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Stacked quartzite joints meet the waterline in a precise shadow.

📍 Vals, Switzerland — 1996

The architecture of bathing requires a designer to manage the immense weight of contained water through mass and reflection. At Therme Vals, Peter Zumthor utilized 60,000 slabs of local quartzite to construct a sequence of volumes that function more like a mineral cave than a traditional building. Whether through Siza’s weathered concrete at Leça da Palmeira or Pollet’s restored yellow render at Molitor, these structures demonstrate how specific material choices respond to the pressure of the elements.

How does the tactile grip of a material change our perception of a threshold?

A room like this is a good first test of any plan you are working on.

Images © ARCHITECTT

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How quartzite and concrete manage the immense weight of contained water

Full piece in our Journal — https://architectt.com/journal/architect-lives-bathing-zumthor-siza-pollet

#concretearchitecture #staircasedesign #doorsofinstagram #architectsofinstagram #architecturetheory #architecturephotography #craftsmanship #timberframe #vernaculararchitecture #builtenvironment #architecturelovers #architecture by @architectt.studio
0
19 days ago
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Thick mortar joints bind shards of terracotta and weathered grey brick.

📍 Ningbo, China — 2008

Wang Shu utilized the *wa pan* masonry technique to integrate debris from demolished villages directly into the museum facade. These walls function as a physical archive, where the irregular edges of salvaged roof tiles and bricks dictate the final mass. By elevating regional construction methods, the work rejects the anonymity of industrial surfaces in favor of a heavy, tactile memory.

How does the weight of salvaged debris alter our perception of structural permanence?

We keep studies like this in ARCHITECTT and come back to them months later.

Images © ARCHITECTT

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Can traditional masonry techniques preserve the fabric of lost villages

Full piece in our Journal — https://architectt.com/journal/ningbo-history-museum-wang-shu-wa-pan-masonry

#terracotta #brickarchitecture #rooflines #biophilicdesign #greenarchitecture #materialstudy #designjournal #adaptivereuse #architecturaldetails #architecturephotography #interiorarchitecture #design by @architectt.studio
3
19 days ago
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A verdigris frescoed lunette captures filtered light above the Istrian stone.

📍 Maser, Veneto — 16th century

Andrea Palladio completed the structure in the late 1550s, integrating a natural mountain spring to feed both the decorative nymphaeum and the functional agricultural wings. The interior relies on Paolo Veronese’s trompe-l'oeil frescoes, where mineral pigments and lime plaster mimic the depth of carved masonry with surgical precision. Can a hydraulic system dictate the formal circulation of a residence?

We test palettes like this one in ARCHITECTT before anything is drawn.

Images © ARCHITECTT

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How does a natural spring dictate the residence as machine

Full piece in our Journal — https://architectt.com/journal/villa-barbaro-maser-palladio-veronese-hydrology-pigments

#limestone #marble #metalcladding #doorsofinstagram #studiowork #stonework #materialstudy #designjournal #adaptivereuse #architecturaldetails #architecture #interiorarchitecture by @architectt.studio
1
a month ago
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White plaster meets volcanic basalt to delineate a new subterranean geometry.

📍 Lanzarote, Canary Islands — 1968

César Manrique stabilized the geological voids left by the La Corona volcano to establish a public interior defined by mass and void. The primary circulation utilizes a descending stone staircase that directs the eye toward the saline lake, home to a species of blind albino crabs. By contrasting rough, porous lava with smooth rendered walls and subtropical planting, the studio observes how light from the ceiling apertures transforms a raw void into a sequenced environment.

How does the weight of geological time influence the way we scale a modern interior?

A room like this is a good first test of any plan you are working on.

Images © ARCHITECTT

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Can a geological void host a sequence of designed experiences

Full piece in our Journal — https://architectt.com/journal/jameos-del-agua-lava-tube-public-interior

#architecturedaily #linedrawing #builtenvironment #stonework #materialstudy #designjournal #adaptivereuse #architecturelovers #architecture #interiorarchitecture by @architectt.studio
4
a month ago
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A 14th-century fortress rarely survives the precision of a modern blade.

📍 Verona, Italy — 1975

At Castelvecchio, Carlo Scarpa introduced narrow concrete water channels and limestone treads to mediate between medieval masonry and twentieth-century circulation. This dialogue continues in Milan, where a 1910 distillery complex now utilizes 24-carat gold leaf and aluminum foam to redefine industrial mass. How does a historic bank in Venice transition from private finance to public gallery without losing its 17th-century gravity?

Worth trying on your own plan — the same logic, your own rooms.

Images © ARCHITECTT

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Can a modern master's intervention redefine the medieval castle's purpose

Full piece in our Journal — https://architectt.com/journal/northern-italy-adaptive-reuse-art-architecture

#limestone #concretearchitecture #italianarchitecture #staircasedesign #architecturephotography #vernaculararchitecture #builtenvironment #stonework #materialstudy #designjournal #design #architecturelovers by @architectt.studio
0
a month ago
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Sverre Fehn's Hedmark Museum: New Concrete Laid into a Medieval Ruin

Sverre Fehn’s Hedmark Museum in Hamar, Norway, demonstrates how new architectural elements can engage with ancient ruins, creating a dialogue between eras.

