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augmented.research

@augmented.research

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augmented research + shindig + X^x 19.09.26 11pm - 5am @kunstvereinwagenhalle Innerer Nordbahnhof 1, 70191 Nord Sound: Void Acoustics provided by @silveradoartevents Lineup: Laima Adelaide (live) Scoped (live) Suzana Benesova KAOS (live) Grainn (live) TICKET PRESALE VIA RESIDENT ADVISOR -> link in bio Track ID: @mohne_seide._ – Fréquence 505. Design: @scoped_ar Supported by Pop-Büro Region Stuttgart taken in Kunstverein Wagenhalle e.V. by @augmented.research
23
24 days ago
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AUGMENTED RESEARCH + X^x + SHINDIG DATE. 19.09.26 11pm - 5am PLACE. @kunstvereinwagenhalle INFO. Innerhalb zeitgenössischer Clubmusik lässt sich eine Entwicklung beobachten, deren Charakter durch organische, atmosphärische Tiefe und Präzision definiert wird. Ambient, Techno, Dub, IDM und algorithmische Verfahren sind dekonstruiert, dennoch durch strukturelle und stilistische Bezugnahmen klanglich wahrzunehmen. Mit augmented research, X^x und shindig haben sich drei Stuttgarter Positionen zusammengeschlossen, welche sich in den Zwischenräumen experimenteller Livemusik, Live-Coding und Clubkultur bewegen. Gemeinsam machen sie ihre Perspektive im Rahmen des Projektraums Kunstverein Wagenhalle Stuttgart erlebbar. Der Abend lässt die Grenzen zwischen Konzert, Performance und Club-Erfahrung bewusst verschwimmen. Live-Improvisationen und Performances lassen die eigene Form der Partizipation und des Konsums offen. Im Mittelpunkt steht das gemeinsame Erleben von Sound und Raum. LINEUP. Laima Adelaide (live) Grainn (live) Suzana Benesova (live) KAOS (live) Scoped (live) TICKETS. 15€ presale via resident advisor taken in Kunstverein Wagenhalle e.V. by @augmented.research
17
2 months ago
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[iso_004] Being well known for his restless curiosity, Stuttgart’s LDS rarely repeats himself. Each release is its own closed system: a self-imposed constraint, a chosen subgenre, a synthesis method to be interrogated until it yields something unfamiliar. Born from a period spent deep within FM synthesis, „Lunert“ reveals another facet of LDS’s precise writing for electronic music – a composition whose melody lands with the immediacy of a reflex, an instant dopamine trigger before thought can catch up. That the piece has now been finished, and finds its home on AR, closes a circle woven from coincidence, tracing back to the very beginning of the imprint. Thx Luca! release_date_ [10/07/26] mastered_by_ [ @ronnie_sawlin ] artwork_by_ [ @scoped_ar ] taken in Stuttgart, Germany by @augmented.research
24
3 months ago
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[float sessions: deep listening] A concert series co-curated by iterative ßpace, Augmented Research & @umpolen.lowenbraukeller In the era of perpetual sensory overload, Float Sessions dedicates itself to a practice that has regained considerable value in recent years — listening as an active form of perception that extends far beyond the act of merely hearing. The series invites audiences not to passively consume sound, but to actively follow its depths — as an immersive practice suspended between concentration, openness and transcendence. Across three evenings, iterative ßpace, Augmented Research and Umpolen present a collaborative programme offering a broad snapshot of post-ambient practices — spanning the space between the unpredictable character of field recordings and carefully curated DJ sets to initiate an introspective process of multidimensional depth. dates: May 30 · June 7 · June 14, 2026 location: fritz-erler-straße 7 76133 karlsruhe by @augmented.research
11
4 months ago
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[möhne seide – fréquence] Lilian Kacel aka Möhne Seide, the Lyon-based founder of Just Breathe, works in the fields of music, dance, and visual arts and has always been drawn to interdisciplinarity. Influenced by his visual work, he engages intensively with texture as a primary compositional material, without treating it merely as ornamentation. Fréquence draws heavily on this concept. Vibrant in its ambiguity, it occupies the space between emergence and dissolution. A work that constantly turns toward and away from stasis. CHECK THE LINKTREE
_ fréquence_
[ar_006] release_date_
[01/05/26] mastering_
[möhne_seide,_sr²] taken in Lyon, France by @augmented.research
6
5 months ago
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[möhne seide – fréquence] Emptiness. Sound as material in the process of forming. Voices emerge altered, fragmented — not meant to be understood, but felt as traces. The pulse is taking its shape: something alive moving through unstable space. Sitting at the threshold between presence and disappearance, between human and non-human, as if sound itself were reaching toward language, without ever fully arriving. _ fréquence_ [ar_006] release_date_ [01/05/26] visual interpretation by @scoped_ar mastered by @mohne_seide._ , @sr2square.wav by @augmented.research
4
5 months ago
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[peryl – phase alternations] Phase Alternations arise where overlapping waves diverge in phase, revealing the hidden geometry of sound. A phenomenon that Peryl deliberately allows to happen — thus placing the physical and technical aspects of music at the center of attention. His new album builds on a fundamental idea of electronic music — but reimagined. The person Peryl and his needs steps into the background during production — functioning merely as a channel that intuitively receives and transmits what long-studied machines, in dialogue with the subconscious, collectively bring to the surface. The result is a collection of nine tracks, like emanations of precisely crafted analog synthesis. No sound returns the same way twice. This fragility fuels the urgency — a creative necessity to listen, to commit, to allow form to arrive before it dissolves again. Rhythm is no longer on the grid, but a series of small shifts, offsets, and delays. Loops fall slightly out of sync. Deviation creates friction, and friction creates energy. Through the layered interplay of phase-driven effects — chorus, phaser, flanger — the sounds begin to breathe in alternate rhythms. Hollows emerge. Swells fold into one another. Challenging these swells is an essential part of Phase Alternations. Effects come alive in subtle shifts, industrial textures whisper melodies, folding and unfolding in rhythms that emerge through their own logic. Peryl presents the result of an experiment: the sound itself chooses its form. +++ The record can now be ordered on @oneyewitness and the Augmented Research Bandcamp page. CHECK THE LINKTREE
 _ phase_alternations [ar_005] release_date_ [20/01/26] mastering_ [ma_spaventi] by @augmented.research
62
9 months ago
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[c2] [peryl – nullity] „Nullity“ is the sixth track on the double LP „Phase Alternations“ by @peryl_ . The premiere of the piece is available via @invertedaudio on Soundcloud. The Record can now be pre-ordered on @oneyewitness and the Augmented Research Bandcamp page. +++ All Bandcamp proceeds in January will be doubled and go towards humanitarian aid for Gaza. +++ CHECK OUR LINKTREE

