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(Tiếng Việt bên dưới)

Rare Sea and Cót Két are pleased to introduce “Etymology of a Siren Sound”, a performance and sound installation by Indonesian artist Ari Angkasa on Tuesday night, June 9, 2026. 

Incorporating field recordings, air traffic control radio transmissions, sonic feedback techniques, karaoke microphones, and vocal demos of death growls reminiscent of aircraft engines, Ari traces the haunting echoes of a traumatic air crash that imprinted on her family–intertwined with her experience of a trans woman–to examine the reverberations that stay with us, and the generative potential of resonance in shaping embodiment.

Friday, September 26, 1997. An Airbus A300B4-220 operating Garuda Indonesia flight GA152 tumbles into mountainous terrain near Sibolangit, Northern Sumatra. The event goes on to become one of the deadliest in Indonesian aviation history, killing all 222 passengers on board, and seeding a deep fear of flying in the artist’s family. Using this event as an impetus for the work, the artist creates a sonic environment which excavates a synaesthetic relationship to movement. What sounds from the past resonate in our psyche? How do they play a part in shaping who we are today?

Event details
▶️ Time: 7:00 PM – 8:00 PM, Tuesday, June 9, 2026
▶️ Location: Rare Sea – 3 Dang Thi Nhu, Ben Thanh Ward, Ho Chi Minh City
▶️ RSVP at link on bio
▶️ Language: English
🚪Free admission
🛵 Parking: TNXP parking lot – 4 Trương Định, Bến Thành Ward (900 m; 2 minutes by walking). by @ari___angkasa
5
2 months ago
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INTRODUCTION ABOUT ARI ANGKASA

(Tiếng Việt bên dưới) 

Ari Angkasa is an Indonesian artist based in Naarm (Melbourne, AU). Ari’s multi-disciplinary work creates images through experiments with the persistence of sound, or, the histories that reverberate in our present. Through convergences across film, theatre, music, dance, installation, and writing, Ari’s work unearths the invisible affects that entwine our humanity together. 

Ari has exhibited widely with recent showings at Dance Base Yokohama (JP), Queer East Film Festival (UK), Gertrude Contemporary (AU), and Bangkok Kunsthalle (TH). Ari is a curator and booker at Miscellania, a staple in the Naarm nightlife scene, and she serves as a creative producer for Soft Centre, an experimental music festival in Eora (Sydney, AU). Ari has upcoming showings and exhibitions with Shadowplay (TH), Dark Mofo (AU), and Taipei Performing Arts Centre (TW).

Join Ari Angkasa this upcoming Tuesday for her performance and installation “Etymology of a Siren Sound” 
▶️ Time: 7:00 PM – 8:00 PM, Tuesday, June 9, 2026
▶️ Location: Rare Sea – 3 Dang Thi Nhu, Ben Thanh Ward, Ho Chi Minh City
▶️ RSVP at link on bio (We have capacity of 30 successful registrations)
▶️ Language: English
🚪Free admission
🛵 Parking: TNXP parking lot – 4 Trương Định, Bến Thành Ward (900 m; 2 minutes by walking). by @ari___angkasa
1
2 months ago
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!!so excited to be in yokohama with my sis @ishvara.dev for the next month planting seeds for a new performance work at @dancebasedaby as part of their artist-in-residence program🧑‍🩰

➡️swipe thru for details about our project and work-in-progress showing at the end of the month! taken in Dance Base Yokohama by @ari___angkasa
11
2 months ago
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A RECAP OF “ETYMOLOGY OF SIREN SOUND”

(Tiếng Việt bên dưới)

On Tuesday, June 9, through feedback loops generated by latex and four microphones positioned as runway, Ari Angkasa filled the third floor of Rare Sea building with silence, field recordings and air traffic control radio transmissions to channel the trauma of the 1997 Garuda Airlines crash in North Sumatra, Indonesia. As death growls and sweet karaoke melodies collapsed, the space became a haunting echo chamber where participants were drawn into an exploration of how past reverberations continue to shape our bodies and identities today. 

A heartfelt thank you to all of our dear friends who came, stayed, and touched the resonance of tragedy with Ari. Rare Sea looks forward to future collaborations with Ari and Cót Két 🙌 by @ari___angkasa
3
a month ago
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We are so grateful to have the multitalented @ari___angkasa for the next instalment of 𓂃 bit crush 𓂃۶ৎ on @hkcronline.

