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Bleat Post Production

@bleatpost

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A boutique theatrical post house in London Fields.
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Pulp: What Do You Do for an Encore? (2026) With footage from Pulp's biggest ever arena show with four decades of never-seen-before archival material, director Garth Jennings alongside a narration by frontman Jarvis Cocker, portrays the band’s journey from Sheffield to the world. ‘Pulp: What Do You Do for an Encore?’ will be playing in selected Theatres from today (18.09.2026)! A @mubi production. Additional theatrical mix & full delivery at Bleat – additional re-recording mixer: Jamie Roden (@jamieroden). by @bleatpost
1
a month ago
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Another year, another collection of incredible short films we’re super pleased to have been a part of!  Shorts continue to surprise us, challenge us, and remind us why we love filmmaking. They’re where bold ideas take shape, new voices emerge, and creative risks are worth taking. It’s always a privilege to work alongside so many talented filmmakers and crews who pour so much into these projects, and we’re grateful that Bleat gets to play a part in bringing them to life!  Here are some of the incredible short films we have worked on over the past year: ‘A Stitch of Vintage’ by Carolin Pech (@itsmecarolinp) ‘Tabletop’ by Adam & Jason Bailey (@adamtbailey @jasonbaileystudio) ‘Rokeby Venus’ by Masha Egieva (@masha_egv) ‘Party Pastel’ by Stella Carneiro (@stella.carneiro) ‘Jealous People Are Ugly People’ by Theo James Krekis ‘Flint’ by Naqqash Khalid (@naqqash_khalid) ‘The Name of Action’ by Naqqash Khalid (@naqqash_khalid) ‘Third Party’ by Stephanie Cheng ‘Satie Studs’ by Lynne Ramsay ‘God of Mischief’ by Christian Stevens (@christian.stevens) ‘The Absence of No’ by Christian Stevens (@christian.stevens) ‘Wave Back’ by Jago Bevan (@jago_bevan) ‘Before You Leave’ by Aglaja Filipovic (@aglajafilipovic) ‘Popcorn: One Kernel At The Time’ by Katie Swain (@katieswain) ‘Cass & Roya’ by Alice Cornelia (@al.cornelia) ‘Gobstopper’ by Pippa Feldberg Collins by @bleatpost
5
3 months ago
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Masters of the Universe (2026) Travis Knight’s film follows a young man on Earth, Adam, who discovers a secret legacy as the prince of the alien planet Eternia, under attack by Skeletor. In order to return home and protect his kingdom, Prince Adam must recover a mythical sword and turn into ‘He-Man’. An Amazon MGM, Escape Artists, Mattel Studios, and Metro-Goldwyn-Mayer (MGM) production. Distributed by Amazon MGM Studios. Playing in theatres now! Theatrical Dolby Atmos FX Premix & Sound Editorial Cutting Rooms by Bleat – supervising sound editor and sound designer: Ben Meechan (@meecon); co-supervising sound editor and sound designer: Luke Gentry; re-recording mixer: Gilbert Lake; sound designer: Jeremy Price (@jedijelly); sound effects designers: Chris Howard and Brian Gilligan; sound effects editors: Rowan Watson (@rowan_watson) and Jacob Stripp (@jacobstripp); assistant sound effects editor: Dan Haney; PPS: Liz Richards. by @bleatpost
0
4 months ago
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Office Romance (2026) In this rom-com directed by Ol Parker, Jackie (Jennifer Lopez), president and CEO of Air Cruz, maintains strict professional standards, including a firm policy against employee fraternisation. However, the arrival of a charismatic new lawyer (Brett Goldstein) poses a significant challenge to these established rules. A Ryder Picture Company (@ryderpicturecompany), Netflix Studios (@netflix), and Nuyorican Productions (@nuyoricanproductions) production. Available to stream on @netflixuk now and currently sitting at No.1 on their Top 10 Films in the UK Today! Final Mix & Audio Deliverables by Bleat – supervising sound editors: Ian Wilson (@ianwilsonsound) and Becki Ponting; re-recording mixer and dialogue editor: Steve Single; music editor: Janet Grab(@janet.grab); editor: Peter Lambert; PPS: Gisela Evert (@gisela_evert_hart). by @bleatpost
0
4 months ago
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Excited to share the release of Let’s Go Fly! A new immersive Apple Vision Pro experience from @cirrusaircraft produced by @roguelabsvr. The visuals are breathtaking, from the clarity of the landscapes to the detail of the SR Series aircraft. For this project, our goal was to create an audio experience in Apple Spatial Audio Format that felt natural, cinematic, and spatially convincing inside Apple Vision Pro. That meant shaping the spatial sound design around the feeling of personal aviation: the subtle interior detail of the aircraft, the sense of movement through open air, the scale of the environment, and the emotional lift of flight. Download today at the link in our bio. ✈︎ by @bleatpost
0
4 months ago
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Ladies First (2026) Thea Sharrock’s comedy follows a charming yet arrogant womaniser who wakes up in a parallel world where women hold all the power. Forced to navigate a society turned upside down, he soon finds himself battling his biggest challenge yet — a female CEO who’s a version of himself. A 3dot Productions and Four by Two Films production. Available to stream on @netflixuk from today (22.05.2026)! Final Mix & Audio Deliverables by Bleat – supervising sound editor: Ben Meechan (@meecon); re-recording mixer and supervising dialogue editor: Jamie Roden (@jamieroden); re-recording mixer: Oliver Brierley (@oliverbrierley), and Michael Prestwood Smith; dialogue editor: Emma Pegram; music editor: Christoph Bauschinger (@luftstrom_); sound effects editors: Chris Howard and Dan Haney; editor: Mark Everson (@markeverson); Post Production Producer: Rebecca Adams; PPS: Benjamin Seward. by @bleatpost
