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photo documentation @acwedits_
ameliacwilliams.com | 💌 [email protected]
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It’s so easy to see how deeply ingrained racism is in our society when you observe white and white-washed people existing comfortably within the safety of their communities, mistaking overcompensation in racial “awareness” for actual progress. Their subtle elitism only further reveals a disconnect from the realities faced by those most vulnerable to oppression. Equality doesn’t require self-congratulation, it requires humility, listening, and action.

I currently have a very new series in progress I’m nervous but mostly excited about. In the meantime, here’s a visual pulled from my moodboard, a clip from “A Time for Burning” by @ameliacwilliams_
0
a year ago
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Monetizing off the backs of Black female artists, groundbreaking.

#blackartmatters🎨 by @ameliacwilliams_
21
4 months ago
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When I was young I spent most days with my grandma after school winding down to PBS while coloring waters to the backdrop of Bob Ross’ gentle tones. This one was for her ✨🙏🏽🎨

thank you @trashkid_art  @wmhtpubmedia for having me 🫶🏽 

If you missed it live, catch my interview on AHA—A House For Arts— link in… you already know 💘 

Xx A 💋 taken in Hudson Valley, NY by @ameliacwilliams_
41
2 years ago
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brb taken in Petit Ermitage by @ameliacwilliams_
0
13 hours ago
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‘Bursting with pride!’ 🏳️‍🌈1/1 Custom ESR x ACW for @wildbirdbecca 🫶🏽 this was my favorite flower bag commission so far and the second she asked for one I saw rainbow flowers floating around in the air with pride and joy and lightness 🌈 Swipe —> for the unpacking 🪄✨💐

#blackartmatters 
#gayrights
#lgbtqiaplus 
#savethedolls
#endsystemicracism by @ameliacwilliams_
2
10 days ago
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golden brown for summer by @ameliacwilliams_
4
12 days ago
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Goodbye darlings | prints are live ameliacwilliams.com by @ameliacwilliams_
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13 days ago
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some flowers for your doom scroll by @ameliacwilliams_
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13 days ago
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Featured painting in DOLLHAUS:

That’s Why I Laugh / Cry
24” x 48” | stretched canvas, acrylic 

At the center of That’s Why I Laugh / Cry is a conversation between “Lose Myself” by Lauryn Hill and “Laughing, Crying, Loving, Lying” by Labi Siffre. Labi Siffre’s refrain, “Laughing, laughing sometimes does somebody some good somehow, that’s why I’m laughing now,” floats through the composition as thought bubbles, interrupting Lauryn Hill’s lyrics.

The overlapping lyrics represent a mind arguing with itself—past thoughts interrupting the present. The repeated refrain becomes both a coping mechanism and a performance, capturing the manic hysteria of convincing yourself you’ve let something go while your mind continues to circle back. The piece reflects the emotional highs and lows of a brain working against itself.

DOLLHAUS is in view at @armyoffrogsstudio through Sept. swipe through for viewing hours or DM / email them armyoffrogsstudio@gmail.com for a private appointment. ✨ by @ameliacwilliams_
0
20 days ago
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Part One of ‘The Devils in the Deetz’: DOLLHAUS

🕵🏽‍♀️ Take a closer look at the layered, abstract, life-sized collage and explore the stories and symbolism behind its many pieces and found clippings

DOLLHAUS 
presented as part of
‘RIP IT UP AND START AGAIN’

Army of Frogs Studio
282 Mohonk Road, 12440

PUBLIC VIEWING DATES
JULY 25, 28 | AUGUST ALL WEEKENDS

for private appointments 
@armyoffrogsstudio
armyoffrogsstudio@gmail.com

#blackartmatters taken in Army Of Frogs Studio by @ameliacwilliams_
1
23 days ago
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bts of ‘DOLLHAUS’ june issue with @michaelmarz bringing ‘Dolly’ to life at @armyoffrogsstudio 

film + photo documentation @loganalexrobinson 
x @acwedits_ taken in Army Of Frogs Studio by @ameliacwilliams_
1
a month ago
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“At the center of the work, the DOLLHAUS becomes a metaphor for Black culture—admired, consumed, and often excluded from the value it creates.” 

Swipe to learn more —> 

On view at @armyoffrogsstudio, 282 Mohonk Road, 12440

Featured Collaborators 
@michaelmarz 
@attapresents 
@sebi_spaghetti 
@loganalexrobinson by @ameliacwilliams_
2
a month ago
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