Ari Angkasa is a Naarm based artist working across screen, performance and sound. Her practice investigates persistence of sound and the role of resonance in generating images.

For bit crush, Ari Angkasa shares a sensory guest mix encapsulating chaos and nostalgia, romance in friendship and self love.

Full mix in bio, tracklist forthcoming

💌 by @ari___angkasa
0
3 months ago
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🥹london bound this may screening my short film ‘the overwoman’ in its first official film festival selection (!!) at @queereast as part of a program of indonesian shorts curated by my sweet and loving comrade @rich.rahad @qamerad oh my GOD I’M SO EXCITED

screening:
23 may 2026
at rich mix london
8.15pm

the overwoman
director/editor @ari__angkasa
cast @ari__angkasa @hancetta @teen_zhangst
producer @lil__st4r
cinematography @brendangleberries
1ac @leelaleel
sound @riz.tama
recordist @justin.macawili
costume @chelseafarquhar_ 
made with the generous support of @mavartsau @seventhgallery taken in Rich Mix London by @ari___angkasa
43
3 months ago
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!!new mix up for @nts_radio 🥹😚🤓 thinking a lot about the pulses n crashes of infodumpdopamine so I give u the percussive sounds from in and around my home in indonesia uwu thank uuuuu @rancapduoi for having me i adore u all smmmm

📸: @melonandwater taken in Ho Chi Minh City, Vietnam by @ari___angkasa
45
4 months ago
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fish scales were once thought to possess sharpening properties of sophisticated technological aptitude @westspace @melbourneartfair @hopestradio 🐠 

📸 thomas mccammon by @ari___angkasa
42
5 months ago
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era già tutto previsto @gertrudecontemporary

📸 machiko abe by @ari___angkasa
24
10 months ago
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🥹extremely proud of these moments and the gorgeous gorgeolina gorgeolini friends of this earth that brought them together weeehooooo next stop @soft_centre tomorrow am so excited i could do a backflip

📸fabuloso documentaziones from the premiere snapped by @will.hamiltoncoates 

———

hearsay
by @eek_now @_the_longest_hum @kirby_casilli 
producer @ari___angkasa 
systems design @joli.vision 
music @sattmabbadini @solsa.cum 
chorus @vca_sculpture 
mua @nymph3rella 
costume @sh0p_r00m @be___right___back___ 
avec le soutien @soft_centre 
presenting partners @acmionline @nowornever.melb taken in ACMI by @ari___angkasa
8
a year ago
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back in bkk this week for the international premiere of my short ‘the overwoman’ as part of ‘paradiso’ a suite of films and performances with artists curated by the ethereal powerhouse that is sweet @oat_montien for @bangkok_kunsthalle 

———

the overwoman
director/editor @ari__angkasa
cast @ari__angkasa @hancetta @teen_zhangst
producer @lil__st4r
cinematography @brendangleberries
1ac @leelaleel
sound @riz.tama
recordist @justin.macawili
costume @chelseafarquhar_ 
made with the generous support of @mavartsau @seventhgallery taken in Bangkok Kunsthalle by @ari___angkasa
1
a year ago
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being a rly silly girl at @instituteofmodernart TUTTO BENE GRAZIE @tim.riley.walsh and @kink.au for curating my stubborn performance practice into this landmark show

📸 @lewisjamesmedia 

🖇️🖇️🖇️

You Are Here Too
curated by Kink
with artists Holly Bates, Nick Breedon, Alexis Kanatsios, Gian Manik, Yangamini, Crystal Love, Leen Rieth, Tay Haggarty, and Ari Angkasa.

You Are Here Too presents a collection of works by contemporary Australian artists exploring queer desire and sexuality. It serves as both a celebration and a response to the groundbreaking 1992 show You Are Here at the Institute of Modern Art, which made history as Australia’s first institutional group exhibition featuring exclusively gay artists during the height of the AIDS crisis.

Thirty-three years later, this new show examines the evolution of LGBTQI+ expression in Australia, showcasing works that present queer desire as ‘amorphous, fluid, temporal, retreating, explicit, abstracted, and political’. It emphasises First Nations and trans experiences, noting that these can’t be contained by the narratives that dominated queer history and culture in previous generations. taken in Institute of Modern Art by @ari___angkasa
16
a year ago
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