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DoP | Gaffer
Berlin / Damascus
šŸŽ„ @filmuni
Crew @elmarinolighting & @greenpointlighting
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Summer of 2022 at @forwardsteameurope hike. Shot on a semi-broken Nikon f65. by @aws_hwj
3
2 months ago
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Ų­Ų§Ų¬Ų§ŲŖ ŁˆŲ­Ų“Ų§Ł†ŁŠ
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It was, and remains, one of the most surreal chapters of my life.
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Impressions from Syria (2021), after an absence long enough for me to feel like a foreigner in the country of my birth.
And yet, some things remained unchanged—anchored both in memory and in what I had hoped to experience once again.
…
A glimpse into a collection I keep on revisiting by @aws_hwj
25
3 months ago
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Latest light work for @ivo.mt new release "MENSCH IM SPIEGELā€. 

Director: @finnbuendert 
DOP: @schinnster 
1st AC: @nikolaichalkidis 
Gaffer: @aws_hwj 
Best Boy: @henry_grund 
Set Design: @muerruem 

Editor: @finnbuendert 
Colorist: @dominicrepenning 
Color House: @sparkstudio.tv 
Rental: @seeyourent & @greenpointlighting 

Label: @allesvoncornelia @epicrecordsgermany 
Management: @jurij_gold 
PM: @milesheee by @aws_hwj
10
5 months ago
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I wish working on this one would never end but at the same time I absolutely can't wait to see it on the big screen: Latrodecta <3 

Until then, some BTS :D 

It has been a journey! 

Regie, Drehbuch und Animation : Cecilia Lepratti 
Producer / Produktionsleitung: Laura Isabel Schulze @laura.isabella & 	Robin Keanu Stumm @robinstummfilm 
Bildgestaltung: Jakob Grasböck @jakobaleksander & Jonas Thibaut @jonasthibaut & Aws Hwajeh
Szenographie:	Emma Langschwager @_euulee._ & 	Maher Abdo 
Montage: Daria Wörmann @_daetsch 
Kulissenbau:	Jan hernandez Oels, 	Foivos Chalkiopoulos, 	Sarita Bonilla Barahona und	Nubia Fantechi
Setbau:	Jenny Krüger 
Filmmusik:	Roberta Dragone
Tonschnitt & Sounddesign: Frida Lehmann &	Emil Schattauer @cemil.str 
Szenenbildassistenz:	Maya Sandschulte,	Giulia Falciani und Nathalie Kretschmer by @aws_hwj
6
7 months ago
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The first one for many to follow for @agha.030 

Always a pleasure lighting your sets @eyad_alshaar 

Director of Photography — Eyad Alshaar 

Assistant Camera — Klementine Medved @klementine.waves 

Gaffer — me

Production Supervisor — Bruna Caba @bruna.caba 

Set Runner — @fabian_fermer 

Edit — Fares Hamade @fares.hamade 

Color — AdriaĢ€ P. Carrilero @adriaphtc 

Special thanks to
@silkrock
@seeyourent by @aws_hwj
9
7 months ago
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Some @von0auf180movie BTS!
 1-3 Ā© UNKNOWN / 4-9 Ā© @nikita_kassel 
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https://www.youtube.com/watch?v=oC-MHpksXVs&list=RDoC-MHpksXVs&start_radio=1 by @aws_hwj
8
8 months ago
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ā€œVon 0 auf 180ā€ — my second-year film at @filmuni showcased @achtungberlin , @sehsuechte , @vietfilmfest and @upandcoming.de 
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@von0auf180movie follows Thi as she navigates the fragile line between family loyalty and personal freedom. Caught between her father’s expectations and her own ambitions, she faces a choice that could define her future: follow the path laid out for her—or risk losing the little emotional connection she has left. A story about unspoken love, pressure, and the courage required to choose your own path. 
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Although incredibly rewarding, it was also a deeply challenging experience—4 a.m. call times made possible only by ungodly amounts of mate and coffee during the first two shooting days, while trying to stay focused and sane enough to do justice to a story that touched me so personally.
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One thing I know for certain—and I mean this with all my heart—is that I could never have made this without the support of my friends, whom I was lucky enough to have as my crew. I’m deeply grateful to each and every one of you: Sophie, Eyad, Debbi, Lilli, Mirella, Suzanne, Bekka, Erik, Lovis, and Maui. Your dedication and support made this possible.
And of course, I’m just as grateful for the rest of the team who brought this project to life—especially for the trust and collaborative process I shared with director Mandy Crahn. Through her bravery in engaging with such an intimate and personal subject, she gave this story its depth, richness, and flavor.

Thanks to each and every one of you!!! 

