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đ€đ«đ­ 𝐂𝐡𝐹𝐬𝐼𝐧 𝐅𝐹𝐜𝐼𝐬(@artchosun_focus)'s profile avatar HD Profile

đ€đ«đ­ 𝐂𝐡𝐹𝐬𝐼𝐧 𝐅𝐹𝐜𝐼𝐬

@artchosun_focus

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ëŻžë””ì–Žê°€ íŹì»€ìŠ€í•œ í”„ëŠŹëŻžì—„ì•„íŠžíŽ˜ì–Ž 𝗔𝗖𝗙
Oct 15 (Thu) - Oct 29 (Thu), 2026
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đŸŽšâœšđŸ· ᄋᅹᄉᅼᆯᄀá…Ș ᄒá…Čᄉᅔᆚ, 여가가 á„€á…©á†Œá„Œá…©á†«á„’á…Ąá„‚á…łá†« á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…”á„‹á…Šá„‰á…„ á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯ을 ᄉᅹ로ᄋᅟᆫ á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá„…á…© á„€á…§á†Œá„’á…„á†·á„’á…Ąá„‚á…łá†« 2026 ACF가 á„‹á…§á†Żá„…á…”á†žá„‚á…”á„ƒá…Ą. ACF(ART CHOSUN FOCUS)는 á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯᄋᅎ 흐름 소ᆚᄋᅊᄉᅄ á„Œá…źá„†á…©á†šá„’á…Ąá†Ż 잢가ᄋá…Ș á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 벌견허고, ᄋᅔ를 á„ƒá…ąá„Œá…źá†Œá„€á…Ș á„†á…”á„‰á…źá†Żá„‰á…”á„Œá…Ąá†Œá„‹á…Š 연결허는 á„‹á…Ąá„á…łá„‘á…Šá„‹á…„á„‹á…”á†žá„‚á…”á„ƒá…Ą. á„Œá…Ąá„‰á…”á†«á„†á…Ąá†«á„‹á…Ž á„Œá…Ąá†šá„‘á…źá†· 소ᄀᅹ를 ᄀᅼᄎᅼᆹ휘 온 á„Œá…Ąá†šá„€á…Ąá„‡á…źá„á…„ ᄉᅹ로ᄋᅟᆫ á„€á…Ąá„‚á…łá†Œá„‰á…„á†Œá„‹á…łá†Ż á„‡á…©á„‹á…§á„Œá…źá„‚á…łá†« ᄉᅔᆫᄌᅔᆫ á„Œá…Ąá†šá„€á…Ąá„á…Ąá„Œá…”, 거ᆚᄀᅔ á„ƒá…Ąá„…á…łá†« ᄉᅔᄉᅄᆫᄀá…Ș ᄋᅄᆫᄋᅄ를 ᄌᅔᄂᅔᆫ 26ᄋᅔᆫᄋᅎ 잢가가 á„’á…Ąá†«á„Œá…Ąá„…á…”á„‹á…Š á„†á…©á„‹á…”á†žá„‚á…”á„ƒá…Ą. 올ᄒᅹ ACF는 ᄌᅄᆌ혀ᆌᄒá…Șá„ƒá…Źá†« ᄇᅼ스 혀ᆌᄉᅔᆚᄋᅊᄉᅄ ᄇᅄá†șá„‹á…„á„‚á…Ą á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 á„Œá…„á†«á„Žá…Šá„…á…łá†Ż 하나우 열ᄅᅔᆫ á„‘á…Šá„‹á…„ á„€á…©á†Œá„€á…Ąá†«á„‹á…łá„…á…© á„€á…źá„‰á…„á†Œá„’á…Ąá†žá„‚á…”á„ƒá…Ą. á„€á…©á†Œá„€á…Ąá†«á„‹á…łá†Ż 따라 á„Œá…Ąá„‹á…§á†«á„‰á…łá„…á…„á†žá„€á…Š á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 먼너고, 나우 á„Žá…±á„’á…Łá†Œá„‹á…łá†Ż 벌견허며, 머음ᄋᅊ á„ƒá…łá„‚á…łá†« á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż ᄌᅔᆚᄌᅄᆞ á„‰á…©á„Œá…Ąá†Œá„’á…Ąá„‚á…łá†« á„€á…§á†Œá„’á…„á†·á„á…Ąá„Œá…” á„‹á…”á„‹á…„á„Œá…”á†žá„‚á…”á„ƒá…Ą. á„€á…Ąá†·á„‰á…Ąá†Œá„‹á…Šá„‰á…„ 벌견으로, 벌견ᄋᅊᄉᅄ á„‰á…©á„Œá…Ąá†Œá„‹á…łá„…á…©. á„‹á…§á„’á…ąá†Œá„€á…Ș ᄒá…Čᄉᅔᆚᄋᅎ á„€á…©á†Œá„€á…Ąá†«á„‹á…Šá„‰á…„ ᄋᅚᄉᅟᆯᄋᅔ á„‹á…”á†Żá„‰á…Ąá†Œá„‹á…łá„…á…© á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄉᅟᆫ건, 2026 ACF오 여ᄅᅄᄇᅟᆫ을 á„Žá…©á„ƒá…ąá„’á…Ąá†žá„‚á…”á„ƒá…Ą. 2026 ACF | ART CHOSUN FOCUS 📍 á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 📅 2026. 10. 15. (모ᆚ) – 10. 29. (모ᆚ), 11:00 – 20:00 đŸ’Č ᄀá…Șᆫ럼료 ᄆᅼ료 đŸ§‘đŸ»â€đŸŽš á„€á…Ąá†Œá„‰á…©á„’á…Ž 권허너 á„€á…Żá†«á„’á…šá„Œá…„á†Œ á„€á…źá†šá„ƒá…ąá„’á…© ᄀᅔᆷᄋᅔᆫ ᄀᅔᆷᄌᅄᆌᄇᅔᆫ á„€á…”á†·á„Œá…”á„‹á…Ąá„‚á…Ą ᄀᅔᆷ효ᄉᅄᆫ ᄆᅔᆫᄉᅟ연 버ᆚᄂᅟᄅᅔ 버ᆚᄉᅄᄒᅚ á„‡á…Ąá†šá„‹á…”á„ƒá…© á„‰á…©á†«á„‹á…źá„Œá…„á†Œ 손ᄌᅔᆫ겨ᆌ á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†« 언소현 ᄋá…Čá„Œá…”á†«á„€á…ź ᄋá…Čá†«á„‡á…§á†Œá„…á…Ąá†š ᄋá…Čᆫ조ᆌᄉᅄᆚ á„‹á…”á„‰á…Ąá†Œá„‰á…ź á„‹á…”á„‰á…Ąá†Œá„‹á…Żá†« ᄋᅔ서러 ᄋᅔ여ᆌᄌᅔ á„‹á…”á„Œá…źá„’á…Ž á„Žá…Źá„‹á…§á†Œá„‹á…źá†š á„’á…Ąá†·á„†á…§á†Œá„‰á…ź #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in Paradise City Plaza by @artchosun_focus
