Instagram story viewer> @applebacon1990> Posts
Anna Lugmeier(@applebacon1990)'s profile avatar HD Profile

Anna Lugmeier

@applebacon1990

1.3K
followers
4930
following
i prefer email and gossip irl💥🖇️film 🔥🪽
editing🔥🔥🪽
POSTS STORIES REELS
ｒｏｏｔｉｎｇ |  wurzeln (𝘷𝘦𝘳𝘣) film, sound & objects by Sandra Hasenöder Anna-Sofie Lugmeier Evamaria Müller What begins to grow where repression prevails? This question echoes through Rosa Luxemburg's herbarium - a practice she began in 1913 and carried, unbroken, through 1918, sustained even behind the walls of the various prisons that confined her. In a space built on separation, control, and silence, Luxemburg tended, through these plants, a form of connection that persisted despite her captivity. Her herbarium remains a radical act of attention, a seemingly silent poetics of interconnectedness, taking root under harsh conditions. A set up of film, objects and sound engages with the resonance of Luxemburg´s herbarium, dealing with it not only as a historical document, created at a time marked by militarisation and rising nationalism, but as a practice of resistance, developed together with friends, who gifted these plants during her imprisonments, to stay connected with the outside world. At a time when right-wing populist parties are gaining influence worldwide and again - especially in Germany, the artists want to focus on forces of resistance. These images may be less representative, yet they speak to something about our society, while unsettling categories of the useful. Plants and organisms become collaborators, telling stories of other orders, of remnants and of a collective ground to grow. 12.11. opening 18h | 13.-27.11.2026 @produzentengaleriepassau 21.11.2026, 16h 𝙩𝙖𝙡𝙠 | 𝙅𝙪𝙡𝙞𝙖𝙣𝙖 𝙆𝙧𝙤𝙝𝙣 (peace/conflict researcher, 𝙐𝙣𝙞𝙫. 𝙂𝙧𝙖𝙯) ⟢ ⟢ ⟢ ⟢ ⟢ ⟢ ⟢ ⟢ ⟢ ⟢ This project was comissioned by @bbk_bayern VERBINDUNGSLINIEN & kindly supported by @kurt_eisner_verein , @neuworkshop & @produzentengaleriepassau dm @s_hasenoeder & @applebacon1990 for more information by @applebacon1990
MP2- Anna-Sofie Lugmeier 🦪🦪🦪 30th of December 2024 (archives) ‘memories of a camera perspective’ Anna shared her film that documents a longing for a different mode of collaboration with the camera and thus for a different way of approaching film as a medium. It is a filmic Séance channeling the ghosts of feminist filmmakers and film icons which were either doomed to fail or had a tendency to exhaust themselves. It is also a personal examination of an exhausted image, the role of the film maker and a loveletter to a liberated cinema that truly doesn´t give a shit about linear ways of storytelling. (filming in collaboration with Laura Weissenberger) in this 2nd edition of Moving Pictures we as initiators of the event series (Anna & Fe) shared our personal artistic work. Additionally it was a special New Years Edition ✨ @newpolyphonies @applebacon1990 @laura__weissenberger_silva @faeioudaeiou by @applebacon1990
pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025 Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990) Feeling blessed . by @applebacon1990
Filming the most wonderful @tita.maravilha & @dianabarbosagil for their piece "BUY YOURSELF A COUCH" about precarity, the transformation of violence & honouring their aunts, mothers & female guardian warriors. 𓀤 Definitely the highlight of my year when they startet shooting with their b☼☼bs. Thank you for this incredible work, always pushing limits and making visceral whispers become seen and felt. /)/) ( . .) ( づ♡ hope this post makes it out of the shady ban zone, since gen0c?des are still on, get organized and don´t stay s!lent. Feels strange to be depending on this platform to reach out to ppl. cute reminder to ask for email adresses and switch to encrypted messaging ♡ sofa design: @triedsomanytimes by @applebacon1990
Last time i filmed for @dianabarbosagil & @tita.maravilha ❀ 𓀤 𖤐 This play with the title "BUY YOURSELF A SOFA" is dedicated to their aunts & mothers, subjective warriors. Stories carried in their bodies. Aunts who fed them, who kept them in their wallets, who hid them in their hearts. Aunts who deserved more than applause: they deserved a golden couch, imported pans, and a huge TV to watch soap operas while shouting. Thank you for your trust and your incredibly strong piece Diana & Tita <3 ‚(♡⌒▽⌒♡)‘ go & program this piece! sofa design: Michael Reindel @triedsomanytimes fabric design: moi @applebacon1990 technician: Jonas Mayr filming+editing: @applebacon1990 production: @dianabarbosagil Premiere at BRUX – Freies Theater Innsbruck, AT 2025 (VORBRENNER) @brux.freies.theater.innsbruck @vorbrenner by @applebacon1990
Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve produced by @hiros.be I am shooting you with my eyeball I am trying not to forget  That it’s round wet soft Weighs as much as a 2 euro coin And usually it is covered by the curtain of my eye lid Good night Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people. concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie. by @applebacon1990
