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20th C. Sculptural design & post-war art.
Curating with an independent eye.
Private viewings by appointment
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Simone Lacour - A Centenary Celebration

To mark the centenary of Simone Lacour’s birth, the gallery presents a selection of paintings, works on paper and sculptural works, alongside material from her personal archive.

Over the past few years, I have brought together her work and archive. I look forward to sharing this selection with you.

Join us for the opening:
Thursday 29 October 2026, 6–9 pm.

Galerie Alain Hens
Kloosterstraat 156, 2000 Antwerp

#Simonelacour #Galeriealainhens #Belgianart #ecoledeparis #worksonpaper taken in Galerie Alain Hens by @alain.hens
1
4 days ago
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Our current Antwerp gallery window.

Collignon’s rich yellows and ochres, surrounded by Bob Bonie's spatial sculptural paintings & Emiel Veranneman's coffee table. 

On view at Galerie Alain Hens.
Kloosterstraat 156, Antwerp.

#Collignon #Galeriealainhens #Belgianart #Antwerpart #emielveranneman taken in Galerie Alain Hens by @alain.hens
0
4 days ago
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Georges Collignon - Les modalités essentielles, 1951

Painted in 1951, Les modalités essentielles belongs to a decisive moment in Georges Collignon’s development. At the time, he stood at the heart of the Liège-based group Réalité-Cobra, one of the key post-war initiatives in Belgium devoted to the defence and dissemination of abstract art.

What makes this painting particularly compelling is the tension between construction and freedom. An intricate network of lines, planes and interlocking shapes creates movement across the surface. Ochres, oranges, creams, muted violets and green accents give the composition a rhythm somewhere between architecture, landscape and pure abstraction.

Rather than abandoning reality altogether, Collignon seems to reorganise it. Forms are broken apart and recombined into a dense pictorial structure in which colour, rhythm and material become the real subject.

The work stands at an important crossroads in post-war Belgian abstraction: between geometric construction and a freer, more instinctive pictorial language.

Georges Collignon
Les modalités essentielles, 1951
Oil on canvas
80 × 100 cm

#belgianart #georgescollignon #postwarart #cobraart #artabstraite taken in Galerie Alain Hens by @alain.hens
2
10 days ago
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Georges Collignon (1923-2002)
1951, ‘Les modalités essentielles’ 
Oil on canvas, 100cm x 80cm

In 1950, the abstract group Réalité became Réalité-Cobra, the Belgian branch of the CoBrA movement, maintaining a distinctly non-figurative position.

Painted in 1951, Les modalités essentielles dates from the final year of Collignon’s involvement with Réalité-Cobra. In 1952, he became a founding member of Groupe Art Abstrait.

Coffee table by Emiel Veranneman, 1960s.

#georgescollignon #cobra #belgianart #abstractart #postwarart taken in Galerie Alain Hens by @alain.hens
2
17 days ago
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Emiel Veranneman
Coffee Table, 1956
Manufactured by Braun-Fortuna, Ghent, Belgium
White lacquered wood, glass
152 × 45 × 45 cm
Original condition

#emielveranneman #modernism #interiordesign #collectingdesign #1950s taken in Galerie Alain Hens by @alain.hens
5
a month ago
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Emiel Veranneman
Coffee Table, 1956
Manufactured by Braun-Fortuna, Ghent, Belgium
White lacquered wood, glass
152 × 45 × 45 cm
Original condition

#emielveranneman #modernism #interiordesign #collectingdesign #1950s taken in Galerie Alain Hens by @alain.hens
1
2 months ago
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Emiel Veranneman
Coffee Table, 1956
152 × 45cm × 45 cm

An exceptionally rare early design by Emiel Veranneman, produced by Braun-Fortuna, Ghent.
Original white lacquered structure with glass top.

An elegant example of Veranneman’s early exploration of proportion, transparency and architectural form.

Further archival research in progress.

#Emielveranneman #Belgiandesign #Postwardesign #1950sdesign #Collectibledesign taken in Galerie Alain Hens by @alain.hens
1
2 months ago
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Italian pendant lamp by Lumen, Milan, c. 1952.

Brass, lacquered metal and nylon diffuser. Three light sources combining reflected ceiling light with an indirect downlight, creating a remarkably soft and sculptural illumination.

An elegant post-war Italian design, often mistakenly attributed to Angelo Lelli for Arredoluce due to its strong stylistic resemblance, yet produced by Lumen.

Original condition.

#sculpturaldesign #collectingdesign #italianlamp #modernism #lumen taken in Galerie Alain Hens by @alain.hens
7
3 months ago
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Summer display.

The gallery remains open throughout the summer by appointment.

Feel free to get in touch if you’re in Antwerp.

#jozefmees #lumen #1950s #cesarbailleux #abstractmodern taken in Galerie Alain Hens by @alain.hens
4
3 months ago
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Raymond Zoilé

Colour Frequency 8
Gouache on paper
c. 1982–1987
100 × 70 cm

Part of Colour Frequencies, a presentation of gouaches from the 1980s.

Now on view at the gallery.

Informal viewing
Thursday, June 11
4–8 pm

Antwerp

#lyricalabstraction #modernart #abstractpainting #collectingart #workonpaper taken in Galerie Alain Hens by @alain.hens
0
4 months ago
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Raymond Zoilé
Colour Frequency 4
Gouache on paper
c. 1982–1987
100 × 70 cm

Part of Colour Frequencies, a presentation of gouaches from the 1980s.

Now on view at the gallery.

Informal viewing
Thursday, June 11
4–8 pm

#raymondzoilé #modernart #abstractpainting #1980s #lyricalabstraction taken in Galerie Alain Hens by @alain.hens
0
4 months ago
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‘Colour Frequencies’
A presentation of gouaches by Raymond Zoilé from the 1980s.

Now on view at the gallery.

Private viewing
Thursday 4–8 pm.

#raymondzoilé #abstractart #collectingart #interiordesign #modernart taken in Galerie Alain Hens by @alain.hens
3
4 months ago
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