Tochter: Trang Le Hong @trang.le.hong 
Vater: Long Dang Ngoc @long.dangngoc.1650 

Buch und Regie: Mandy Krahn @mandykrahn 
Producerin: Liliann Haase @liliannmh 
Regieassistenz: Selena Jung @sallylouisej 
Director of Photography: Aws Hwajeh @aws_hwj 
Montage: Hannes Linhard @sweetcherry6666 
Szenografie: Dora Harskuti @dora_harskuti 
Tongestaltung und Filmmusik: Daniel Fehl @d_fehlverhalten 
Kostüm: Minea Beckmann @be.mine_a 

Eine Produktion der Filmuniversität Babelsberg KONRAD WOLF @filmuni

FULL CREDITS IN COMMENTS! by @aws_hwj
11
8 months ago
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Some BTS from the set of Parzellen des Glücks. 

Totally recommend shooting in cute gardens by the way <3 by @aws_hwj
4
8 months ago
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Some stills from a project I worked on as a gaffer in the summer of 2024 :D And of course huge thanks to @larselliger who took over for the last two days of shooting <3 

Parzellen des Glücks (Pockets of Happiness) was co-produced by @filmuni and @rbb and was in the main selection of the 26. @landshuter.kurzfilmfestival and the competition at @filmfestival_maxophuelspreis 2025. 

THE TEAM:
Cast: Susanne Bredehöft, Mathias Max Herrmann @matherrmann, Hermia Gerdes @hermiagerdes
Regina de Silva @fatmareginadesilva
Buch: Lisa Polster @lisaplstr & Konrad Schlaich @schlaichweg
Regie: Konrad Schlaich
Kamera: Marharyta Kurbanova @margoarium
Montage: Juan Carlos Bautista juanc.bautista
Ton: Matthias Hofmann & Jonas Albani @jonasalbani
Mischung: Jonas Albani
Musik & Filmmusik: Angela Boutros @angela_boutros
Szenenbild: Laura Jacob @_studiolaurajacob & Margot Raynal @mrgot25
Set Dec Jana Freyman @janafreymn , Martha Georgie @martha.geo Katya Strutsenko @honey.mahoney
Kostüm: Alma Meng @alma.sonntag & Stephanie Edelhofer @stephanie.edel
Producer: Oscar Meyer-Ricks
PA: Vincent Fluck
HMU: Leonie Stotzingen @leoniestotzingen , Grafiken: Miriam Wiskemann @miriam__alma
Regieassistenz: Clothaire Hanania @clothairehanania
Casting: Sinje Irslinger sinjeirslinger
1st AC Matthis Maier @matthismaier
2nd AC Lilly Thol @pictchurros
 Sparks: Florian Rudolph @fl_rudolph, Sophie krabbe @sophie__krabbe, Benjamen Mayer, Kasper Wachinger, Lea Kluge, Mascha Wagner @mascharonja, Jannick Konstroffer @j.konstroffer , Lewis von Alberti @lvapicture , Tyler Schöpfte, Nikita Kassel @nikita_kassel 
rbb Redaktion: Tobias Gottschlich

Filmstills: PARZELLEN DES GLÜCKS, © Marharyta Kurbanova by @aws_hwj
1
8 months ago
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Another throwback to what now feels like an eternity.. 
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Stills from my application short films for Filmuni Babelsberg.
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1–3: A Bottled-Up Message
with @yahyasumai 
4–6: Seine Unfehlbarkeit
with @ebaa_hw and Christian Blümel
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Forever grateful to everyone who helped bring my first two fictional short films into existence:
Christian, Sumai, Ebaa, Humam Sheik Khuder, and my parents :)) by @aws_hwj
0
8 months ago
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In the summer of 2021, I decided to stop my Biology studies at the University of Bonn, return home to Oldenburg, and pursue a new goal: turning my passion for visual arts and cinematography from a hobby into a professional career. I frankly had absolutely no idea how to do that. The only thing I knew was that I wanted to make films—to express my thoughts and show the world what I may have had the privilege of seeing alone.
I knew I had to come to Berlin. Somehow, I also knew that I wanted to study film at a university, as I had always felt a strong inclination toward academia. Thanks to a tip from my very dear friend and director Yara Khalil, I got in touch with my first mentor—and later, a close friend—Christian Blümel. I will forever be grateful for the warmth and openness with which he welcomed me into his studio at the RAW-Gelände.
There, I wrote and shot my first two short films, which ultimately secured me a place at Filmuniversität Babelsberg, where I still study today. Most importantly, I was given the opportunity to work as a camera man alongside Christian on my first feature-length documentary, Die Drei Häuser.
The film is an arthouse documentary that explores the inner worlds of the many inspiring artists who reside in the three main buildings at the RAW-Gelände—a space that is slowly shrinking and being swallowed by the rapid gentrification overtaking every aspect of what was once a much wilder city.
Working out of the studio at the RAW-Gelände, I was quickly immersed in Berlin’s relentless pace—sometimes working through the night and sleeping at the studio while, outside, crowds celebrated and rocked the building.
Today, I share these stills as a glimpse into what, for me, was the first step into a world I continue to seek to discover. by @aws_hwj
17
8 months ago
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 by @aws_hwj
0
9 months ago
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