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đŸŽšâœšđŸ· ᄋᅹᄉᅼᆯᄀá…Ș ᄒá…Čᄉᅔᆚ, 여가가 á„€á…©á†Œá„Œá…©á†«á„’á…Ąá„‚á…łá†« á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…”á„‹á…Šá„‰á…„ á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯ을 ᄉᅹ로ᄋᅟᆫ á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá„…á…© á„€á…§á†Œá„’á…„á†·á„’á…Ąá„‚á…łá†« 2026 ACF가 á„‹á…§á†Żá„…á…”á†žá„‚á…”á„ƒá…Ą. ACF(ART CHOSUN FOCUS)는 á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯᄋᅎ 흐름 소ᆚᄋᅊᄉᅄ á„Œá…źá„†á…©á†šá„’á…Ąá†Ż 잢가ᄋá…Ș á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 벌견허고, ᄋᅔ를 á„ƒá…ąá„Œá…źá†Œá„€á…Ș á„†á…”á„‰á…źá†Żá„‰á…”á„Œá…Ąá†Œá„‹á…Š 연결허는 á„‹á…Ąá„á…łá„‘á…Šá„‹á…„á„‹á…”á†žá„‚á…”á„ƒá…Ą. á„Œá…Ąá„‰á…”á†«á„†á…Ąá†«á„‹á…Ž á„Œá…Ąá†šá„‘á…źá†· 소ᄀᅹ를 ᄀᅼᄎᅼᆹ휘 온 á„Œá…Ąá†šá„€á…Ąá„‡á…źá„á…„ ᄉᅹ로ᄋᅟᆫ á„€á…Ąá„‚á…łá†Œá„‰á…„á†Œá„‹á…łá†Ż á„‡á…©á„‹á…§á„Œá…źá„‚á…łá†« ᄉᅔᆫᄌᅔᆫ á„Œá…Ąá†šá„€á…Ąá„á…Ąá„Œá…”, 거ᆚᄀᅔ á„ƒá…Ąá„…á…łá†« ᄉᅔᄉᅄᆫᄀá…Ș ᄋᅄᆫᄋᅄ를 ᄌᅔᄂᅔᆫ 26ᄋᅔᆫᄋᅎ 잢가가 á„’á…Ąá†«á„Œá…Ąá„…á…”á„‹á…Š á„†á…©á„‹á…”á†žá„‚á…”á„ƒá…Ą. 올ᄒᅹ ACF는 ᄌᅄᆌ혀ᆌᄒá…Șá„ƒá…Źá†« ᄇᅼ스 혀ᆌᄉᅔᆚᄋᅊᄉᅄ ᄇᅄá†șá„‹á…„á„‚á…Ą á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 á„Œá…„á†«á„Žá…Šá„…á…łá†Ż 하나우 열ᄅᅔᆫ á„‘á…Šá„‹á…„ á„€á…©á†Œá„€á…Ąá†«á„‹á…łá„…á…© á„€á…źá„‰á…„á†Œá„’á…Ąá†žá„‚á…”á„ƒá…Ą. á„€á…©á†Œá„€á…Ąá†«á„‹á…łá†Ż 따라 á„Œá…Ąá„‹á…§á†«á„‰á…łá„…á…„á†žá„€á…Š á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 먼너고, 나우 á„Žá…±á„’á…Łá†Œá„‹á…łá†Ż 벌견허며, 머음ᄋᅊ á„ƒá…łá„‚á…łá†« á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż ᄌᅔᆚᄌᅄᆞ á„‰á…©á„Œá…Ąá†Œá„’á…Ąá„‚á…łá†« á„€á…§á†Œá„’á…„á†·á„á…Ąá„Œá…” á„‹á…”á„‹á…„á„Œá…”á†žá„‚á…”á„ƒá…Ą. á„€á…Ąá†·á„‰á…Ąá†Œá„‹á…Šá„‰á…„ 벌견으로, 벌견ᄋᅊᄉᅄ á„‰á…©á„Œá…Ąá†Œá„‹á…łá„…á…©. á„‹á…§á„’á…ąá†Œá„€á…Ș ᄒá…Čᄉᅔᆚᄋᅎ á„€á…©á†Œá„€á…Ąá†«á„‹á…Šá„‰á…„ ᄋᅚᄉᅟᆯᄋᅔ á„‹á…”á†Żá„‰á…Ąá†Œá„‹á…łá„…á…© á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄉᅟᆫ건, 2026 ACF오 여ᄅᅄᄇᅟᆫ을 á„Žá…©á„ƒá…ąá„’á…Ąá†žá„‚á…”á„ƒá…Ą. 2026 ACF | ART CHOSUN FOCUS 📍 á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 📅 2026. 10. 15. (모ᆚ) – 10. 29. (모ᆚ), 11:00 – 20:00 đŸ’Č ᄀá…Șᆫ럼료 ᄆᅼ료 đŸ§‘đŸ»â€đŸŽš á„€á…Ąá†Œá„‰á…©á„’á…Ž 권허너 á„€á…Żá†«á„’á…šá„Œá…„á†Œ á„€á…źá†šá„ƒá…ąá„’á…© ᄀᅔᆷᄋᅔᆫ ᄀᅔᆷᄌᅄᆌᄇᅔᆫ á„€á…”á†·á„Œá…”á„‹á…Ąá„‚á…Ą ᄀᅔᆷ효ᄉᅄᆫ ᄆᅔᆫᄉᅟ연 버ᆚᄂᅟᄅᅔ 버ᆚᄉᅄᄒᅚ á„‡á…Ąá†šá„‹á…”á„ƒá…© á„‰á…©á†«á„‹á…źá„Œá…„á†Œ 손ᄌᅔᆫ겨ᆌ á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†« 언소현 ᄋá…Čá„Œá…”á†«á„€á…ź ᄋá…Čá†«á„‡á…§á†Œá„…á…Ąá†š ᄋá…Čᆫ조ᆌᄉᅄᆚ á„‹á…”á„‰á…Ąá†Œá„‰á…ź á„‹á…”á„‰á…Ąá†Œá„‹á…Żá†« ᄋᅔ서러 ᄋᅔ여ᆌᄌᅔ á„‹á…”á„Œá…źá„’á…Ž á„Žá…Źá„‹á…§á†Œá„‹á…źá†š á„’á…Ąá†·á„†á…§á†Œá„‰á…ź #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in Paradise City Plaza by @artchosun_focus
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19 days ago
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đŸŽšâœšđŸ· ᄋᅹᄉᅼᆯᄀá…Ș ᄒá…Čᄉᅔᆚ, 여가가 á„€á…©á†Œá„Œá…©á†«á„’á…Ąá„‚á…łá†« á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…”á„‹á…Šá„‰á…„ á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯ을 ᄉᅹ로ᄋᅟᆫ á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá„…á…© á„€á…§á†Œá„’á…„á†·á„’á…Ąá„‚á…łá†« 2026 ACF가 á„‹á…§á†Żá„…á…”á†žá„‚á…”á„ƒá…Ą. ACF(ART CHOSUN FOCUS)는 á„ƒá…©á†Œá„‰á…”á„ƒá…ą ᄆᅔᄉᅟᆯᄋᅎ 흐름 소ᆚᄋᅊᄉᅄ á„Œá…źá„†á…©á†šá„’á…Ąá†Ż 잢가ᄋá…Ș á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 벌견허고, ᄋᅔ를 á„ƒá…ąá„Œá…źá†Œá„€á…Ș á„†á…”á„‰á…źá†Żá„‰á…”á„Œá…Ąá†Œá„‹á…Š 연결허는 á„‹á…Ąá„á…łá„‘á…Šá„‹á…„á„‹á…”á†žá„‚á…”á„ƒá…Ą. á„Œá…Ąá„‰á…”á†«á„†á…Ąá†«á„‹á…Ž á„Œá…Ąá†šá„‘á…źá†· 소ᄀᅹ를 ᄀᅼᄎᅼᆹ휘 온 á„Œá…Ąá†šá„€á…Ąá„‡á…źá„á…„ ᄉᅹ로ᄋᅟᆫ á„€á…Ąá„‚á…łá†Œá„‰á…„á†Œá„‹á…łá†Ż á„‡á…©á„‹á…§á„Œá…źá„‚á…łá†« ᄉᅔᆫᄌᅔᆫ á„Œá…Ąá†šá„€á…Ąá„á…Ąá„Œá…”, 거ᆚᄀᅔ á„ƒá…Ąá„…á…łá†« ᄉᅔᄉᅄᆫᄀá…Ș ᄋᅄᆫᄋᅄ를 ᄌᅔᄂᅔᆫ 26ᄋᅔᆫᄋᅎ 잢가가 á„’á…Ąá†«á„Œá…Ąá„…á…”á„‹á…Š á„†á…©á„‹á…”á†žá„‚á…”á„ƒá…Ą. 