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Anton Janizewski

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On view: group show: all we have, not even ours

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It is the final week of our current group exhibition „all we have - not even ours“! The exhibition is on view through Saturday, July 25, 6 pm, after which the gallery will be closed for a short summer holiday break. Many thanks to the artists Sarah Ama Duah, Tamer El Said, Gail Foley, Ana Korkia, curator Sebastian Peter, and everyone involved for making this great show happen! „(…) Integrating photos from her family photo albums, Korkia’s installation In Case I Return brings together the material traces of her research on Menji Sanatorium and materializes the attempt to memorize and patch together chunks of the past to understand the own family history and the historical events that shaped it.The arrangement of these fragments is inspired by the improvised living spaces in which Korkia grew up. Following the Russian occupation of Abkhazia, her family and many others were forced tomove into abandoned public buildings such as sanatoriums, hospitals, and schools. Korkia grew up in a former school in Tbilisi where classrooms were used as living spaces. With no separating walls, families like hers built temporary partitions from found wood to create some privacy. Often coveredwith carpets and beige linen, these structures were constantly adapted and personalized with family photos, calendars, textiles, and handmade decorative objects. Transferred to the exhibition space, it gives the structure for a spatial system of remembering.“- Sebastian PeterAna KorkiaIn Case I Return2026Wall installationLinen, cardboard, ceramics, wax, vintage silver gelatin prints, inkjet prints, oil on cardboard, pencil on paperDimensions variablePhotos by Marjorie Brunet Plaza@ann_korkia @sebastian.peter.1 #anakorkia #sebastianpeter #allwehavenotevenours #antonjanizewski by @antonjanizewski

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3 days ago

“Sarah Ama Duah’s installation Black and White makes Grey takes the material traces of her father’s lifelong struggles with bureaucracy as a starting point and seeks to situate his experiences within a broader historical framework, examining the social, political, and institutional conditionsthat shaped them. Spread in space, one finds motives from his estate: a suit like he used to wear, a plaster cast of one of his shoes, a selection of his personal documents and a larger-than-life sculpture of his head, which the artist had commissioned from sculptor Nicholas Ofori in Ghana based on a photograph.Critically engaged with modes of sculptural appreciation in her work, the artist combines those items with deconstructed and appropriated architectural elements, materials and objects associated with European high culture, authority and holiness (…) As an ensemble the single parts of the installation form a hybrid of a monument and a memorial that reflects on the inhuman bureaucratic structures immigrants have to face and honors the individuals that have to suffer from it.”Sarah Ama Duah’s installation “Black and White makes Grey” is part of our current group exhibition “all we have - not even ours”! With works by Sarah Ama Duah, Tamer El Said, Gail Foley and Ana Korkia. Curated by Sebastian Peter. The exhibition is on view through July 25, 2026, after which the gallery will be closed for a short summer holiday break.We look forward to welcoming you from Wednesday to Saturday, 12-6 pm!Sarah Ama DuahBlack and White makes Grey2026InstallationHalf-columns with suit: coated fiber optic, cotton; column capital with shoe and envelopes: coated plaster casts, paper; head sculpture on vase and Ashanti Stool: coated polyurethane cast, silicon cast and wood; filing cabinet with horse head and cocoa fruits: coated metal, plaster and wood; documents: screenprint on marbleDimensions variablePhotos by Marjorie Brunet Plaza@sarah_ama_duah @sebastian.peter.1 #sarahamaduah #sebastianpeter #allwehavenotevenours #antonjanizewski by @antonjanizewski

