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BOM® Magazine

@bomizm

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A print magazine.

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Introducing the Throne Bench and Throne Chair, designed by @h.bigeleisen and inspired by the signature stacking shapes motif of modernist artist Enzo Mari.

“Hannah Bigeleisen is a Brooklyn-based designer creating sculptural, expressive furniture and lighting that explores the tension between hard and soft materials. The work below often pairs material tension that both complement the other while also providing contrast in the work: the soft movement of fringe against the visual patterning of wood grain, hyper-textured cement with the quiet glow of a light, or organic table forms animated through painterly surface treatments.”

Explore more of Hannah’s work in BOM Issue 7, available online now at the link in bio

Photographed by @danielmakesmistakes by @bomizm

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Jenna Ferayo is a San-Diego born filmmaker, photographer, print artist, and curator living and working in New York. Her work explores themes of adaptation, altered memory, transitional periods, and the ephemeral.

Explore more of her work in Issue 7 of BOM, available online now on bomizm.com by @bomizm

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Thank you to everyone who came out last Friday to celebrate the launch of Issue 7! Always grateful for the people who come to our events to show support.

Special thanks to our artists for this show:

@kingkongkaia
@bigbellceramics
@himstudios.live
@zimteemo

photos by @emswurld_

Issue 7 is available online now at bomizm.com
(link in bio) taken in Los Angeles, California by @bomizm

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BOM ISSUE 7 THE MATERIAL ISSUE

Featuring conversations with
@carsonteal
@kingkongkaia
@bigbellceramics

As well as works from:
@trystanwilliams2
@amosnappo
@himstudios.live @dfmcneil
@zimteemo
@jennaferayo
@tayloruchytil
@bevelmybrain
@ira_zimmerman
@h.bigeleisen
@opana

Cover art by Carson Teal
108 Pages
8.5 × 11

Designed and printed in California
Ships with stickers

Available tonight @meantime.la
Drops online tomorrow on bomizm.com at 12 PM PST by @bomizm

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4 months ago

Join us for the release of BOM Issue 7 on Friday, June 26th from 6-10 PM at @meantime.la 📖

648 N Fuller Ave
Los Angeles, CA

Featuring work from
@bigbellceramics
@kingkongkaia
@himstudios.live
@zimteemo

See you there! by @bomizm

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BOM Issue 7: The Material Issue is dropping in person at our launch party this Friday, June 26th at @meantime.la from 6pm-10pm.

648 N Fuller Ave.
Los Angeles, CA

Online release is on June 27th at 12pm on bomizm.com.

Featuring conversations with:
@carsonteal
@kingkongkaia
@bigbellceramics

As well as works from:
@trystanwilliams2
@amosnappo
@himstudios.live
@dfmcneil
@zimteemo
@jennaferayo
@tayloruchytil
@bevelmybrain
@ira_zimmerman
@h.bigeleisen
@opana by @bomizm

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In the woods outside of Sudbury, Ontario, artist @carsonteal is building fragmented, luminous objects that feel at once ancient and unmistakably familiar. After years in Toronto as a digital designer, a move to the country sent Carson inward, into the world of stained glass and found objects. Drawn to hieroglyphics, petroglyphs, vivid color, and the meditative logic of collage, his work reflects the relationship between the sacred natural world and fleeting digital spaces we’re enveloped in.

We connected with Carson to talk about leaving the city, discovering stained glass, and what it means to turn the digital world into physical, light-filled artifacts.

“Stained glass has such a rich technical history. There’s often a narrative, and a composition that has been planned and thought through. With my work, it’s more fragmented. There are broken elements, mixed media, and discarded materials. That broken, assembled quality echoes how I feel in the world sometimes. It’s not always sacred, beautiful, perfect, or something to worship.”

Read more of our conversation with Carson in BOM issue 7, coming June 26th. by @bomizm

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Whether or not we’re in end times, @amosnappo has you covered with his modified and armored Lime bike titled “Cavalry”

“Cavalry is a striking sculptural work by London-based visual artist Amos Nappo, who transforms a ubiquitous lime bike, typically seen ferrying commuters through modern cityscapes, into a surreal battle-ready vehicle, clad in medieval armour. Outfitted with elements like a jousting lance and plated defences, the piece cleverly fuses past and present, drawing parallels between contemporary urban survival and historical combat. By merging a symbol of today’s convenience-driven tech-integrated lifestyle with imagery from a darker more brutal era, Nappo prompts viewers to question the stability of modern civilisation”.

View more of Amos’ work in BOM issue 7 coming June 26. by @bomizm

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A sneak peek at issue 7…

Coming June 26 by @bomizm

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We toured @kingkongkaia’s studio where we discussed her upbringing in Jacksonville, Florida and how it’s inspired her work and sculptural practice.

By using armature wire, paper clay, and airbrush, she constructs hybrid creatures that represent both herself and the fictionalized version of Florida that she’s building.

Read more of our conversation with Kaia in Issue 7, coming June 26.

assist @max.dickson taken in Los Angeles, California by @bomizm

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Kaia King-Hall is building a universe of her own: a technicolor, sun-drenched paradise that turns the contradictions of her home state into intoxicating mythology. Constructing large-scale hybrid creatures including Floridian animals like dolphins, gators, and snakes, Kaia’s work is surrealist, a little perverted, and completely alive.

We visited her studio and chatted about worldbuilding, the freedom of using yourself as subject, and the fantastical version of Florida she’s creating.

photo: @emswurld_ @jaminga_
assist: @max.dickson

Read more of our conversation with Kaia in BOM issue 7, coming soon. by @bomizm

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