Elevated walkway: A smooth concrete path traverses the ruin, allowing views over historical layers.

If your own project has this problem, it is worth modelling before it is built.

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Sverre Fehn’s Hedmark Museum, located within the medieval ruins of Storhamarlåven in — what would you keep?

Full piece in our Journal — https://architectt.com/journal/sverre-fehn-hedmark-museum-concrete-ruin

#timberarchitecture #concretearchitecture #rooflines #architecturetravel #traveldesign #timberframe #vernaculararchitecture #builtenvironment #stonework #materialstudy #interiorarchitecture #design by @architectt.studio
2
a month ago
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A sliding glass panel marks the boundary of the new interior.

📍 Bordeaux, France — 2017

At Grand Parc, Anne Lacaton and Jean-Philippe Vassal avoided the demolition of 530 social housing units from the 1960s. The intervention prioritizes the addition of polycarbonate and glass winter gardens, expanding the original living area by approximately 30 percent. These transitional zones function as thermal buffers, using light and air to reconfigure the internal volume without altering the primary structural footprint.

The materiality remains restrained, utilizing concrete and unpainted wood to maintain a tactile relationship with the existing building. Large operable panels allow residents to manage solar gain and ventilation, transforming the enclosed space into an open balcony. By focusing on volume over facade, the project achieved a radical improvement in living quality at a cost significantly lower than new construction.

Can the logic of the winter garden provide a template for the densification of existing Mediterranean housing blocks?

Reference: Lacaton & Vassal, Frédéric Druot, and Christophe Hutin

We keep studies like this in ARCHITECTT and come back to them months later.

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Can radical improvements in living quality emerge from sensitive structural additions

Full piece in our Journal — https://architectt.com/journal/lacaton-vassal-interior-expansion-grand-parc

#timberarchitecture #concretearchitecture #passivecooling #doorsofinstagram #fieldnotes #builtenvironment #stonework #materialstudy #designjournal #adaptivereuse #interiorarchitecture #design Lacaton & Vassal: Expanding the Interior, Not the Footprint — Modern apartment interior with concrete floors and walls opening to a balcony with glass and translucent panel walls. by @architectt.studio
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a month ago
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A concrete lintel cuts a sharp shadow line against the recess.

📍 Portopetro, Mallorca — 1972

We examine the choreography of light across four Northern European residences, from Aalto’s 1939 Villa Mairea to Jørn Utzon’s cliffside retreat at Can Lis. The study focuses on how orientation and material density regulate the sun’s movement through a volume. In these examples, light is not a passive condition but a primary building material used to define the scale and temperament of a room.

The site at Can Lis utilizes local stone and deep apertures to manage the intense Mediterranean exposure. Vertical timber fins and circular skylights create a temporal record, marking the hours through shifting geometries on tactile surfaces. By prioritising the grain of timber and the grit of hand-pressed terracotta, the architecture captures a warmth that remains legible even as the sun recedes.

How does the weight of a deep masonry sill alter your perception of the landscape beyond?

Reference: Jørn Utzon, Alvar Aalto, Gunnar Asplund, Arne Jacobsen.

Worth trying on your own plan — the same logic, your own rooms.

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How does orientation choreograph the sun's journey through a building

Full piece in our Journal — https://architectt.com/journal/northern-european-daylight-houses

#terracotta #timberarchitecture #concretearchitecture #windowdesign #geniusloci #designjournal #adaptivereuse #architecturaldetails #architecturephotography #craftsmanship #design #architecturelovers Four Northern European Houses: Mastering Daylight Strategies — Stone interior living room with timber furniture and tile floor, overlooking a sunset sea and rocky coastline. by @architectt.studio
1
a month ago
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The custom grey Danish bricks measure precisely five hundred millimetres long.

📍 Cologne, Germany — 2007

Peter Zumthor encases the Gothic remnants of St. Kolumba within a permeable masonry shell. The facade, composed of elongated Petersen Tegl units, uses deliberate perforations to filter air and light through the ruins of the bombed church. This grey-brown skin establishes a tectonic weight while remaining porous enough to reveal the historical layers beneath.

Inside, the transition between eras is marked by a crisp seam where new floors meet the original foundations. Board-formed concrete soffits and precisely cut stone lintels introduce a shift in density and texture against the brickwork. The light remains soft and indirect, directed by skylights and cavity openings to prioritize the haptic quality of the space.

How does the omission of a reconstructed roof change the thermal and acoustic memory of a sacred site?

Credit: Peter Zumthor; Petersen Tegl.

We reran this facade in ARCHITECTT to see how the light would fall in July.