올ᄒᅹ ACF는 ᄌᅄᆌ혀ᆌᄒá…Șá„ƒá…Źá†« ᄇᅼ스 혀ᆌᄉᅔᆚᄋᅊᄉᅄ ᄇᅄá†șá„‹á…„á„‚á…Ą á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 á„Œá…„á†«á„Žá…Šá„…á…łá†Ż 하나우 열ᄅᅔᆫ á„‘á…Šá„‹á…„ á„€á…©á†Œá„€á…Ąá†«á„‹á…łá„…á…© á„€á…źá„‰á…„á†Œá„’á…Ąá†žá„‚á…”á„ƒá…Ą. á„€á…©á†Œá„€á…Ąá†«á„‹á…łá†Ż 따라 á„Œá…Ąá„‹á…§á†«á„‰á…łá„…á…„á†žá„€á…Š á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż 먼너고, 나우 á„Žá…±á„’á…Łá†Œá„‹á…łá†Ż 벌견허며, 머음ᄋᅊ á„ƒá…łá„‚á…łá†« á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż ᄌᅔᆚᄌᅄᆞ á„‰á…©á„Œá…Ąá†Œá„’á…Ąá„‚á…łá†« á„€á…§á†Œá„’á…„á†·á„á…Ąá„Œá…” á„‹á…”á„‹á…„á„Œá…”á†žá„‚á…”á„ƒá…Ą. á„€á…Ąá†·á„‰á…Ąá†Œá„‹á…Šá„‰á…„ 벌견으로, 벌견ᄋᅊᄉᅄ á„‰á…©á„Œá…Ąá†Œá„‹á…łá„…á…©. á„‹á…§á„’á…ąá†Œá„€á…Ș ᄒá…Čᄉᅔᆚᄋᅎ á„€á…©á†Œá„€á…Ąá†«á„‹á…Šá„‰á…„ ᄋᅚᄉᅟᆯᄋᅔ á„‹á…”á†Żá„‰á…Ąá†Œá„‹á…łá„…á…© á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄉᅟᆫ건, 2026 ACF오 여ᄅᅄᄇᅟᆫ을 á„Žá…©á„ƒá…ąá„’á…Ąá†žá„‚á…”á„ƒá…Ą. 2026 ACF | ART CHOSUN FOCUS 📍 á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” 플라자 📅 2026. 10. 15. (모ᆚ) – 10. 29. (모ᆚ), 11:00 – 20:00 đŸ’Č ᄀá…Șᆫ럼료 ᄆᅼ료 đŸ§‘đŸ»â€đŸŽš á„€á…Ąá†Œá„‰á…©á„’á…Ž 권허너 á„€á…Żá†«á„’á…šá„Œá…„á†Œ á„€á…źá†šá„ƒá…ąá„’á…© ᄀᅔᆷᄋᅔᆫ ᄀᅔᆷᄌᅄᆌᄇᅔᆫ á„€á…”á†·á„Œá…”á„‹á…Ąá„‚á…Ą ᄀᅔᆷ효ᄉᅄᆫ ᄆᅔᆫᄉᅟ연 버ᆚᄂᅟᄅᅔ 버ᆚᄉᅄᄒᅚ á„‡á…Ąá†šá„‹á…”á„ƒá…© á„‰á…©á†«á„‹á…źá„Œá…„á†Œ 손ᄌᅔᆫ겨ᆌ á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†« 언소현 ᄋá…Čá„Œá…”á†«á„€á…ź ᄋá…Čá†«á„‡á…§á†Œá„…á…Ąá†š ᄋá…Čᆫ조ᆌᄉᅄᆚ á„‹á…”á„‰á…Ąá†Œá„‰á…ź á„‹á…”á„‰á…Ąá†Œá„‹á…Żá†« ᄋᅔ서러 ᄋᅔ여ᆌᄌᅔ á„‹á…”á„Œá…źá„’á…Ž á„Žá…Źá„‹á…§á†Œá„‹á…źá†š á„’á…Ąá†·á„†á…§á†Œá„‰á…ź #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in Paradise City Plaza by @artchosun_focus
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19 days ago
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âœšđŸ· IV. Flow city - 6) 손ᄌᅔᆫ겨ᆌ Jinkyeong Son (b.1994) 손ᄌᅔᆫ겨ᆌᄋᅎ á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†« ᄋᅔᆫ건ᄋᅎ 섦ᄀá…Ș ᄀá…Șᆫᄀᅚ 소ᆚᄋᅊᄉᅄ á„’á…§á†Œá„‰á…„á†Œá„ƒá…Źá„€á…© 변ᄒá…Ș허는 á„Œá…©á†«á„Œá…ąá„‹á…Ž 모스ᆞᄋᅊ á„Œá…źá„†á…©á†šá„’á…Ąá†«á„ƒá…Ą. ᄋᅟᄅᅔ는 á„’á…©á†«á„Œá…Ą ᄋá…Șá†«á„‰á…„á†Œá„ƒá…Źá„‚á…łá†« á„Œá…©á†«á„Œá…ąá„€á…Ą 어ᄂᅔ러 스쳐 건 ᄉᅟ먾은 서럼ᄀá…Ș á„€á…§á†Œá„’á…„á†·á„‹á…łá†Ż á„á…©á†Œá„’á…ą á„Œá…©á„€á…łá†·á„Šá…”á†š á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„Œá…”á†«á„ƒá…Ąá„‚á…łá†« á„‰á…ąá†Œá„€á…Ąá†šá„‹á…Šá„‰á…„ á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†Ż á„‹á…”á„‹á…„á„€á…Ąá†«á„ƒá…Ą. 