0
5 months ago
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I See Buildings Fall Like Lightning (2026) Based on the book with the same title by Keiran Goddard (@keirangoddard), director Clio Barnard (@cliobarnard) follows five childhood friends in their 30s as they face the different realities of their adult lives through loss, humor, and family. A Moonspun Films (@moonspunfilms), BBC Film (@bbcfilmofficial), BFI (@britishfilminstitute), and Curzon FIlms production (@curzonfilm). Distributed by Charades (@charadesfilms) and Curzon Film Distributors. Theatrical mix & audio deliverables by Bleat – supervising sound editor: Paul Davies (@pdsounddesign); supervising dialogue editor: Jack Cheetham (@jacheetham.art); re-recording mixer: Rob Farr; sound designer: Tim Burns (@timburnssound); PPS: Karen Redfern (@karenfredfern). by @bleatpost
0
5 months ago
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Clarissa (2026) With their modern reimagination of Virginia Woolf’s ‘Mrs. Dalloway’ set in Lagos, Nigeria, directors Arie and Chuko Esiri (@chukoesiri) follow Clarissa’s curated life as it unravels during a lavish party hosted at her house – where ghosts from her youth return to her door. A Per Capita Productions and Invention Studios (@invention.studios) production. Distributed by Neon (@neonrated). Theatrical remote mix reviews & picture cutting rooms by Bleat – editor: Blair McClendon; PPSs: Hannah Tom & Justin Scutieri. by @bleatpost
0
5 months ago
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Ulya (2026) Huge congratulations to our very own Itzel Gonzalez Estrada for her incredible sound editing and mixing on Viesturs Kairišs’ ‘Ulya’, and being selected into Un Certain Regard selection at this year's Cannes Film Festival. Ulya will hold its world premiere on Thursday, 21st May. Inspired by the real life story of Uljana Semjonova, Latvian director Viesturs Kairišs portrays Ulya, a seven foot tall teenage girl whose height troubles her family. Discovered by basketball coaches, Ulya gets sent to Riga to join a famous basketball team – a journey that brings her to make a choice between hiding or aiming to be the best basketball player in the world. Supervising Sound Editor - Siim Skepast @siimskpst Re-Recording Mixer & Dialogue Editor - Itzel Gonzalez Estrada @itzel.wav by @bleatpost
2
5 months ago
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“Mad Bills To Pay” Directed by @joelalfonsovargas From @oscopelabs and @unapologeticprojects First feature out of @studiofifteen_post and what a way to start! - Grade: 🙋🏿‍♂️ @colourbyemmanuel Big shoutout to everyone involved in making this film! 🌟🌟🌟 NY Times Critics Choice for a reason!!! Shot by the Talented @rufaiajala AMAZING CAST🌟 Rico: @raythewizzo Destiny: @imdessok Sally: @nathacfn Andrea “Mami”: @yohaflorentino Writer/Director: @joelvigs Producer: @pedullino Executive Producers: Christine Vachon, Gabriel Mayers (@worldaccordingtogabi), Julie Waters (@jbwaters), Evan Dyal, Robina Riccitiello (@heyrobina), Josh Peters, Liam Francis Quigley (@liamfrancisquigley) DP: rufaiajala Prod. Designer: @liachiarin Editor: @irfanvansomething Sup. Sound Editor: @alinasaur @sound.alinushka Sound Designer: @ramogabriel Composer: @niksandahl Music Sup.: @_dancaplin_ Prod. Sound: @mrksound24 Color and Online: @colourbyemmanuel @studiofifteen_post 1st AD: @hazardousgram Prod. Manager: @grellOnearth Associate Producer: lexiiikroll Prod. Coordinator: @helena.hunt Assistant Producer: @domi delfuego Camera Op: @oscarmills.ac DIT: @cal_hagen Gaffers: @jorgequintero.dp @rfrischeisen 1st Assistant Sound: @soundwolf locationaudio Standby Art Director: @ellaschlesinger Hair and Makeup: @vylarya Marketing: @kelfernandez_ Sales: @cinetic media by @bleatpost
6
5 months ago
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Power to the People: John & Yoko Live in NYC (2026) This remarkable film captures John Lennon’s only full-length concert after leaving The Beatles, and the last time he and Yoko ever performed together. The footage was shot over two historic sold-out shows (afternoon and evening) at Madison Square Garden in 1972. It has now been remixed, restored, and re-edited under the supervision of Sean Lennon. ‘Power To The People: John & Yoko Live in NYC’ will be playing in selected Theatres from Wednesday (29.04.2026)! A Mercury Studios production (@mercurystudios). Head of Post Production for Mercury: Rosie Holley. Distributed by Trafalgar Releasing (@trafalgarreleasing). Full post production by Bleat – re-recording mixers: Paul Hicks and Sam Gannon; colourist: Steve Atkins; online: Pat Wintersgill. by @bleatpost
0
6 months ago
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Surviving Earth (2026) Thea Gajić’s (@theagajic) film, based on her true story, centres on Vlad, a refugee from the conflict in Yugoslavia, now living in Bristol. As Vlad attempts to build a new, peaceful life by forming a Balkan music band with aspirations for success, his fragile peace is threatened when past traumas resurface. A My Accomplice (@myaccompliceldn) and Sona Films (@sonafilms22) production. Distributed by Bankside Films (@banksidefilms). ‘Surviving Earth’ will be playing in Theatres from Friday (24.04.2026)! Full post production by Bleat – supervising sound editor, dialogue editor & re-recording mixer: Raoul Brand; re-recording mixer: George Elliott (@george_elliott6); sound effects editor: Maiken Hansen. by @bleatpost
2
6 months ago
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