du Réel - Doc Screens brings together five Lebanese short films that approach questions of memory, belonging, displacement and the ways we look at the places and people that shape us.

What remains when a place changes, when we can no longer return to it, or when the images we carry of it begin to shift?

Moving between intimate observation, personal archives, experimental forms and hybrid storytelling, Master of the Morning by Ashraf Mtaweh, What is Ours by Wassim Tanios, Village Off-Frame by Hassane Chami, Red Thread by Ahmad Naboulsi and In Transit by Carla Aouad each explore different ways of inhabiting, remembering and making sense of a world in flux.

From landscapes marked by occupation and absence, to photographs that become fragile archives, forgotten spaces where memories resurface, and the traces of lives carried across borders, these films turn their gaze toward what remains, and what changes , when our relationship to a place is no longer straightforward.

Together, they form a portrait of memory and belonging that is at once deeply personal and collective.

📅 Saturday, September 19 - 20.00

Ticket price: 500,000 LBP

Tickets available at the Metropolis Cinema box office, all Librairie Antoine branches, and via AntoineTicketing.com.

Student tickets (400.000 LBP) are available exclusively at the cinema box office.

The 21st edition of Écrans du Réel - Doc screens is organised by Metropolis Cinema with the support of IMS by @_microperson

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24 days ago

⁨ منفتتح المهرجان السنة بعرض « فار أسود: تفكيك » وهو مشروع جديد من إنتاج رمّان وأووب كونسبت.

بهالمشروع بيحوّل المخرج الطرابلسي أحمد النابلسي فيلمه القصير « فار أسود » من الشاشة لفضاء الأداء الحيّ، بتجربة سمعية بصرية بتتداخل فيها الموسيقى والصوت والإضاءة والذاكرة، بمحاولة لإعادة إحياء معرض طرابلس الدولي اللي غيّبه التاريخ والتهميش السياسي.

بالتعاون مع السوبرانو اللبنانية منى حلّاب والمنتج الموسيقي جوي مغني والسينوغراف فراس الحلاق، بيعيد المشروع توسيع سردية الفيلم وبيحوّل العرض لفرصة لإعادة النظر بالطريقة اللي منختبر فيها المساحات العامة ومنتشاركها ومنتخيّلها، وبيطرح سؤال حول مين بيملك الحقّ بامتلاك الفضاء العام، وما إذا كان الفنّ قادر على استعادته بشكل مؤقت.

🎟️ البطاقات موجودة على إحجز - اللينك بالبايو.

This year, we’re kicking off #RMF05 with the premiere of BLACK MOUSE: DECONSTRUCTED, a new project co-produced by Rumman and ‪@oobconcept‬.

This project transforms Ahmad Naboulsi’s award-winning short film “Black Mouse” into a live audiovisual performance that brings together music, voice, light and fragments of memory to reactivate the Tripoli International Fair; a monument shaped by history, absence and political neglect.

(Continue in the comments 👇🏼) by @_microperson

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a month ago

أحتاج تعريفا جديدا للأمان!

حقيقة ام ذكاء اصطناعي؟

كيف حالكم؟ جميعا!

شكرا سمير لقد صنعت ل مالغو طاولة الأحلام!

An unconditional love!

Canicule

طرابلس في باريس by @_microperson

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2 months ago

‎أرض بور — Terre Brute
[ On Air ]

📻 Radio El Hara — Channel 2

This Tuesday, the conversation and the listening session leave the room and move into the airwaves. Wherever you are, you can tune in to *Terre Brute* on the 29th of july on Radio El Hara, Channel 2.

The conversation between Ahmad Naboulsi, Firas El Hallak and Mohamed-Nour Hayed, moderated by Reem Ismail, and the listening of *The Dome Sessions*: all carried over the frequency. An evening on Tripoli’s abandoned spaces, travelling by sound beyond its walls.

🗓️ 21 July, 8 PM
📍The wrong side - Paris
📻 Live on Radio El Hara, Channel 2

@thegirlfromtripoli x @in.resonance.collective x @oobconcept x @thewrongside_paris

Visuals: @nagy_visual_art
_____________

Ce mardi, la discussion et la séance d’écoute quittent la salle pour entrer dans les ondes. Où que vous soyez, vous pouvez écouter *Terre Brute* en direct sur Radio El Hara, Channel 2.

La conversation entre Ahmad Naboulsi, Firas El Hallak et Mohamed-Nour Hayed, modérée par Reem Ismail, et l’écoute de *The Dome Sessions* : tout passe par la fréquence. Une soirée sur les espaces abandonnés de Tripoli, portée par le son au-delà de ses murs.

🗓️ 21 juillet, 20h
📍The wrong side - Paris
📻 En direct sur Radio El Hara, Channel 2 by @_microperson

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3 months ago

Okay lets try that again, but this time good!

Captured by @jadabouheit
@margot.robbie by @chatgpt taken in جبل محسن by @_microperson

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4 months ago

Our latest documentary “Lebanon: What Holds Us Together,” produced in collaboration with Al Jazeera Media Network, is out now.

The film follows Angelina, a young volunteer in Tripoli torn between her day job, supporting her own family, and the urgent pressure to help displaced families.

Watch it now on YouTube (link in bio). by @_microperson

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4 months ago