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@artsyquestions

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Visual diary of @maria_richner_ 📸

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Whistleblower by Kader Attia #🍾#🍶#🚰

At @kistefos taken in Kistefos Museum by @artsyquestions

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a month ago

At Vigeland museum

#👸#❤️‍🔥#🐉#vigeland

@vigelandmuseet taken in Oslo Norway by @artsyquestions

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0

a month ago

Issy Wood /Self portrait 67, 2025 #❤️‍🔥

Oil on linen

40*30*2 cm

Seen at @kistefos

Issy Wood is known for her psychologically charged paintings that explore intimacy, alienation, and the emotional life of objects. Drawing on sources such as advertising, auction catalogues, online imagery, and art history, she creates carefully composed works that examine how desire, power, and identity are shaped through images. taken in Oslo Norway by @artsyquestions

22

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2 months ago

Lin Wang at @qbgallery

Celadon Skin, 2026

Glazed ceramic

110*92*3 cm

@kunstfreundezuerich taken in Oslo, Norway by @artsyquestions

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1

2 months ago

Li Tavor at @kunstmuseumluzern #🌹 taken in Luzern, Switzerland by @artsyquestions

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2 months ago

Fluorescent Tube Sculpture

by John M. Armleder 2002

Collection of @swiss_re_group taken in Swiss Re by @artsyquestions

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2 months ago

Zsófia Keresztes

Mother Tongue II., 2026

Stainless steel, glass mosaic, fabric, textile dye, thread, xps sheet, grout, construction adhesive, fiberglass; 500 x 340 x 80 cm

For Unlimited, acb presents Zsófia Keresztes's monumental installation Mother Tongue II.

The open throats of the glass mosaic-covered relief release soft, braided textile tongues that merge into a single plait. The rigidly formed mouths evoke regulated systems of language, while the checkered tablecloth fabric of the tongues highlights the work's connection to repetition and intimacy. The gesture of braiding also recalls childhood care and domestic labor. The piece tries to reframe language as a living organ shaped through touch, vulnerability, and emotional proximity, suggesting that language is learnt not only through rules and grammar but also through the body's intimate encounters with others.

Indeed, Mother Tongue ll. envisions language as an embodied inheritance, balancing nurture and discipline, autonomy and interdependence.

* Text from the catalog of Unlimited 2026 taken in Art Basel by @artsyquestions

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4 months ago

Lola Flash

Your Silence Will Not Protect You, 2023

signed on authenticity placard provided by artist neon mounted on reflective black metal panel

36 x 19 1/2 x 5 1/4 in (91.4 x 49.5 x 13.3 cm)

Edition 8 of 10+3 APs

@jenkinsjohnsongallery taken in Art Basel by @artsyquestions

10

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4 months ago

Atsushi Kaga @motherstankstation

Green Rain Drops , 2026

210*170 cm

Acrylic and mixed metal leaf on linen

#atsushikaga by @artsyquestions

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4 months ago

ALICE MAHER

The Sibyls, 2025

For four decades, through drawing, seulp ture, video and installation, Alice Maher has probed questions of identity, gender and embodiment in post-colonial Ireland. Her practice is concerned with the thresholds between myth and memory, object and Image, the individual and the collective self. Maher belongs to a pioneering generation of Irish feminist practitioners; her commitments extend from the Women Artists Action Group In the 1980s to the Artists' Campaign in sup-port of the successful movement to repeal the effective ban on abortion, In 2018.

Maher explores myth, folklore and the sub-conscious, reconfiguring archetypes of femininity as unstable presences. In the outdoor installation Les Filles d'Ouranos (1996; remade for Biennale Arte 2026), on view at the Gaggiandre of the Arsenale, multiple vermilion heads rise from water in a re-envisioning of Aphrodite's birth. The goddess becomes a proliferation of voices merging fertility, fragmentation and warning. In The Sibyls (2025), Maher revisits the pro-phetic women of myth, who appear tangled amid vast coils of hair; beneath them, ele-ments resembling great globs of mercury rest on dark mirrored surfaces. Here, large-scale drawing and sculpture engage in a tensile dialogue.

Refusing fixed interpretation in favour of slippage and transformation, Maher opens spaces where the boundaries between the personal and the political, the sacred and the profane, remain generative and unresolved.

-Sarah Kelleher taken in Venice, Italy - Veneza, Italia by @artsyquestions

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5 months ago

Toddler-esque Rebellion by Anna Uddenberg

2021, Limewood

56*70*34 cm

#💔#💔#💔#💔#💔

@salts_ taken in Birsfelden, Switzerland by @artsyquestions

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7 months ago

Uncanny Garden by @salts_ #❤️‍🔥

Jacopo Belloni @jacopo.belloni
Francisco Sierra @francisco___sierra taken in Birsfelden, Switzerland by @artsyquestions

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7 months ago