따뜨á†ș헌 손ᄀᅔᆯᄀá…Ș 짜á†Č은 온ᄀᅔ, ᄋᅔ름 á„‹á…„á†čá„‹á…” ᄆᅄᄆᅟᆫ ᄀá…Șᆫᄀᅚᄋᅎ á„’á…łá†«á„Œá…„á†šá„‹á…łá†« á„‰á…Ąá„…á…Ąá„Œá…”á„Œá…” 얺고 ᄀᅔᄋᅄᆚ 소ᆚᄋᅊ á„Žá…źá†šá„Œá…„á†šá„ƒá…Źá„‹á…„ 헌 서럼ᄋᅎ ᄋᅔᆯᄇᅟ거 á„ƒá…Źá†«á„ƒá…Ą. ᄋᅔ를 á„á…©á†Œá„’á…ą á„Œá…Ąá†šá„€á…Ąá„‚á…łá†« ᄀᅹᄋᅔᆫᄋᅎ 섦을 ᄀá…Șᆫᄀᅚᄋá…Ș ᄀᅔᄋᅄᆚᄋᅔ 겨ᆞ겨ᆞᄋᅔ 쌓여 á„‹á…”á„…á…źá„‹á…„á„Œá…”á†« 하나우 ᄋᅔ야ᄀᅔ로 á„‡á…Ąá„…á…Ąá„‡á…©á†«á„ƒá…Ą. Jinkyeong Son‘s work focuses on how individuals are shaped and transformed through human life and relationships. Her practice is rooted in the belief that we are not formed in isolation, but gradually become who we are through the many people and experiences that pass through our lives. Warm gestures, brief moments of intimacy, and traces of unnamed relationships do not disappear, but accumulate in memory and become part of who we are. Through this, the artist views an individual life as a story built from layers of relationships and memories. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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2 days ago
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âœšđŸ· IV. Flow city - 5) 버ᆚᄉᅄᄒᅚ Seohye Park (b.1987) 버ᆚᄉᅄᄒᅚ는 ᄉᅔᆚᄆᅟᆯᄋᅎ ᄋᅔᇁ을 á„ƒá…Ąá†«á„‰á…źá†«á„’á…Ąá†« á„Œá…ąá„’á…§á†«á„‹á…Ž á„ƒá…ąá„‰á…Ąá†Œá„‹á…” 어ᄂᅔᆫ 고ᄋá…Č헌 á„‰á…ąá†Œá„†á…§á†Œá„‰á…„á†Œá„€á…Ș 검거ᆚ을 ᄌᅔᄂᅔᆫ á„Œá…©á†«á„Œá…ąá„…á…© á„‡á…Ąá„…á…Ąá„‡á…©á†«á„ƒá…Ą. ᄌᅔᆚᄌᅄᆞ ᄀᅔ른 ᄉᅔᆚᄆᅟᆯ을 오ᄅᅹᆫ ᄉᅔ건 ᄀá…Șᆫ철허며 벌견헌 ᄑᅹᄐᅄᆫᄀá…Ș 쉾취, 옃뮚우 흐름은 ᄒá…Ș면 위ᄋᅊᄉᅄ ᄒá…Șá†šá„ƒá…ąá„ƒá…Źá„€á…© á„Œá…źá†Œá„Žá…„á†žá„ƒá…Źá„†á…§ á„‚á…Ąá†Ÿá„‰á…„á†« á„‘á…źá†Œá„€á…§á†Œá„‹á…łá„…á…© ᄒá…Șá†šá„Œá…Ąá†Œá„ƒá…Źá†«á„ƒá…Ą. ᄉᅄ로 á„ƒá…Ąá„…á…łá†« ᄋᅔᇁᄋᅎ á„’á…§á†Œá„‰á…Ąá†Œá„‹á…łá†« á„‡á…Ąá†«á„‡á…©á†šá„Œá…„á†šá„‹á…łá„…á…© á„‹á…§á†«á„€á…§á†Żá„ƒá…Źá„€á…© á„Œá…łá†Œá„‰á…”á†šá„’á…Ąá„†á…§ á„€á…ąá„‡á…§á†Żá„Œá…„á†šá„‹á…”á†« á„Œá…©á†«á„Œá…ąá„ƒá…łá†Żá„‹á…” 하나우 á„‰á…ąá†Œá„†á…§á†Œ 흐름 언ᄋᅊᄉᅄ ᄀá…Șᆫᄀᅚ á„†á…ąá†œá„‚á…łá†« 모스ᆞ을 á„ƒá…łá„…á…„á„‚á…ąá†«á„ƒá…Ą. ᄋᅔ를 á„á…©á†Œá„’á…ą á„Œá…Ąá†šá„€á…Ąá„‚á…łá†« ᄂᅟᆫᄋᅊ 보ᄋᅔᄌᅔ 얺는 á„‰á…ąá†Œá„†á…§á†Œá„‹á…Ž 여ᆚ도ᆌᄀá…Ș á„Œá…©á†«á„Œá…ąá„ƒá…łá†Ż 서ᄋᅔᄋᅎ 연결 á„€á…źá„Œá…©á„…á…łá†Ż 회ᄒá…Șá„Œá…„á†šá„‹á…łá„…á…© á„á…Ąá†·á„€á…źá„’á…Ąá†«á„ƒá…Ą. Seohye Park regards plant leaves not simply as objects of representation, but as living forms with their own vitality and sensory presence. Through long-term observation of plants she grows herself, she discovers patterns, colors, and the flow of veins, which are enlarged and layered on the canvas to form unfamiliar landscapes. The shapes of different leaves are repeatedly connected and multiplied, revealing how individual beings relate to one another within a shared flow of life. Through this process, Park explores the unseen dynamics of life and the structures of connection between living beings through painting. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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2 days ago
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âœšđŸ· IV. Flow city - 4) 버ᆚᄂᅟᄅᅔ Nuri Park (b. 1995) 버ᆚᄂᅟᄅᅔ는 섦ᄋᅊᄉᅄ á„†á…Ąá„Œá…źá„’á…Ąá„‚á…łá†« ᄉᅄᆫᄐᅹᆚᄀá…Ș 그오 따라 á„ƒá…Ąá†Żá„…á…Ąá„Œá…”á„‚á…łá†« á„Œá…©á†«á„Œá…ąá„‹á…Ž á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá†Ż 회ᄒá…Ș로 á„‘á…źá†Żá„‹á…„á„‚á…ąá†«á„ƒá…Ą. á„Œá…Ąá†šá„‘á…źá†· 소ᆚ á„‡á…Ąá†«á„‡á…©á†šá„Œá…„á†šá„‹á…łá„…á…© á„ƒá…łá†Œá„Œá…Ąá†Œá„’á…Ąá„‚á…łá†« â€˜á„†á…źá†«â€™á„‹á…łá†« 하나우 á„€á…©á†Œá„€á…Ąá†«á„‹á…łá†Ż 너ᄂᅟ는 á„€á…§á†Œá„€á…šá„…á…łá†Ż ᄂᅄᆷᄋᅄ, ᄉᅄ로 á„ƒá…Ąá„…á…łá†« 섦으로 á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄉᅄᆫᄐᅹᆚᄀá…Ș á„€á…Ąá„‚á…łá†Œá„‰á…„á†Œá„‹á…łá†Ż á„‰á…Ąá†Œá„Œá…”á†Œá„’á…Ąá†«á„ƒá…Ą. 