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11 days ago

Tamer El Said's work "Borrowing a Family Album" is currently on view at the gallery as part of the group exhibition "all we - have not even ours"! With works by Sarah Ama Duah, Tamer El Said, Gail Foley and Ana Korkia. Curated by Sebastian Peter. The exhibition is on view through July 25, 2026, after which the gallery will be closed for a short summer holiday break.We look forward to welcoming you! "Between 2020 and 2021 filmmaker Tamer El Said was mentoring the Peripheral Vision workshop, organized by the Syros International Film Festival (SIFF). Under the title repurposing the archive participants produced works dealing with local memory. The workshop focused on archive-basedartistic projects, and for this purpose, the organizers created a pool of materials to be used by participants. This way El Said first encountered the personal film footage of the Rigopoulos family, which is part of the Historical Archive of the Cyclades and was mainly shot in Athens and the Cyclades Islands in Greece between 1966 and 1968. Seeing the silent, black and white footage showing the records of a young supposedly happy family with a little boy and an even younger girl, made him think of his childhood and his diffused memory of his long gone sister.Could images of places never seen as a child help to retrieve a disoriented memory? Could we explore stories about ourselves in memories belonging to people we never met? (…)”- Sebastian PeterTamer El Said Borrowing a Family Album2023Single-channel video, black and white, sound, 16:48 min; extracted stills and scrapbookCinematography: Georgios Rigopoulos, Producer: Tamer El Said, Associate Producer: Jacob Moe, Sound Designer: Youssra El Hawary, Technical Supervisor: Leo, Line Producer: Mikaela PopovicWith the support of Goethe Institute in Athens and Syros International Film FestivalPhotos by Marjorie Brunet Plaza@tamerelsaid37 @sebastian.peter1 #tamerelsaid #sebastianpeter #allwehavenotevenours #antonjanizewski by @antonjanizewski

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16 days ago

The Philara Collection Düsseldorf is currently presenting the exhibition „HOUSE OF BALAGAN“, which celebrates the collection’s 10 year anniversary! We are delighted that Marc Henry’s work “The Architects II” (2025), from his first solo exhibition at the gallery “Theorie der feinen Leute”, is part of the presentation! The exhibition is an extensive survey of the collection and presents a condensed but representative selection from Gil Bronner’s collection, which today comprises around 2000 works. The presentation is complemented by works chosen from the collection of Bronner’s parents, who were a formative influence on their son’s passion for collecting. Pieces from the collections of his children, Philip and Lara, after whom the exhibition space is named, are also represented. HOUSE OF BALAGAN is on view through February 14, 2027. Marc HenryThe Architects II2025Oil on linen, galvanised steel frame110 x 140 cmInstallation view:House of BalaganSammlung Philara, DüsseldorfPhotographer: Kai Werner Schmidt, 2026@sammlungphilara @marc___henry #sammlungphilara #houseofbalagan #marchenry #antonjanizewski by @antonjanizewski

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18 days ago

Works by Jonas Höschl and Rebekka Benzenberg are currently being presented as part of the group exhibition “ECHOES” by KUNZTEN!On the occasion of the upcoming finissage, Jonas Höschl will participate in an artist talk on July 12 at 5 pm.ECHOES brings together artistic practices that explore how images continue to resonate. The exhibition examines how visual representations travel through history, become embedded in the collective memory, and continue to shape our perceptions to this day. This is not merely a matter of art-historical references. The works featured in the exhibition likewise explore political narratives, social constructs, visions of the technological future, and cultural myths.Pola van den Hövel wrote on Höschl’s exhibited video work “Why are you crying?”: „The starting point for his video work Why are you crying? is Gloria von Thurn und Taxis and the auction of her art collection in 2005, during which Richard Prince’s painting of the same name was sold. However, Höschl is less interested in the auction itself than in the circulation of images and the stories that become embedded in the media.“ECHOES was curated by @leopoldcasparschaefer and @luisborttThe exhibition is on view through July 12, 2026 at Flutgraben e.V. Berlin. Jonas Höschl Why are you crying? 2024Videoessay19:30 min, Dimensions variableJonas Höschl 01. Juli 20162025Fine art print on baryta paper, medal of the House of Thurn and Taxis, digital print on glass50 x 50 cmRebekka BenzenbergInstallation viewPhotos by Moritz Haase @jonashoeschl @rebekka.benzenberg @kunzten #jonashoeschl #rebekkabenzenberg #kunzten #echoes #antonjanizewski by @antonjanizewski