 _ phase_alternations_ [ar_005] release_date_ [20/01/26] visual interpretation by @timloose by @augmented.research
11
9 months ago
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👁️ Distributed by One Eye Witness ~~~ Peryl – Phase Alternations | Augmented Research (AR_005) Phase alternations arise where overlapping waves diverge in phase, revealing the hiddengeometry of sound. A phenomenon that Peryl deliberately allows to happen — thus placingthe physical and technical aspects of music at the center of attention. His new albumbuilds on a fundamental idea of electronic music — but reimagined. The person Peryl and his needs steps into the background during production —functioning merely as a channel that intuitively receives and transmits what long-studiedmachines, in dialogue with the subconscious, collectively bring to the surface. The result is a collection of nine tracks, like emanations of precisely crafted analogsynthesis. No sound returns the same way twice. This fragility fuels the urgency — acreative necessity to listen, to commit, to allow form to arrive before it dissolves again. Rhythm is no longer on the grid, but a series of small shifts, offsets, and delays. Loops fallslightly out of sync. Deviation creates friction, and friction creates energy. Through thelayered interplay of phase-driven effects — chorus, phaser, flanger — the sounds begin tobreathe in alternate rhythms. Hollows emerge. Swells fold into one another. Challenging these swells is an essential part of Phase Alternations. Effects come alive insubtle shifts, industrial textures whisper melodies, folding and unfolding in rhythms thatemerge through their own logic. Peryl presents the result of an experiment: the sound itself chooses its form. Pre-orders & full snippets on www.one-eye-witness.com by @augmented.research
38
9 months ago
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[iso_003] The third chapter of the ISO series is an ambient composition by Scoped, the head of Augmented Research. Shaped by movement and reflection, the track gathers personal impressions and emotional traces from a year marked by abundance, stillness and beauty. Conceived as a space for reflection, the piece translates these experiences into a restrained and immersive soundscape. All January Bandcamp revenues from “Ilu” and the rest of the Augmented Research discography will be doubled and donated to humanitarian aid in Gaza. release_date_ [02/01/26] artwork_by_ @scoped_ar taken in EARTH by @augmented.research
24
9 months ago
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[healing force project – di-w: prologue] Antonio Marini has spent over a decade exploring sound as Healing Force Project, merging electronic music with free-jazz in ways that feel spontaneous and deeply personal. Growing up in northern Italy, he taught himself through curiosity, drawn to artists like Miles Davis, Lee Perry and King Tubby – figures who shaped his understanding that music needs time to unfold and be absorbed. This patience runs through everything he does. Since his 2010 debut on Acido Records, Marini has built a catalog across labels like Berceuse Heroïque, Eerie Records and Firecracker Recordings, with his 2016 EP „Gravitational Lensing“ marking a turning point that brought his work to wider attention. He’s played Atonal Berlin and Terraforma Italy, yet remains largely invisible online, deliberately staying outside the noise of social media. What makes Healing Force Project compelling is this refusal to compromise or perform. Marini creates music that exists on its own terms – unconventional, exploratory, and entirely his own. _ d-iw:_prologue_ [ar_004] release_date_ [05/12/25] LINK IN BIO taken in Phobos by @augmented.research
3
10 months ago
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[release] Healing Force Project – D-IW: Prologue Antonio Marini aka. Healing Force Project sends three signals with this EP from a universe between illusory soundscapes and obscure sci-fi scenery. „D-IW: Prologue“ works like a kaleidoscopic lens that exploits the relativity of time and grants us an introspective glimpse into scenes both past and not yet existing. Polyrhythmic drum sequences trace their orbits through virtual space, surreal acid constructs build up and vanish again, dark dub echoes stretch the space. None of it feels forced. Marini allows the sounds their peculiarity – from this emerges a hypnotic density that pulls in all attention like a black hole. The EP feels like a discovery from an archive that nobody created: sounds that appear simultaneously retro and futuristic. Organic, yet precise. Dark, but not cold. For Augmented Research, this is a statement. A prologue that already functions on its own, but creates anticipation for more. No spectacle, no gesture – just three tracks that know exactly what they’re doing. hfp: @healingforceproject Mastered by @maspaventimastering _ di-w:_prologue [ar_004] fromat_ [digital] mastering_ [marco_antonio_spaventi] release_date_ [05/12/25] location_ [earth] taken in Mars by @augmented.research
14
10 months ago
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