4/10 as part of Swamp Sacrifices: Artemys revival, a film by Mar* Szydłowska & Anna Lugmeier Avant-première Dur: 28 min I am shooting you with my eyeball I am trying not to forget That it’s round wet soft Weighs as much as a 2 euro coin And usually it is covered by the curtain of my eye lid Good night Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels – a place of gatherings, dialogue and queer resistance – founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people. by @applebacon1990
IN RESIDENCE AT VAA NAC Anna Lugmeier @applebacon1990 Laura Weissenberger-Silva @laura__weissenberger Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism. They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative. During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project. by @applebacon1990
Brussels, earlier this year. today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits. by @applebacon1990
ここね💥 this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa. it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot. nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people. because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds. And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings. So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt. In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city. A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people. I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo. For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that. The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city.. by @applebacon1990
WE SHARE - Exhibition Announcement 💥KOKONE ＊ ここね💥 Japanese follows English 日本語の情報は下にあります Diana Barbosa Gil concludes her residency in Tokyo by inviting all the artists, some children of the neighborhood, local craftspeople, and others she encountered during her stay to participate in an exhibition. She transforms Studio GROSS into a space for exchange, where local craft, contemporary art, chance encounters, and trust come together to hopefully enrich us. The program features performances, objects, textile pieces, ceramics, walks to the residency, and select readings exploring themes of growth, women’s rights, rest, sleep, a city made by children from Arakawa, misunderstandings, and disasters. Anna-Sofie Lugmeier @applebacon1990 Diana Barbosa Gil @dianabarbosagil Kodomomura Hotstation @kodomomura_hot Lisa Gutscher @m__ulrike Madeleine Nostitz @nordpolottosiegfried Makiko Suzuki Michael Reindel @triedsomanytimes Vik Bayer @vikbayer Yeonwoo Chang @cedilleroni Opening Times 27.06 : 14:00-21:00 28.06: 14:00-18:00 29.06: 14:00-18:00 Opening Performance (Diana Barbosa Gil) 27.06: 19:30 Walks to the Austrian Artist Residency (Lisa Gutscher) Start: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 5-14-13, Studio GROSS Destination: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 6-30-3, Residency 28:06: 18:00 29:06: 18:00 ココネ
Diana Barbosa Gilは、東京でのレジデンシーを締めくくるにあたり、滞在中に出会ったアーティストたち、地域の子どもたち、地元の職人たち、そしてその他の参加者を招待し、展覧会を開催します。Studio GROSSは交流の場として変貌を遂げ、地元の工芸、現代美術、偶然の出会い、そして信頼が交差し、私たちを豊かにすることを目指します。
プログラムには、パフォーマンス、オブジェ、テキスタイル作品、陶芸、レジデンシーへの散歩、そして成長、女性の権利、休息、睡眠、荒川の子どもたちが作り上げた街、誤解、災害といったテーマを探る朗読が含まれています。 参加アーティスト： Anna-Sofie Lugmeier Diana Barbosa Gil 子ども村ホッとステーション Lisa Gutscher Madeleine Nostitz Makiko Suzuki Michael Reindel Vik Bayer Yeonwoo Chang 開館時間： 6月27日：14:00～21:00 6月28日：14:00～18:00 6月29日：14:00～18:00 オーペニングパフォーマンス (Diana Barbosa Gil)： 6月27日：19:30 オーストリア・アーティスト・レジデンシーへの散歩（Lisa Gutscherの作品）：
集合場所： 116-0012東京都荒川区東尾久5丁目14-13スタジオグロス 目的：１１６−００１２東京都荒川区東尾久6丁目30-3レジデンシー 6月28日：18:00 6月29日：18:00 The show is part of our continued partnership with the Federal Republic of Austria and the Austrian Cultural Forum, Tokyo. @kunstkulturministerium @austrocultjapan @artistsaway by @applebacon1990
FLINTAQ* night at The Green Corridor this Friday 6th June , organised by @maryszydlowska and @applebacon1990! I am shooting you with my eyeball I am trying not to forget That it’s round, wet, soft Weights as much as a 2 euro coin And usually, it is covered by the curtain of my eye lid Good night Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XiXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people. Artemys Revival will be screened 3 times on Friday 6 June at 17:30, 18:30, 19:30. The visitors are invited for an informal drink in-between and after the seances. The drinks will be based on a herbal liquor from Artemisia absinthium, tapping with the Artemis arrow on thy palate. Artemys Revival concept, direction: Mar Szydowska & Anna Lugmeier cinematography: Anna Lugmeier editing: Mar Szydlowska, Anna Lugmeier sound on set: Laura Weissenberger-Silva soundtrack fragments: Hannah Todt, Mar Szydlowska styling & costume: Laura Weissenberger-Silva starring: Mar Szydlowska, Abigail Aleksander, Galerie Bortie special thanks to: The Green Corridor, Marian Lens, Sofia Dati, Nathaniel Moore, Queer World vzw & Alex Auris This project is supported with a debut grant from Vlaamse Gemeenschapscommisie by @applebacon1990

Download All

Save the photos and videos currently loaded on this page.

0Photos
0Videos
Ready to download 0 / 0

Keep this tab open until your download is ready.
back to up