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Does the perforated brick facade successfully filter light into the ruin

Full piece in our Journal — https://architectt.com/journal/kolumba-museum-tactility-light

#concretearchitecture #brickarchitecture #doorsofinstagram #futurearchitecture #housingdesign #architecturaldetails #architecturephotography #craftsmanship #timberframe #vernaculararchitecture #design #architecturelovers Perforated brick facade — Modern building with concrete overhang and brick facade featuring perforated patterns, viewed from below against a clear sky. by @architectt.studio
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a month ago
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The high Romanesque bell tower survives eight centuries of mountain weathering.

📍 Catalonia, Spain — 1123 to 1975

We examine the material transition from the granite ashlar of Sant Climent de Taüll to the experimental masonry of Antoni Gaudí. At Colònia Güell, the 1908 crypt serves as a structural laboratory where Montjuïc stone and brick form hyperbolic paraboloids. The rough-hewn texture of the column bases registers a deliberate contrast with the refined geometry of the catenary arches.

The narrative concludes with Ricardo Bofill’s Walden 7, completed in 1975 in Sant Just Desvern. Here, terracotta-colored concrete modules reach sixteen stories, organizing communal circulation around central voids. Precisely cast edges and sienna-toned surfaces demonstrate how prefabrication can achieve the monumental scale previously reserved for traditional stone masonry.

Does the shift from site-quarried granite to precast concrete panels diminish the perceived weight of the regional vernacular?

Reference: Sant Climent de Taüll, Antoni Gaudí, Ricardo Bofill.

A room like this is a good first test of any plan you are working on.

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Does the structural transition from Romanesque masonry to Bofill's mass define Catalonia

Full piece in our Journal — https://architectt.com/journal/catalonia-stone-legacies-architectural-journeys

#terracotta #concretearchitecture #brickarchitecture #vaultedceiling #archlovers #timberframe #vernaculararchitecture #builtenvironment #stonework #materialstudy #architecturelovers #architecture Catalonia's Stone Legacies: Three Architectural Journeys — Modern timber stairwell with metal railings and rectangular windows casting shadows across wooden walls. by @architectt.studio
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a month ago
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A polished metal handrail traces the gentle curve of the ascent.

📍 Roquebrune-Cap-Martin, France — 1926–1929

Eileen Gray and Jean Badovici conceived Villa E-1027 from the interior outward, prioritizing the kinetics of the human body over static facade composition. In the circulation zones, the transition between bush-hammered white concrete and honed Carrara marble is defined by precision plaster and brushed nickel detailing. Every element, from the stair nosing to the integrated wooden benches, serves as a functional prompt for movement or pause.

The plan functions as a sequence of adaptable systems rather than a series of fixed rooms. Sunlight filters through perforated metal screens at the landings, casting geometric shadows across the lime-washed surfaces to modulate the interior atmosphere throughout the day. By integrating adjustable furniture and folding partitions, the architecture remains responsive to the physical requirements of the inhabitant.

How does the tactile quality of a handrail dictate the pace of movement through a corridor?

Reference: Eileen Gray and Jean Badovici

Draw your version of this room; the proportions travel further than the style.

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Does internal circulation dictate the composition of a functional facade

Full piece in our Journal — https://architectt.com/journal/villa-e-1027-body-in-motion

#timberarchitecture #frencharchitecture #staircasedesign #windowdesign #architecturalicon #stonework #materialstudy #designjournal #adaptivereuse #architecturaldetails #architecture #interiorarchitecture Villa E-1027: Designing for the Body in Motion — Modern interior concrete and white walls with timber stairs and a dark metal handrail from an elevated perspective. by @architectt.studio
1
a month ago
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Shadows from palm fronds fall across whitewashed walls in Barra de Guaratiba.

📍 Rio de Janeiro, Brazil — 1949–1994

The Sítio Roberto Burle Marx functions as a living laboratory where botanical research and landscape architecture converge. Across the estate, 3,500 species of tropical and subtropical plants are arranged with a painterly sensibility, utilizing indigenous Brazilian flora to define volume and circulation.

In the courtyards, precise cuts of local stone and dark slate basins provide a restrained counterpoint to the organic mass of the collection. The use of exposed laterite earth and hand-thrown terracotta anchors the built structures to the regional site, maintaining a clear distinction between the cultivated landscape and the architectural envelope.

How does the deliberate demarcation of local stone paths influence the perception of tropical density within a designed garden?

Reference: UNESCO World Heritage, 2021

We keep studies like this in ARCHITECTT and come back to them months later.

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Can a living laboratory synthesize regional identity with painterly sensibility

Full piece in our Journal — https://architectt.com/journal/sitio-roberto-burle-marx-botanical-provenance

#terracotta #architectsofinstagram #architecturetheory #adaptivereuse #architecturaldetails #architecturephotography #craftsmanship #timberframe #interiorarchitecture #design #architecturelovers Sítio Roberto Burle Marx: A Landscape Architect's Botanical Provenance — White plastered walls and stone paving enclose a patio with a vivid blue window and potted tropical plants. by @architectt.studio
0
a month ago
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