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Last chance to visit my dad Paul Brown's studio and see our installation of his work! I am in town and open for visits through Sunday June 21 - meet me in Williamsburg 😎One of my favorite paintings, from the last few years, followed by images of the space, our party earlier this month, a table of catalogues, reviews, postcards, etc.; and the man himself.Some powerful words from a 1979 piece by Bonny Saulnier in New Boston Review (they ring true for me now almost 50 years later!):"All of Brown's art is about something larger than life, something that depiction can only skirt but that these deep, willed, abstract images penetrate. Cutting through the exteriors of things, they go right for the heart. They discover feeling. The color, the touch, dab and smear of the surface, the fleet and dragged strokes, the alternately grave and hedonistic images make contact with the passion seeded in humanity." by @beckybrwn
2
a month ago
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Becky Brown on the legacy of Zombie Formalism and her father Paul Brown's abstract paintings.Link in Profile, Threads, Bluesky@beckybrwn @sdaabuffalo @twocoatsofpaint by @beckybrwn
17
2 months ago
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Three of my dad’s paintings on view at his South Williamsburg studio, with a “goodbye loft” party on June 1! My parents built out this space in the early 80s; we lived there till ’91, and my dad, painter Paul Brown, continued to work there till last year. As a goodbye, we have installed a selection of his paintings from the 1970s to the present on two floors. It’s been very meaningful for me to spend time with this work over the last couple of months and I’d love to share it with you.Bonus: my dad’s killer record collection :) Join us: Monday June 1, 5:30 – 8:00pmDM, text or email for addressRSVPs are welcome but not necessary.If you are interested in a PDF preview, please let me know. The work will be on view and open by appointment through appx. June 20th – let me know if you’d like to visit another time. by @beckybrwn
14
2 months ago
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My dad Paul Brown moved into his Williamsburg studio the year I was born (1983), and he is now preparing to leave. We are creating an inventory of his work, which has been deeply challenging and rewarding. I'm grateful to spend time with his paintings through many decades and styles - here are some glimpses.Stay tuned for a goodbye open studio/celebration next month! by @beckybrwn
35
4 months ago
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Sorry but we are not sorry
 we had a great time celebrating the launch of Vol 4 @beverlysnyc yesterday !Becky Brown @beckybrwn closed yesterday’s programming with a reading from her text painting titled “Sorry Not Sorry” (2019). It was a privilege to share the space with so many of the artists and editors who generously contributed to the publication by giving their own unapologetic views of another artists work through writing. We think it’s a banger! We are excited to have you all as members of this growing family of collaborators. First image above: “Sorry Not Sorry” (2019) Becky Brown. acrylic and watercolor on paper, 30 x 22 inchesA special thank you to all the artists who offered us an intimate part of their practice through performances and readings. @ye.ela @jeffostergren @ochoamix @cynthia.reynolds @rujutarao @beckybrwn And thank you to @beverly’s as always for opening up your space to us . We feel at home with you. by @beckybrwn
10
4 months ago
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The skeleton of a timeline! My new work in progress is the 15-foot-long “The First 30 Days: A Chronology of Human Life Beginning” (working title). I am gathering images for a lecture on it tomorrow at @hallwalls with @ubhumanitiesinstitute A sneak peak here includes influential timelines by Emma Willard, W.E.B DuBois and others; words from Raphael Rubinstein and Amy Sillman; the notebook of data from Cy’s first few months, source images of cribs, strollers and breastfeeding tips; and a very professional headshot :)Come on out Buffalo, tomorrow Friday 3/27 – wine and snacks at 4pm, lecture at 4:15-ish. Or livestream from anywhere!Details: I will discuss the development of a 15-foot long painting in the model of a timeline, addressing experiences of parenting in this technological era. Unlike parents throughout history, we have an enormous quantity of online content at our fingertips, from YouTube breastfeeding videos, to first-hand accounts of birth traumas. I use data from my son’s life alongside text generated by this 24/7 information stream, including excerpts from social media, product recommendations and “new baby” greeting card messages (like “Enjoy Every Little Moment”). This project extends my recent work on technology, language and meaning. by @beckybrwn
22
4 months ago
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As part of the Vol 4 launch party programming, a select group of artists and editors from the Vol 3 & Vol 4 cohorts will present performances, readings and a lecture on Saturday, March 28th @beverlysnyc .Doors will open at 4:30 and programming will start at 4:45. by @beckybrwn
7
4 months ago