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19 days ago

„Gail Foley’s series Montgomery Ward started by going through hundreds of photos from their aunt Carole’s personal photo collection. Carole had recently passed and the artist’s mother inherited boxes filled with negatives and photographs kept in yellow envelopes typical for the department store Montgomery Ward, where they all got developed. To preserve the memories which were mainly produced between the 1950s and late 1990s, the artist started digitizing them. Foley was struck by what the photos revealed about the complicated nature of her aunt’s life, who she was and could have been.(…) Deeply interested in exploring the construction of queer identities through archival material in their work, Foley selected photos that capture queer instances in their hometown Rutland, focusing on moments that seem candid and joyous. To use them in their work, it was integral to Foley to obscure the images‘ vividness as a node to the complexities of understanding the history of queerness and lesbian lineage. They reprinted the images and covered them in yellow beeswax, turning the frozen moments into fragile fossils. To see them most clearly, they must be destroyed.“- Sebastian PeterThe group exhibition „all we have - not even ours“ is currently on view until July 25, 2026! Please find the show’s documentation as well as the full exhibition text on our website. With works by Sarah Ama Duah, Tamer El Said, Gail Foley and Ana Korkia.Gail Foley Montgomery Ward2026Photo print on computer paper, cast in beeswax, mounted on pine wood25 × 20 cm eachPhotos by Marjorie Brunet Plaza @guccigails @sebastian.peter.1 #gailfoley #sebastianpeter #allwehavenotevenours #antonjanizewski by @antonjanizewski

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20 days ago

The Philara Collection recently opened the exhibition “HOUSE OF BALAGAN”, on the occasion of its 10 year anniversary! Congratulations on the anniversary, Gil!We are very happy that Ferdinand Dölberg’s “Die Bewegung setzt früher ein als ihr Anlass” (2026) is part of the presentation! The exhibition is an extensive survey of the collection and presents a condensed but representative selection from Gil Bronner’s collection, which today comprises around 2000 works. The presentation is complemented by works chosen from the collection of Bronner’s parents, who were a formative influence on their son’s passion for collecting. Pieces from the collections of his children, Philip and Lara, after whom the exhibition space is named, are also represented. HOUSE OF BALAGAN is on view through February 14, 2027. Ferdinand DölbergDie Bewegung setzt früher ein als ihr Anlass2026Charcoal, pigments on canvas, rotating modules142 x 116 x 30 cmInstallation view:House of BalaganSammlung Philara, DüsseldorfPhotographer: Kai Werner Schmidt, 2026@sammlungphilara @ferdinanddoelberg #sammlungphilara #houseofbalagan #ferdinanddoelberg #antonjanizewski by @antonjanizewski

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24 days ago

We are happy to share the first installation view of our current group exhibition “all we have - not even ours”! Thank you to everyone who joined us for last week’s opening! “all we have - not even ours” is on view until July 25, 2026.The gallery is open from Wednesday to Saturday, 12-6 pm. Come by!With works by Sarah Ama Duah, Tamer El Said, Gail Foley and Ana Korkia.Curated by Sebastian Peter.Installation view by Marjorie Brunet Plaza @sarah_ama_duah @tamerelsaid37 @guccigails @ann_korkia @sebastian.peter.1 #sarahamaduah #tamerelsaid #gailfoley #anakorkia #sebastianpeter allwehavenotevenours antonjanizewski by @antonjanizewski

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25 days ago

We are delighted that two of Jonas Höschl's works are currently being presented as part of the main programme of this year's Krakow Photomonth! Poland, Germany, and Polish-German relations within the broader context of Central Europe form the central focus of the 23rd Month of Photography in Krakow, titled "Unreal Estate", the main program of which is organised into successive “chapters”.As such, Jonas Höschl's installation "09. September 2015, Röszke" is part of the group exhibition "Chapter II: A Possible Arrangement", taking place at the renowned Bunkier Sztuki! Chapter II examines various arrangements of objects, bodies and spaces to explore the tangled relations between Poland and Germany, whilst also touching upon areas of shared experience.Meanwhile, Höschl's work "80 Portraits: 73 Männer, 7 Frauen" is on display at Pałac Potockich in "Chapter III: Shifting Strata"! In Chapter III, focusing on landscape and photography as a convention and technique of imaging, the human, with the inhuman, historical with symbolic, clashes.Many thanks to the curators @annavosw & @krzypBoth exhibitions are on view through August 30, 2026.Jonas Höschl09. September 20152021Screenprint in glasDimensions variableJonas Höschl 80 Portraits: 73 Männer, 7 Frauen2023 80 slides, Carousel slide projectorVariable dimensions@jonashoeschl @krakowphotomonth @bunkiersztuki_artgallery @palacpotockichkrakow #jonashoeschl #krakowphotomonth #bunkiersztuki #antonjanizewski by @antonjanizewski

