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Skylarking vinyl arrived this week ✨📯🥹 it's been a labour of love and massive learning experience getting this together w @amritadhallu but super proud and real excited to finally receive and share the records and @amokamok's amazing design irl, in perfect timing as the last few days of the exhibition at @artscatalyst approach

Alternate version of audio from the exhibition is now available digitally and as a limited edition vinyl (150 copies). Pressed on 140-gram clear, orange and yellow marble finish vinyl with matt varnish gatefold sleeve and record inserts including: printed versions of The Elements by Wemmy Ogunyankin and Landscape Carving by Akeem Balogun, plus a risograph print on 130gsm paper, all beautifully designed by Rose Nordin

Available to order now via my bandcamp (link in my profile) gonna have some copies for sale tonight too at Sadacca for the event with @_kamaru_ and @nkisiii 🎫🌱

50% of proceeds from sales will be donated to Medical Aid for Palestinians

Design: @amokamok 
Creative director and project manager: @amritadhallu Production: @ashleyholmes__ 
Co-Production: @josephbondstudio 
Writing: @wemmyogunyankin & @writtengallery 
Vocals & Reading: @wemmyogunyankin, @writtengallery, @bel_odawa_ 
Saxophone: @komidashi 
Mixing, mastering & engineering: @hurricane_music & Kitty Turner

Thanks also to all the team at @pressonvinyl 🙏🏾 taken in Sheffield by @ashley____holmes
58
2 years ago
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Dub Plate 000
Acid-etching on 12" natural zinc by @ashley____holmes
22
3 months ago
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Next Tough Matter show goes out this weekend on @nts_radio 🔊 

The September edition features special guest @korrie.p with some music selections and conversation we had about his recently released photography book and project Cee's Pickney which explores Jamaican heritage, diasporic memory and family archive. 

Sunday at midday on nts.live/2 if you wanna listen 🙏🏾 by @ashley____holmes
18
a month ago
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episode 5 of the art dates podcast is out now with @ashley____holmes, talking sampling, etching and devil mixes 

📸 Pentax 17
🎞️ CineStill 400D
🧪 developed by @takeiteasylab by @ashley____holmes
5
a month ago
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Uploaded mix 004 this week 🔊🔊 with some newer releases I've picked up recently + some classic Reggae love songs, versions and music for upliftment. Recorded once again at @spring_tank_studios in Sheffield. 

Track in the clip here is Ariwa Posse ft. Abel Miller - Everytime I See My Baby. Swipe ➡️ for more. Big love to people that have been into the last few, up on my YouTube if you wanna listen/watch

🎶 Peter Hunningale - Another Day

🎶 Elaine Winter - If You Lose Me

🎶 Delroy Wilson - Better Must Come

🎶 Horace Andy - African Dub 2

🎶 Lloyd Brown - Power of Jah

🎶 Luciano - Do For Love taken in Spring Tank Studios by @ashley____holmes
0
a month ago
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So delighted to announce the autumn series of Sound Service Station 🍂

Sound Service Station is a guided listening experience, hosted by @lingasound .

Each month, on a Thursday evening, an experienced selector will explore a genre / place / catalogue that is important to them, in a 90 minute deep listening session, with time for your questions.

The evening evolves into a DJ set, with space to move / dance / talk / commune. 

It’s an intimate, low capacity, cosy affair, hosted at @thesystem.venue .

For the autumn series, SSS is honoured to be presenting:

- City Pop with @kacper.pieta 
- Cambodian Music with @k_r_romluc 
- Dub Epistemologies with @ashley____holmes 

Tickets for all three events are available on RA now 🍂 taken in Sheffield by @ashley____holmes
9
a month ago
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💥💣SUPER DUPER IS BACK!💣💥
——-
✨REGGAE MAGIC✨

A night of pure reggae music in the @outsiders_workshop 🪜

We’ve got a new space and new sound we’ve been working on!

Selectors on the night @ashley____holmes and @aoife0hara 🔈

9PM - 2AM
Fully stocked bar

£5 on the door, tickets also available soon!

Big ups @oriol_gmn on the artwork taken in Mabgate by @ashley____holmes
13
a month ago
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Tough Matter on @nts_radio this weekend is with @aminaminaa on as a guest 🎶❗️

The episode explores the traditional Northern Nigerian instrument, Shantu. Amina interviews Dr Hadiza Kere Abdulrahman, & Hon Commissioner Rakiya Tanko Ayuba Haruna, mni on their upbringing with playing the instrument & how music acts as a way to bring people together, & link us to our heritage. 