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We are excited to announce the publication launch of Peer Review Vol. 4 on Saturday, March 28th, 2026 at BEVERLY’S from 4:30-8:00 pm.The publication launch event will involve a series of performances, readings and a conversation with the editors. Peer Review Vol 4. is a collection of writing for and by:Alisa Ochoa @ochoamix Alison Kudlow @alisonkudlow Duwenavue SantĂ© Johnson @sante_artxstitch.artAnne M Hall @anmhal Becky Brown @beckybrwn Bryce Kroll @bryce.kroll Gracjana Rejmer-Canovas @gracjanacanovas Jeff Ostergren @jeffostergren Katie Shulman @katie.shulman Marilla Cubberley @marillacubberley Matt Moment @matt_moment Mikey Foster Estes @mikeyfosterestes Nechama Winston @nswinston olivier @xoliiviierx Samuel Krauss @samkraussss Sixing Xu @xu6ing Stephanie Powell @steph_rei Will Kaplan @will.kaplan Ye’ela Wilschanski @ye.ela Ziba Rajabi @zibarajabi Special thanks to our team of editors this year: Claire Simon, Yelena Gluzman, Corinna Kirsch, Alex Feim, Danyel Ferrari, and Robert Silva.Publication Design by Alexandra Hammond @alexhammondstudio PEER REVIEW is co-organized and edited by Kat Chamberlin @kat.chamberlin & Priscilla Fusco @proscuitto_fusco by @beckybrwn
10
4 months ago
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Last call! "Pleasure Reading" closes today, with an artist walk-through/book signing reception from 5-8, alongside the fab @ezraajohnson "Ezra Johnson's Home and Garden Show." We would love to see you there! @freightandvolumegalleryThanks to everyone who has visited so far, especially @virginiainesvergara who came yesterday and took this pic :)Slide 2: Contactless Frictionless, 2024, acrylic on canvas, 16 x 20 in. by @beckybrwn
26
5 months ago
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“The Painted Wordplay and Critiques of Becky Brown” - Exhibition Review of “Becky Brown: Pleasure Reading” at Freight + Volume Gallery, Tribeca (on view through March 7, 2026)I recently wrote my first review for a different publication: IMPULSE Magazine! I’ve posted the link to the full article in a story and below is an excerpt.Additionally, there will be a closing reception at the gallery this Saturday from 5-8pm! Please come and check out Brown’s show along with the equally great “Ezra Johnson’s Home and Garden Show”!Postmodernism has been on my mind, and one of the questions I have been debating with myself over is whether it still holds sway in contemporary art of the 2020s. A recent visit to Freight + Volume Gallery gave me an answer in the affirmative through a remarkably conceptual series of paintings by the Manhattan-born, currently Buffalo-based artist Becky Brown. Some conceptualists make use of the visual semiotics of our screen culture as critical commentaries of life in the digital age, but then an artist like Brown comes along and goes even further by appropriating and dismantling the strictures of language through the power of paint. Brown’s Pleasure Reading is a humorously cogent and cleverly observant reflection of text’s almost unbearably encroaching presence in our lives. Like a classic postmodernist, her paintings consider these ideas through a collapsing of visual conventions undergirded by appropriation and wit.Brown’s work is heavily influenced by the art critic Jonathan Crary’s “Internet Complex” theory from his 2022 book, Scorched Earth, in which he argues that the filtration of the Internet into practically every facet of our day-to-day existence carries deleterious repercussions, from fomenting chronic screen addiction to increasing surveillance in the private sphere.#artcritic #artcritics #artreview #artwriter #artwriting by @beckybrwn
4
5 months ago
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Becky Brown: Pleasure Reading has been featured in @impulse_magazine_ Postmodernism has been on my mind, and one of the questions I have been debating with myself over is whether it still holds sway in contemporary art of the 2020s. A recent visit to Freight + Volume Gallery gave me an answer in the affirmative through a remarkably conceptual series of paintings by the Manhattan-born, currently Buffalo-based artist Becky Brown. Some conceptualists make use of the visual semiotics of our screen culture as critical commentaries of life in the digital age, but then an artist like Brown comes along and goes even further by appropriating and dismantling the strictures of language through the power of paint. Brown’s Pleasure Reading is a humorously cogent and cleverly observant reflection of text’s almost unbearably encroaching presence in our lives. Like a classic postmodernist, her paintings consider these ideas through a collapsing of visual conventions undergirded by appropriation and wit.— Liam Otero @liam_otero_artist #freightandvolumegallery #impulsemagazine #beckybrown by @beckybrwn
3
5 months ago
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Freight+Volume is pleased to announce the closing party for "Ezra Johnson's Home and Garden Show" and Becky Brown: "Pleasure Reading" this Saturday, March 7th from 5:00-8:00 pm. An artist talk and book signing will conclude both shows - please join us this Saturday!Ezra Johnson:Hoses, 2025Flashe, acrylic, and oil on canvas44 x 60 in / 111.76 x 152.4 cmBecky Brown:Catastrophe, 2024Acrylic and collage on canvas26 x 26 in Becky Brown: Creator, 2025Acrylic on canvas 16 x 20 inEzra Johnson:Upside Down, 2025Flashe, acrylic, and oil on linen27 x 24 in / 68.58 x 60.96 cm #freightandvolumegallery #ezrajohnson #beckybrown by @beckybrwn
3
5 months ago
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