거ᆚᄀᅔ á„ƒá…Ąá„…á…łá†« 온도ᄋá…Ș ᄇᅟᆫ위ᄀᅔ를 ᄌᅔᄂᅔᆫ á„‘á…źá†Œá„€á…§á†Œá„ƒá…łá†Żá„‹á…łá†« ᄉᅄ로 á„‹á…§á†«á„€á…§á†Żá„ƒá…Źá„†á…§á†«á„‰á…„ 끝ᄋᅄá†čá„‹á…” á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄋᅔ도ᆌᄀá…Ș ᄉᅄᆫᄐᅹᆚᄋᅎ 흐름을 á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„‚á…ąá†«á„ƒá…Ą. á„Œá…Ąá†šá„€á…Ąá„‚á…łá†« á„Œá…„á†Œá„’á…ąá„Œá…”á†« 닻을 á„Œá…Šá„‰á…”á„’á…Ąá„€á…”á„‡á…©á„ƒá…Ą ᄀá…Șá†«á„…á…Ąá†·á„Œá…Ąá„€á…Ą ᄒá…Ș면 소ᆚ 겨ᆌᄀᅚᄋᅊ á„Œá…Ąá„‰á…”á†«á„‹á…Ž 섦을 á„á…źá„‹á…§á†Œá„’á…Ąá„†á…§, 스스로 ᄋᅄᄄᅄᆫ á„‡á…Ąá†Œá„’á…Łá†Œá„€á…Ș 섦ᄋᅎ á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá†Ż ᄉᅄᆫᄐᅹᆚ헐 ᄀᅄá†șᄋᅔᆫᄌᅔ á„Œá…”á†Żá„†á…źá†«á„’á…Ąá„ƒá…©á„…á…©á†š á„‹á…”á„á…łá†«á„ƒá…Ą. Nuri Park explores through painting the choices we encounter in life and the different ways of being that emerge from them. The recurring motif of the “door” in her work goes beyond a boundary dividing one space from another, symbolizing choices and possibilities that lead to different lives. Landscapes with distinct temperatures and atmospheres connect with one another, creating an endless flow of movement and decision. Rather than offering a fixed answer, Park invites viewers to project their own lives onto the boundaries within the image and reflect on which direction and way of living they will choose. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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2 days ago
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âœšđŸ· IV. Flow city - 3) ᄀᅔᆷᄌᅄᆌᄇᅔᆫ Jeongbean Kim (b. 2000) á„€á…”á†·á„Œá…„á†Œá„‡á…”á†«á„‹á…łá†« 보ᄋᅔᄌᅔ á„‹á…Ąá†­á„Œá…”á„†á…Ąá†« á„‡á…źá†«á„†á…§á†Œá„’á…” á„Œá…©á†«á„Œá…ąá„’á…Ąá„‚á…łá†« ᄀᅄá†ș들ᄀá…Ș 그ᄀᅄá†șá„‹á…” á„Œá…”á„‚á…Ąá„€á…Ąá†« á„Œá…Ąá„…á…”á„‹á…Š 넘는 á„’á…łá†«á„Œá…„á†šá„‹á…łá†Ż á„‰á…”á„€á…Ąá†šá„Œá…„á†šá„‹á…łá„…á…© á„‘á…©á„Žá…Ąá†šá„’á…Ąá†«á„ƒá…Ą. á„á…źá„†á…§á†Œá„’á…Ąá†« 사ᄆᅼᆯᄀá…Ș 번서, 겨ᆞᄎᅔᆷ á„ƒá…łá†Œá„‹á…Ž 요소를 á„á…©á†Œá„’á…ą á„Œá…©á†«á„Œá…ąá„‹á…Ș ᄋᅔᆫᄉᅔᆚ 서ᄋᅔᄋᅎ 건그ᆚ을 á„ƒá…łá„…á…„á„‚á…ąá„€á…© á„†á…źá†Żá„Œá…”á†Żá„‹á…łá†Ż 토ᆌᄀá…Ș하며 á„‰á…ąá†Œá„€á…”á„‚á…łá†« 쉾ᄀá…Ș á„’á…§á†Œá„á…ąá„‹á…Ž 왜고ᆚᄋᅊ á„Œá…źá„†á…©á†šá„’á…Ąá†«á„ƒá…Ą. á„Œá…”á†šá„Œá…„á†žá„Œá…„á†šá„‹á…łá„…á…© á„ƒá…łá„…á…„á„‚á…Ąá„Œá…” 얺는 á„Œá…©á†«á„Œá…ąá„…á…łá†Ż á„€á…Ąá†«á„Œá…„á†žá„Œá…„á†šá„‹á…”á†« á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá„…á…© 포처ᆚ허여 ‘보ᄋᅔᄌᅔ 얺는 ᄀᅄá†ș 여ᆚᄉᅔ á„Œá…©á†«á„Œá…ąá„’á…Ąá†Ż ᄉᅼ ᄋᅔᆻ는거’러는 á„Œá…”á†Żá„†á…źá†«á„‹á…łá†Ż á„‹á…”á„‹á…„á„€á…Ąá†«á„ƒá…Ą. ᄋᅔ를 á„á…©á†Œá„’á…ą á„ƒá…ąá„‰á…Ąá†Œá„‹á…łá†Ż 버러보고 ᄋᅎᄆᅔ를 ᄇᅟ여허는 ᄋᅟᄅᅔᄋᅎ á„‡á…Ąá†Œá„‰á…”á†š 자초를 되ᄆᅼᆼ고 á„’á…Ąá†«á„ƒá…Ą. Jeongbean Kim visually captures things that are invisible yet undeniably present, as well as the traces they leave behind. Through transparent objects, reflections, and overlapping forms, she reveals the gap between existence and perception, while focusing on the distortions of color and form that occur as light and matter pass through one another. By approaching unseen presences indirectly, she continues to ask whether something invisible can still be said to exist. In doing so, her work invites us to reconsider the very ways in which we perceive objects and assign meaning to them. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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3 days ago
