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THE BLANK CANVAS

@_theblank.canvas

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Design through the lens of Psychology and Human Experience

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BLANK CANVAS WORKSHOP IS A 10 WEEK EXPLORATION THAT APPROACHES DESIGN AS A CREATIVE PROCESS ROOTED IN THE HUMAN EXPERIENCE. HOW IT TIES TO CONTEXT OF PLACE, CULTURE AND SUSTAINABILITY.

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#design #designlovers #experientialdesign #designforhumans #designthinking #emotionaldesign #designlab #designlagos #designideas #designbuild #designinspiration taken in Lagos, Nigeria by @_theblank.canvas

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2 years ago

Understanding the psychology of design is very important in design thinking. by @_theblank.canvas

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2 years ago

A testament of different hands working in rhythm. by @_theblank.canvas

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8 months ago

Oculus |

A light piece explores ocularcentrism and presents
a design that is a metaphor for the eye. Capturing the essence of sight, and questioning its belief as the "noblest", most reliable sense. by @_theblank.canvas

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8 months ago

Featured in our just concluded design exhibition is @_theblank.canvas ; A design workshop grounded in sensory exploration and material inquiry.

Through a 10-week exploration period, the workshop cultivates experimental, socially resonant designs that engage in a larger conversation about the future of sustainable, and human-centered design.

By applying the psychology of design, the aim is to bridge the gap between abstract concepts and tangible experiences by focusing on how people perceive, feel, and interact with design. by @_theblank.canvas

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a year ago

I had initially put together these materials as options I thought may be suitable in building Ketega. It's only practical to explore readily available materials to ensure that it can be easily replicated.

Historically, people have used various types of long, cylindrical grass as beds/mattresses across the world because of their cushioning capacity when stacked together. There's a wide range of tall grasses available in the tropics although they are typically used for thatched roofing. Ketega's core is made of a roughly 2½ inch thick
Dropseed Grass mat tightly packed together to bring it's thickness to about 1½ inch when stacked and encapsulated within the other material layers.

In order to bring Ketega's thickness within 4 inches of compactly packed materials, some materials were excluded with very minimal compromise to the integrity of the product. Repurposed styrofoam was also excluded due to its stiffness which would bring about a general lack of flexibility (the inability to fold it conveniently) to Ketega.

Other materials include:
- Raffia Straw Mats (which are very popularly used in Nigeria and other West African countries)
- High-Density Flat Foams
- White Cotton Wadding

All materials were thoughtfully selected for their cushioning capacity and breathability; including the use of linen as the worn cover. This was necessary as Ketega is made to function especially within the warm climate of the tropics, and little air pockets within these materials would help to provide some comfort in the hot, humid weather. by @_theblank.canvas

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a year ago

Ketega is an experimental product inspired by Tatami; a series of traditional Japanese mats used for sitting, sleeping, and flooring rooms & dojos. These mats can last 10 to 50 years depending on the quality of the materials and maintenance; where high-quality Tatami with traditional rice straw cores can last up to 50 years and cheaper versions with man-made cores may last 15-25 years.

I initially thought I might explore 'Touch' through a concept that required feeling with the hands alone, but later felt that limiting touch to sensing with the hands might be a myopic approach.
I was visiting my brother @ifebusola_s 's at his home where I spent a few days. He has a mat made out of some synthetic, styrofoam-like material which I like to sleep in when I'm there. Its cushion-effect was such that although I could feel that I was sleeping on a thin surface a few millimeters above the ground, it felt adequate enough for a good night's rest and I would always wake up feeling strong and well-rested. This mat reminded me of the things I had read about Tatami (I had been curious about tatami for some time and done some research about it a few years before) and the health benefits of sleeping in one as opposed to sleeping in a conventional bed.

I decided that my exploration of 'Touch' would be to design an indigenous model of Tatami. by @_theblank.canvas

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a year ago

In 2024, I was a part of a 10-week immersive workshop programme hosted by @_theblank.canvas where we sought to collectively explore our understanding of experiential design.
I was tasked to design an object that explores our sense of 'Touch'. I came up with an idea to design an indigenous model of the Japanese Tatami Mat which I named 'Ketega', a shortened Yoruba way of describing a 'Tall Mat' (Akete giga).

After several months of working to ensure that we implement the most efficient, readily available materials - especially with determining what works best to serve as the core material (the dropseed grass suspended on the wall) of this thick mat consisting of roughly 60% natural materials - we were finally able to make it work.

The first prototype of Ketega is currently on display at @_theblank.canvas 's 'Reimagining Resources' Exhibition happening at Soto Gallery. The show is on until 31st October, feel free to walk in anytime between 9am & 5pm! by @_theblank.canvas

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a year ago

This question is one that’s sparked many debates in creative and academic circles. L

1. Intent & Function
Design is typically intentional and functional. It’s created with a purpose, often to solve a problem, facilitate a task, or improve user experience.

Art is primarily expressive. It’s often created to explore ideas, emotions, or perspectives, without the requirement of utility.

Design asks: “How can this improve or enable something?” Art asks: “What can this express or provoke?”

Design centers the user—their needs, behaviors, emotions. It’s relational.

Design is judged on effectiveness: Did it work? Is it usable, accessible, delightful?

It is important to consider these questions during the design thinking process.

#design #art #designthinkingprocess #designideas #experientialdesign #africandesign by @_theblank.canvas

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a year ago

Designing for Delight

Conversations during our workshop session exploring ‘Objects of Experience’ which refers to objects that serve —not just as a functional item, but as something that elicits a subjective, sensory, and emotional response from the person interacting with it.

This includes the aesthetic, tactile, auditory, and even symbolic qualities of a designed piece.

Objects of Experience is rooted in the idea that design is not only about solving problems or enabling use, but also about shaping how people feel when engaging with an object. It is about how design mediates experience, creating delight, meaning, or even contemplation.

#design #designworkshopnigeria #designworkshop #designthinkingprocess #designideas #experientialdesign #africandesign by @_theblank.canvas

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a year ago

by @_theblank.canvas

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2 years ago

EZL-5003 embodies the concept of “sound not seen but heard” by removing the bulk of visible speakers, the design emphasizes the purity of sound, ensuring the product is experienced through its impact, not its form.

The TV stand is aimed to be a visual statement that reflects functionality, and an invisible yet powerful auditory presence.

The speakers are cleverly integrated within the TV stand and acoustically tuned to ensure a rich, immersive sound experience without compromising the sleek aesthetic of the easel-inspired form. by @_theblank.canvas

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2 years ago