It’s the first in a new run of guests for the next few Tough Matter shows that will include sound, music, conversations, performance recordings and reflections with artists working through sound, identity and belonging.

Going out on Sunday at 12pm UK time on nts.live/2 if you'd like to listen in 🔉

*a few clips from our intro chat in slides 2 & 4. slide 3 is from YouTube, a performance with the Shantu instrument by Fati Labaran by @ashley____holmes
14
2 months ago
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In July, artist Ashley Holmes @ashley____holmes led a collaborative recording and listening workshop within our Climate course’s ’Cultural Practice’ module. 

Framing sound as a site of memory and connection to place, the workshop drew parallels between unequal land access, environmental frequencies and the bootlegging traditions and circulation of dub music. To contextualise this praxis, Ashley introduced cultural references ranging Horace Andy’s album ’Skylarking’, Pauline Oliveros’ ‘Deep Listening’; Larisa Kingston Mann’s ‘Rude Citizenship’; to Ingrid Pollard’s photography series ‘Pastoral Interludes’ analysing race and representation in the British rural countryside. 

Participants experimented with field recorders and drawing exercises, making sound maps, and documenting close up and hidden sounds with contact mics: rustling leaves, insects, water movement, rock and moss textures. In an urban ecology like Bethnal Green Nature Reserve where city sounds are always present, field recording became a practice of environmental re-attunement and embodied listening. 

______ 

Ashley Holmes (b. Luton, 1990) is an artist exploring collaborative and experimental approaches to working with sound, performance, publishing and broadcasting. His work critically examines the ways music and sound function as sites of knowledge production, collective memory, and political possibility. Holmes’ recent research investigates how Western norms of ownership and property shape the circulation of music, access to land, and relationships to place, situating these questions within a wider discourse around identity, coloniality, and historical, cultural and social contexts. 

______ 

This year’s ‘Experimental School of Urban Ecologies’ is supported by @citybridgefoundation, @wellcometrust and @kingsioppn. by @ashley____holmes
6
2 months ago
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🎛️ Reggae Mix 003 recorded at @spring_tank_studios 

Some more rocksteady, lovers rock, soul and dub music that I’ve been enjoying putting together into these mixes recently. A few tracks from the clips listed below👇🏾 full thing is up on YouTube

1. Johnny Osbourne - We Need Love
2. Dean Fraser - Down By The River (Version)
3. Slim Smith - Born To Love You
4. Audrey Hall - One Dance
5. Dennis Brown - The Exit
6. Mad Professor - Rasta Chase
7. D. Maximillian - My Story

A reminder too that this Saturday, also at Spring Tank, I'm hosting a listening session for the Dub Epistemology audio essay series to coincide with the 64th anniversary of Jamaican independence. It's free if you’d like to come down and there are still a few spaces left. Book via the Eventbrite link in my profile.

📆 Saturday 8th August, 12–2pm
📍 Spring Tank Studios, Randall St, Sheffield, S2 4SE taken in Sheffield by @ashley____holmes
11
2 months ago
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Hosting a listening session & next episode of my Dub Epistemology audio essay series next week in Sheffield at @spring_tank_studios to coincide with the 64th anniversary of Jamaican independence.

Each episode centres a political moment, social event, or time period and mixes records, radio/interview clips, and conversation to think through the social and cultural histories of Black music. The series and past listening events draw on Clyde Woods' concept of Blues Epistemology to explore how music and sound build power and knowledge in ways that often go unrecognised, and applies that thinking to Dub, to Reggae, and the Caribbean/Britain connection.

It's the first one of these that I've hosted Sheffield for a while, so excited for this one. Free to attend, but space is limited so pls book via the eventbrite link in my profile

📆 Saturday 8th August, 12-2pm
📍 Spring Tank Studios, Randall St, Sheffield, S2 4SE

📸 by Brian Hartley @stillmotionarts at @gifestival taken in Spring Tank Studios by @ashley____holmes
13
2 months ago
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Dub Plate 001 + 002
Acid etch on 12" natural zinc plates 

showing these etched plates that ive been making and a new sound work for @ljmu_ma_fine_art degree show exhibition, open 10am-5pm this week (closed on Thursday) ends 31st July by @ashley____holmes
8
2 months ago
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