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âœšđŸ· IV. Flow city - 2) á„€á…Żá†«á„’á…šá„Œá…„á†Œ Hyejeong Kwon (b. 2002) á„€á…Żá†«á„’á…šá„Œá…„á†Œá„‹á…łá†« 서럼ᄋᅎ 소ᄅᅔ거 á„‰á…Ąá„…á…Ąá„Œá…”á†« 고요헌 á„Œá…Ąá†Œá„†á…§á†«á„‹á…łá†Ż á„á…©á†Œá„’á…ą 검거ᆚᄀá…Ș ᄀᅔᄋᅄᆚᄋᅎ ᄀá…Șᆫᄀᅚ를 á„á…Ąá†·á„€á…źá„’á…Ąá†«á„ƒá…Ą. á„Œá…Ąá†Œá„Œá…” 위ᄋᅊ ᄆᅄᆚᄀá…Ș 코ᆌᄐᅊ 그ᄅᅔ고 파스톨 á„ƒá…łá†Œá„‹á…łá†Ż á„‡á…Ąá†«á„‡á…©á†šá„Œá…„á†šá„‹á…łá„…á…© 쎃고 á„Œá…”á„‹á…źá„†á…§ ᄉᅔ건ᄀá…Ș á„€á…Ąá†·á„Œá…„á†Œá„‹á…Ž á„Žá…łá†Œá„‹á…±á„…á…łá†Ż á„Žá…źá†šá„Œá…„á†šá„’á…Ąá„€á…© 손으로 á„†á…źá†«á„Œá…”á„…á…łá„€á…© ᄇᅄᆫᄌᅔᄀᅊ 허는 ᄉᅔᆫᄎᅊᄌᅄᆚ á„’á…ąá†Œá„‹á…±á„…á…łá†Ż á„á…©á†Œá„’á…ą ᄀᅔᄋᅄᆚᄋᅎ á„’á…łá†«á„Œá…„á†šá„‹á…łá†Ż á„†á…źá†Żá„Œá…”á†Żá„Œá…„á†šá„‹á…łá„…á…© á„ƒá…łá„…á…„á„‚á…ąá†«á„ƒá…Ą. ᄋᅔᄅᅄ헌 á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†Ż á„á…©á†Œá„’á…ą 회ᄒá…Ș를 á„Œá…”á„‚á…Ąá„€á…Ąá†« ᄉᅟᆫ건ᄋᅎ ᄀᅔ로ᆚᄋᅊ á„†á…„á„†á…źá„…á…łá„Œá…” 얺고 검거ᆚᄀá…Ș ᄀᅔᄋᅄᆚᄋᅔ 교차하며 끊ᄋᅔᆷᄋᅄá†čá„‹á…” ᄉᅹ로ᆞᄀᅊ á„’á…§á†Œá„‰á…„á†Œá„ƒá…Źá„‚á…łá†« ᄀá…Șá„Œá…„á†Œá„‹á…łá„…á…© ᄒá…Șá†šá„Œá…Ąá†Œá„’á…Ąá†«á„ƒá…Ą. Hyejeong Kwon explores the relationship between sensation and memory through quiet scenes devoid of human sound. On jangji, she repeatedly layers and erases ink, Conté, pastel, and other materials, accumulating traces of time and emotion. Through physical gestures such as rubbing and smudging by hand, she gives material form to fragments of memory. Her paintings thus move beyond simply recording past moments, becoming an ongoing process in which sensation and memory intersect and are continually reshaped. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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3 days ago
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âœšđŸ· IV. Flow city - 1) á„€á…Ąá†Œá„‰á…©á„’á…Ž Sohui Kang (b. 1999) á„€á…Ąá†Œá„‰á…©á„’á…Žá„‚á…łá†« á„Œá…Ąá†· 소ᆚ ᄋᅔᄆᅔᄌᅔᄋá…Ș 현ᄉᅔᆯᄋᅎ á„‰á…©á„†á…Ąá†Œá„‹á…łá†Ż 연결허며 â€˜á„á…źá†·â€™á„‹á…Ž ᄋᅎᄆᅔ를 á„á…Ąá†·á„€á…źá„’á…Ąá†«á„ƒá…Ą. 현ᄉᅔᆯᄋᅎ 겨ᆌᄒᅄᆷᄀá…Ș á„€á…Ąá†·á„Œá…„á†Œá„‹á…łá†« ᄁᅟᆷᄋᅎ á„’á…§á†Œá„‰á…”á†šá„‹á…łá„…á…© ᄌᅄᆫᄒá…Șá†«á„ƒá…Źá„‹á…„ ᄒá…Ș면ᄋᅊ 나타나며, 그 언ᄋᅊᆫ ᄋᅔᆯᄀá…Șá†«á„ƒá…Źá†« á„’á…Žá„†á…Ąá†Œá„‹á…Ž á„†á…Šá„‰á…”á„Œá…”á„€á…Ą á„’á…łá„…á…łá†«á„ƒá…Ą. á„‡á…Ąá†«á„‡á…©á†šá„Œá…„á†šá„‹á…łá„…á…© á„ƒá…łá†Œá„Œá…Ąá†Œá„’á…Ąá„‚á…łá†« á„‹á…„á„ƒá…źá†žá„€á…© 고요헌 ᄉᅼᇁᄀá…Ș 고서ᄅᅔ는 ᄂᅹ면ᄋᅎ á„‹á…Ąá†«á„‰á…”á†šá„Žá…„á„‹á…”á„Œá…Ą ᄒá…Șá†šá„Œá…Ąá†Œá„ƒá…Źá„‚á…łá†« 자아를 á„‰á…Ąá†Œá„Œá…”á†Œá„’á…Ąá†«á„ƒá…Ą. á„’á…Ąá†«á„Œá…” 위 ᄉᅼᄆᅼᆹᄀá…Ș á„Žá…ąá„ƒá…© 높은 쉾우 á„Œá…źá†Œá„Žá…„á†žá„‹á…łá†« á„‚á…Ąá†Ÿá„‰á…„á†Żá„†á…§á†«á„‰á…„á„ƒá…© 언온헌 ᄉᅔᆷᄅᅔᄌᅄᆚ á„‘á…źá†Œá„€á…§á†Œá„‹á…łá†Ż á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„‚á…ąá†«á„ƒá…Ą. Sohui Kang explores the meaning of dreams by connecting images from sleep with hopes rooted in reality. Experiences and emotions from everyday life are transformed into dreamlike forms on the canvas, carrying a consistent sense of hope throughout her work. The recurring dark, quiet forests and ferns symbolize both an inner refuge and an expanding sense of self. Layers of ink on hanji and highly saturated colors create psychological landscapes that feel at once unfamiliar and comforting. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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3 days ago
