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abby haith

@a.m.haith

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Rêlache (Go-Go Dancing) closeup

220x232x290 cm, 122x78x91cm
Tiles, timber, flex plywood, steel, steel windows, MDF, photographic prints, vinyl, stereo

Past and present sustain one another through repetitive action. In ‘practicing practice’, in sweeping pendulum motions, in the swinging of your hips, everything comes back: suspending belief in curved formations. In consideration of Sturtevant’s iterative, delegated performance of González-Torres’s “Untitled” (Go-Go Dancing Platform), or the lack thereof in ‘Duchamp Rêlache’, action is implied through the pre-fixed re and de formation of space. by @a.m.haith

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3 months ago

‘Rêlache (Go-Go Dancing)’ CSM BAFA degree show

220x232x290 cm, 122x78x91cm
Tiles, timber, flex plywood, steel, steel windows, MDF, photographic prints, vinyl, stereo

Past and present sustain one another through repetitive action. In ‘practicing practice’, in sweeping pendulum motions, in the swinging of your hips, everything comes back: suspending belief in curved formations. In consideration of Sturtevant’s iterative, delegated performance of González-Torres’s “Untitled” (Go-Go Dancing Platform), or the lack thereof in ‘Duchamp Rêlache’, action is implied through the pre-fixed re and de formation of space. by @a.m.haith

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3 months ago

‘Going For a Smoke (and mirrors) MV’, 2026 for ‘Herbert ‘75’ @ St Mary’s Church Tower, what fun!!!!!! Thank you
@maisymous @ellamamaaa @guy.altarace @otiscw_ @harveyflume xxxx

Documentation by @maisymous @harveyflume and me by @a.m.haith

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5 months ago

The Seventy Year Itch

A1 print, bulldog clip, A0 print and clip frame, fan, 90cmx2mx22cm oak, timber and mdf stage, box of pins and small print, mdf maquettes

Pleats, like short sharp breaths indexed by creased points of departure, bringing new ends to lost futures. Automated, electric exhales again and again failing to mimic that singular celebrated performance. Seventy years on from ‘The Seven Year Itch’ (1955) and from the inception of warped floorboards and pane-less windows: reassemblage of differing forms of archives becomes syntactical. A process of ‘repleating’ depleted physical and figurative objects. That forced air beneath Monroe’s skirts suspends time beyond her celebrity and us, reinforcing relief from the balmy setting of the film and from any possibility of ever ending or being forgotten. Failing flirtations of silk patterned past structures provide that the invisible air is only evidenced by the things it moves or fails to move. by @a.m.haith

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7 months ago

Pleated silk on film, colour graded (as you can probably tell) and printed by me xxx by @a.m.haith

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7 months ago

The Seventy Year Itch

A1 print, bulldog clip, A0 print and clip frame, fan, 90cmx2mx22cm oak, timber and mdf stage, box of pins and small print, mdf maquettes

Pleats, like short sharp breaths indexed by creased points of departure bringing new ends to lost futures. Automated, electric exhales again and again failing to mimic that singular celebrated performance. Seventy years on from ‘The Seven Year Itch’ (1955) and from the inception of warped floorboards and pane-less windows, reassemblage of differing forms of archives becomes syntactical. A process of ‘repleating’ depleted physical and figurative objects. That forced air beneath Monroe’s skirts suspends time beyond her celebrity and us, reinforcing relief from the balmy setting of the film and from any possibility of ever ending or being forgotten. Failing flirtations of silk patterned past structures provide that the invisible air is only evidenced by the things it moves;
back and forth,
as though every seven somethings you may feel another itch to try again. by @a.m.haith

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7 months ago

‘(I Quote You Back 2 Yourself)’ .

1.5x1.5m reclaimed wood, oak floorboards, timber struts, linoleum flooring, steel window frame, wallpaper by @a.m.haith

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10 months ago

This is was the first proper exhibition I’ve been a part of and I’m sad it’s over

Longjohns, baseball, wool, satin, x2 A4 frames, card, cufflink, photographic prints by @a.m.haith

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a year ago

‘I know perfectly well where you walk to’ for Hem exhibition @thegoodrice_

Vinyl sheet, A0 print and clip frame, found A1 sign, longjohns, baseball, wool, satin, x2 A4 frames, card, cufflink, photographic prints by @a.m.haith

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a year ago

by @a.m.haith

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2 years ago

Anything ★ Anytime ★ Anywhere ★ by @a.m.haith

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2 years ago

Rabbiting on/Jaw me dead by @a.m.haith

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2 years ago