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a month ago

Please join us tomorrow evening from 6–9 pm to celebrate the opening of „all we have - not even ours“!The four-person exhibition “all we have - not even ours” brings together projects by Sarah Ama Duah, Tamer El Said, Gail Foley and Ana Korkia that deal with the artists’ own family history. Connected through their use and transformation of personal archives, they reflect on the experience of flight and displacement, bureaucratic brutality, queer life and the absence of memory. The exhibition is curated by Sebastian Peter. You can find the artist’s short biographies on our website. Sarah Ama Duah (b. 1989 in Bremen, Germany) studied Fine Arts at the Universität der Künste Berlin in the class of Jimmy Robert and completed her studies in 2026. Prior to this, she earned both a Bachelor’s and a Master’s degree in Fashion Design at the HAW Hamburg. Tamer El Said (b. 1972 in Cairo, Egypt) is a filmmaker and producer living in Berlin and Cairo. His filmography includes 17 films that have received many regional and international awards.Gail Foley (b. 1998 in Rutland, USA) is a visual artist and writer, currently based in Los Angeles. Foley is presently an MFA candidate at the California Institute of the Arts. Alongside their artistic and academic work, Foley is an active arts organizer, recently curated Apt 206, a group exhibition of emerging MFA candidates from CalArts and UCLA during Frieze Los Angeles. Ana Korkia (b. 2003 in Tbilisi, Georgia) is an artist based in Düsseldorf, Germany, working across painting, ceramics, drawing, and installation. Korkia’s artistic practice engages with questions of displacement, inherited memory, and material fragility. She started her degree in visual arts in Tbilisi, at Free University of Georgia (VAADS), and is currently studying at Kunstakademie Düsseldorf in the class of Ellen Gallagher. by @antonjanizewski

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a month ago

It is the final day of Liste 2026! You can stop by our booth no. 86 until 4 pm for one final visit!1. Marc HenryThe News202665 x 80 x 5 cmOil on linen, burnt steel frame2.Emma Adler STRG-Z (Feier)202410:05 minVideo + Sound, Edition 3+2APListe 2026Booth 86Emma Adler, Marc HenryHall 1.1, Messe BaselPhilipp Hindahl about Emma Adler‘s work STRG-Z (Feier):„A video work, shot within the installation, conveys the horror that accompanies the return of the völkisch, that is, the ideology of ethnic purity.Adler reflects on the concept of truth, because the glitches in AI-generated propaganda images involuntarily reveal the nature of right-wing visual worlds. AI has failed to render credible faces, which results in grotesque, zombie-like distortions. They reveal somethingabout the return of fascist ideology. Strg-Z uses this unintentional ambivalence for an Installation, whose center is occupied by a video piece. Adler translates these errors in the image into a video in which zombies, accompanied by peaceful birdsong, perform as respectable and bourgeois, if slightly conservatives; they dance as if celebrating the summer solstice, until events tip over into horror. Zombies figure as revenants of fascism.“Repros by Jana Perusich @jolndInstall by @exhibitiondocumentation @adleremma @marc___henry @liste_art_fair_basel #emmaadler #marchenry #listebasel2026 #listeartfairbasel2026 #liste2026 antonjanizewski by @antonjanizewski

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a month ago

Please feel warmly invited to Rebekka Benzenberg’s artist talk on the occasion of her current institutional solo exhibition „They, Longing For An Ancient Tragedy“ at Kunstmuseum Mühlheim an der Ruhr, on Wednesday, June 24, 2026, 6 pm! Benzenberg will give insights into her work process, as well as the history of the representation of women in public space and the attacks on sculptures of women in public spaces.Photos by Simon Vogel@rebekka.benzenberg @kunstmuseum_mh #rebekkabenzenberg #kunstmuseummühlheimanderruhr #theylongingforanancienttragedy #antonjanizewski by @antonjanizewski

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