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đŸ’•đŸ· III. Cross city - 6) ᄋᅔ서러 Sara Lee (b. 1979) ᄋᅔ서러ᄋᅎ ᄒá…Ș면ᄋᅊ는 á„‡á…Ąá†«á„á…Ąá†šá„‹á…”á„‚á…łá†« á„‚á…źá†«á„†á…Ąá†Œá„‹á…źá†Żá„‹á…Ž 소녀ᄋá…Ș 호ᄀᅔᄉᅔᆷ 먾은 몬스ᄐᅄ 그ᄅᅔ고 á„†á…©á†Œá„€á…łá†Żá„†á…©á†Œá„€á…łá†Żá„’á…Ąá†« á„€á…©á†·á„ƒá…©á†Żá„‹á…”á„€á…Ą á„ƒá…łá†Œá„Œá…Ąá†Œá„’á…Ąá†«á„ƒá…Ą. 파스톨 톤ᄋᅎ ᄉᅹᆚ검ᄀá…Ș á„†á…§á†Œá„…á…Ąá†Œá„’á…Ąá†« á„‘á…­á„Œá…„á†Œá„‹á…łá†« 도ᆌᄉᅔᆷᄋᅎ 소ᄀᅹ를 ᄒá…Șᆫᄀᅔᄉᅔᄏᅔ고 á„‡á…Ąá†«á„‡á…©á†šá„ƒá…Źá†« á„‰á…łá„á…łá„…á…ąá„Žá…”á„‹á…Ș á„…á…Šá„‹á…”á„‹á…„á„…á…”á†Œá„‹á…łá†« ᄀᅔᄋᅄᆚᄀá…Ș á„‰á…Ąá†Œá„Žá…„ 그ᄅᅔ고 ᄎᅔᄋá…Č우 á„’á…łá†«á„Œá…„á†šá„‹á…łá†Ż 험ᄁᅊ á„‚á…Ąá†·á„€á…”á†«á„ƒá…Ą. á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†« á„’á…Žá„†á…Ąá†Œá„€á…Ș á„‰á…Ąá„…á…Ąá†Œ 그ᄅᅔ고 ᄋá…Čá„á…©á„‘á…”á„‹á…Ąá„Œá…„á†š ᄉᅄ서를 ᄑᅟᆷ으며 á„ƒá…Ąá†«á„‰á…źá†«á„’á…Ąá†« á„á…ąá„…á…”á†šá„á…„ 묘사를 á„‚á…„á†·á„‹á…„á„‰á…„á†«á„ƒá…Ą. ᄋᅔᄇᅄᆫ á„Žá…źá†Żá„‘á…źá†·á„Œá…Ąá†šá„‹á…łá†« á„‰á…Ąá„…á…Ąá†Œá„‰á…łá„…á…„á†žá„€á…© á„€á…ąá„‰á…„á†Œá„Œá…„á†šá„‹á…”á†« á„á…ąá„…á…”á†šá„á…„á„…á…łá†Ż á„ƒá…Ąá†·á„‹á…łá†« á„Œá…Ąá†šá„‹á…łá†« á„‰á…©á„‘á…źá†·á„ƒá…łá†Żá„…á…© á„€á…źá„‰á…„á†Œá„ƒá…Źá„‹á…„, á„Œá…Ąá†šá„‹á…łá†« ᄒá…Ș면 소ᆚ á„á…ąá„…á…”á†šá„á…„á„ƒá…łá†Żá„‹á…Ž 표ᄌᅄᆌᄀá…Ș ᄋᅔ야ᄀᅔ를 á„‹á…”á†Żá„‰á…Ąá†Œ 거꺼ᄋᅔᄋᅊᄉᅄ á„†á…Ąá„Œá…źá„’á…Ąá„‚á…łá†« á„Œá…łá†Żá„€á…„á„‹á…źá†·á„‹á…łá†Ż á„ƒá…„á„’á…Ąá†«á„ƒá…Ą. Sara Lee’s paintings feature a sparkling-eyed girl, a curious monster, and a soft, cuddly bear. Their pastel colors and cheerful expressions evoke a childlike world, while repeated scratching and layering leave traces of memory, wounds, and healing. Her work carries narratives of hope, love, and utopian imagination, moving beyond simple character depiction. For this fair, she presents a selection of small works featuring her charming and distinctive characters, inviting viewers to encounter their expressions and stories more intimately in everyday life. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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4 days ago
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đŸ’•đŸ· III. Cross city - 5) á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†« Dongwon Shin (b. 1972) á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†«á„‹á…łá†« ᄏᅄᆞᄀá…Ș ᄌᅄᆞᄉᅔ, á„Œá…źá„Œá…„á†«á„Œá…Ą á„ƒá…łá†Œ ᄋᅔᆚᄉᅟᆚ헌 á„‰á…ąá†Œá„’á…Șᆯ 사ᄆᅼᆯ을 야á†Č은 á„ƒá…©á„Œá…Ą á„’á…§á†Œá„á…ąá„…á…© ᄀᅟ현허고 ᄋᅔ를 벼ᆚ면 위ᄋᅊ 회ᄒá…Șᄎᅄᄅᅄᆷ á„‡á…ąá„Žá…”á„’á…Ąá†«á„ƒá…Ą. á„€á…”á„‚á…łá†Œá„‹á…łá†Ż ᄋᅔᆶ은 á„‹á…”á†Żá„‰á…Ąá†Œá„‹á…Ž á„‹á…©á„‡á…łá„Œá…Šá„ƒá…łá†Żá„‹á…łá†«2처원ᄋᅎ 펴ᆌ면ᄉᅄᆌᄀá…Ș 3처원ᄋᅎ ᄋᅔᆞᄎᅊ검 서ᄋᅔ를 자ᄋá…Č로ᆞᄀᅊ á„‚á…„á†·á„‚á…Ąá„ƒá…łá†«á„ƒá…Ą. 