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Amelia Hazlerigg

@ameliahazlerigg

5K

followers

2924

following

Cinematographer
🇬🇧@ascentcreatives @mi.artists
🇿🇦@krewkut_dp
Clout Short | Longlisted Academy Awards

POSTS STORIES REELS TAGGED

by @ameliahazlerigg

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3 months ago

A film about a friendship as much as it’s about the clothes. Shot for Vogue x M&S.
Dir. @stella_scott 💖
@oliver.munks
@alexandra.brannan
@jonny.boomer
@onestopfilms
@mi.artists

#cinematography #fashionfilm #vogue #stylestory #friendship taken in London, United Kingdom by @ameliahazlerigg

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3 months ago

More beauty with @addictionbeauty_official 🎀

@charlottemwales
@minititleltd
@sophiebaillavoine
@kittywordsworth
@jonny.boomer
@benjykirkman
@gsg_danhuntley
@davisdaviskristin
@natvalente
@thomasgoldser
@mi.artists
@swintels

#beauty #makeup #addiction #cinematography by @ameliahazlerigg

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4 months ago

Chaos & Concealer carousel 💋
@addictionbeauty_official
@minititleltd
@charlottemwales
@sophiebaillavoine
@kittywordsworth
@ozzyspoon
@benjykirkman
@jonny.boomer
@natvalente
@davisdaviskristin
@gsg_danhuntley

Xox by @ameliahazlerigg

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4 months ago

I shot this as a test and ended up turning it into a visualiser. Three film stocks, one light, no colour correction on set. Each stock doing its own thing.

Ektachrome 100D cross-processed for that green bias and compressed range.

Vision3 200T running cool, graded in colour.

Vision3 500T crushed to black and white, grain left intact.

The grade leans into the differences rather than fixing them. It felt right for a character with split personalities. 💖

Beautiful grade by @johnlaytoncolour 💎 taken in London, United Kingdom by @ameliahazlerigg

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4 months ago

This little visualiser happened because we had a free afternoon. One light, two hours, three stocks. A pretty perfect way to show three different sides of the same person. 💎

Co-directors @rootopia @ameliahazlerigg
Music @childemusic
DoP @ameliahazlerigg
Editor @margheritaklee.fallani
Colourist @johnlaytoncolour
Post Production @avenues.studio
Film Processing @cinelab

Ektachrome 100D 7294, Vision3 200T 7213, 500T 7219

#visualart #bolex #onelightsetup #filmmakerfriends #cinematography by @ameliahazlerigg

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4 months ago

Tick tock. Vivienne Westwood watches. Grainy frames, gained time 🕰️

#viviennewestwood #watches #fashionfilm #cinematography
@mi.artists by @ameliahazlerigg

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5 months ago

Behind the scenes with DoP @ameliahazlerigg on RUNAWAY — a short drama-comedy recently shot on the Isle of Man 🎬

Directed by @s__seccombe
Produced by @susiejhunt
Written by phoebecampbellharris

Follow the journey at @_runawayshortfilm

Runaway is a short drama-comedy recently shot on the Isle of Man, a small island in the middle of the North Sea in the British Isles. The story follows a couple on their honeymoon who accidentally become a bride’s getaway vehicle, exploring themes of friendship, love, and the complexities of relationships.

We shot on the Sony Venice Rialto 2 for its compact ergonomics, which allowed for extensive interior and exterior car rigging throughout the film.

With filming taking place over just three days, the production quickly became local news across the island. Everywhere we went, people already knew about the film.

Following filming, Mount Tabor Church posted on Facebook: “The film crew have just finished and it has been a joy to work with such a bunch of delightful young people.”

The film is currently in post-production, with festival release dates to be announced soon.

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#Krewkut #AmeliaHazlerigg #BehindTheScenes #BTS #Cinematography taken in Isle of Man by @ameliahazlerigg

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5 months ago

Travel snaps 🫰
South Africa and beyond
XOXO by @ameliahazlerigg

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6 months ago

Welcome to Krewkut — @ameliahazlerigg 🔥🎥

British cinematographer Amelia Hazlerigg joins the Krewkut roster, bringing a visual language shaped by documentary sensitivity, fashion precision, and narrative storytelling.

With training in Los Angeles under ASC mentorship and experience working across London, Brazil, and Cape Town, Amelia’s work balances strong composition, confident colour, and deeply human observation.

Her cinematography moves fluidly between commercial craft and cinematic storytelling — building images that feel intentional, grounded, and emotionally present.

From award-winning short films to international commercial projects, Amelia represents a new generation of DPs working across borders and formats.

We’re excited to have her behind the lens with us.

Welcome to the family 🙌🔥🎥

We would also like to sincerely apologise for not crediting the director of “We the Bathers” @phoebearnstein in our carousal — an oversight on our part.

We’re proud to celebrate all collaborators who help bring powerful stories to life.

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#Krewkut #DirectorOfPhotography #Cinematography #FilmProduction #KrewkutRoster taken in South Africa by @ameliahazlerigg

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8 months ago

‘Mom’ appreciation post for Clout.

This short film has had a life of its own - from a few pages on a script to screenings in cinemas across the country, picking up laurels along the way. Wild to watch something so small travel that far.

CLOUT is proudly partnered with leading UK charities:
The Mix
Family Lives
Into Film
Safe Screens
Close Screens Open Minds
Arts Emergency

If you’ve seen the short film, you’ve quietly been part of raising awareness for safer, kinder online spaces. And if you haven’t watched it yet and fancy a screener, just let me know.

Huge thanks to @jordanmurphydoidge for bringing me onto the project and then relentlessly getting the film out into the world for audiences to actually see it (rare and appreciated).

Very ready to dive into more shorts this year. If you’ve got something I should read, send it my way.

#cinematography #shortfilms #drama #comingofage #letsmakestories by @ameliahazlerigg

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8 months ago

"The story dives deep into the darker side of social media and how it shapes identity, acceptance and belonging, especially in the fragile social ecosystem of school. But more than that, Clout is a modern fable. From the start, Jordan [Doidge, director] and I were aligned on treating it that way.

"Fables are among the oldest forms of storytelling. They’re simple on the surface but leave lasting impressions about behaviour, society and consequences. That’s exactly what we wanted Clout to do – not just entertain but leave something behind. We wanted it grounded, real, and with a final punch that lingers."

Clout asks audiences to reflect on how social media is shaping how young people, and adults, see themselves and each other – with collaboration between the crew proving key to its success, as Amelia Hazlerigg explains.

Read more on our website. by @ameliahazlerigg

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a year ago