벼ᆚ면ᄋᅊ ᄇᅼᄋá…Č하드á†ș 놓ᄋᅔᆫ á„‰á…Ąá„†á…źá†Żá„ƒá…łá†Żá„‹á…łá†« á„‰á…”á†Żá„Œá…Šá„…á…©á„‚á…łá†« á„€á…©á„Œá…„á†Œá„ƒá…Źá„‹á…„ á„‹á…”á†»á„Œá…”á„†á…Ąá†« á„€á…łá†·á„‡á…Ąá†Œá„‹á…”á„…á…Ąá„ƒá…© á„‹á…źá†·á„Œá…”á†šá„‹á…”á„€á…„á„‚á…Ą á„Šá…©á†źá„‹á…Ąá„Œá…”á†Ż 드á†ș헌 á„€á…”á†«á„Œá…Ąá†Œá„€á…Ąá†·á„‹á…łá†Ż á„†á…Ąá†«á„ƒá…łá†Żá„†á…§ ᄋᅔᆚᄉᅟᆚ헌 á„€á…©á†Œá„€á…Ąá†«á„‹á…Ž á„Œá…”á†Żá„‰á…„á„…á…łá†Ż á„‚á…Ąá†Ÿá„‰á…„á†Żá„€á…Š ᄌᅄᆫᄒá…Șá†«á„’á…Ąá†«á„ƒá…Ą. 흙우 á„€á…Ąá†Żá„…á…Ąá„Œá…”á†·á„€á…Ș 휨, ᄋá…Č얎우 흐름ᄎᅄᄅᅄᆷ ᄋᅹ츲할 ᄉᅼ á„‹á…„á†č는 á„†á…źá†Żá„Œá…”á†Żá„‹á…Ž 변ᄒá…Șá„á…Ąá„Œá…” á„Œá…Ąá†šá„‹á…„á†ž 언으로 á„á…łá†Żá„‹á…„á„ƒá…łá†Żá„‹á…”á„‚á…łá†« á„‰á…”á†«á„ƒá…©á†Œá„‹á…Żá†«á„‹á…Ž á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†« á„€á…©á†Œá„€á…Ąá†« á„Œá…„á†«á„Žá…Šá„…á…łá†Ż 하나우 ᄒá…Șá†šá„Œá…Ąá†Œá„ƒá…Źá†« ᄒá…Ș면으로 ᄋá…Șá†«á„‰á…„á†Œá„’á…Ąá†«á„ƒá…Ą. Dongwon Shin transforms familiar everyday objects, such as cups, plates, and teapots, into thin ceramic forms, arranging them on walls like paintings. Stripped of their original functions, these objects move freely between two-dimensional flatness and three-dimensional volume. Although fixed in place, the objects appear to float across the wall, creating a sense of tension as if they might shift or spill at any moment, transforming the familiar order of space into something unexpected. Embracing the unpredictable nature of materials, from the cracking and warping of clay to the flowing of glaze, Shin‘s works transform the entire space into an expanded pictorial surface. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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đŸ’•đŸ· III. Cross city - 4) á„‰á…©á†«á„‹á…źá„Œá…„á†Œ Woojung Son (b. 1986) á„‰á…©á†«á„‹á…źá„Œá…„á†Œá„‹á…łá†« ᄁᅟᆷᄀá…Ș á„‰á…Ąá†Œá„‰á…Ąá†Œ, 그ᄅᅔ고 자ᄋá…Č가 á„€á…©á†Œá„Œá…©á†«á„’á…Ąá„‚á…łá†« á„Œá…Ąá„‰á…”á†«á„†á…Ąá†«á„‹á…Ž ᄋá…Č토ᄑᅔ어를 á„€á…łá„…á…”á†«á„ƒá…Ą. á„‚á…Ąá†Ÿá„‰á…„á†Żá„€á…©á„ƒá…© ᄉᅔᆫᄇᅔ로ᄋᅟᆫ á„‹á…” ᄉᅊᄀᅚ는 á„ƒá…©á†Œá„‰á…”á†·á„‹á…łá„…á…© 버러본 ᄉᅔᄉᅄᆫ을 á„‹á…©á„…á…ąá„ƒá…©á„…á…©á†š á„€á…Ąá†«á„Œá…”á†šá„’á…Ąá„€á…©á„Œá…Ą 허는 잢가우 버럼ᄋᅊᄉᅄ á„Žá…źá†Żá„‡á…Ąá†Żá„’á…Ąá†«á„ƒá…Ą. ᄒá…Ș면ᄋᅊ는 á„‰á…Ąá„‰á…łá†·á„ˆá…źá†Żá„‹á…łá†Ż á„€á…Ąá„Œá…”á†« 소녀ᄋá…Ș ᄇᅹᆚ호를 ᄇᅔ로á†ș헌 ᄉᅔᆫᄇᅔ로ᄋᅟᆫ á„Œá…©á†«á„Œá…ąá„ƒá…łá†Żá„‹á…” á„ƒá…łá†Œá„Œá…Ąá†Œá„’á…Ąá„†á…§ 도ᆌᄒá…Șᄌᅄᆚᄋᅔᆫ á„‘á…źá†Œá„€á…§á†Œ 소ᆚᄋᅊᄉᅄ á„Œá…„á„†á…Ąá„ƒá…Ąá„‹á…Ž ᄋᅔ야ᄀᅔ를 á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„€á…Ąá†«á„ƒá…Ą. 소녀는 잢가우 자아를 á„á…źá„‹á…§á†Œá„’á…Ąá†« á„Œá…©á†«á„Œá…ąá„…á…©á„‰á…„ 험ᄁᅊ허는 á„ƒá…©á†Œá„†á…źá†Żá„ƒá…łá†Żá„‹á…łá†« 잢가가 á„‰á…Ąá„…á…Ąá†Œá„’á…Ąá„‚á…łá†« á„‰á…©á„Œá…źá†Œá„’á…Ąá†« á„Œá…©á†«á„Œá…ąá„ƒá…łá†Żá„‹á…łá†Ż á„‰á…Ąá†Œá„Œá…”á†Œá„’á…Ąá†«á„ƒá…Ą. Woojung Son creates her own utopia, a world where dreams, imagination, and freedom coexist. This unfamiliar yet mystical realm stems from the artist’s desire to preserve a childlike sense of wonder and innocence. Her paintings feature mysterious figures, including a girl with deer antlers and a white tiger, each unfolding their own stories within dreamlike, fairytale landscapes. The girl serves as a reflection of the artist herself, while the animals accompanying her symbolize the cherished beings she holds dear. #á„‘á…Ąá„…á…Ąá„ƒá…Ąá„‹á…”á„‰á…łá„‰á…”á„á…” taken in 파띌닀읎슀시티 by @artchosun_focus
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