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Brooke Corrales

@brookehopec

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California / Vancouver / Nordhausen
Dancer @ballett_theater_nordhausen

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Such an amazing way to end the year. So much gratitude for this solo❤️❤️By: @brandonalley94 Music by: @brandonalley94 by @brookehopec

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2 years ago

Back broken by @brookehopec

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2 years ago

My first duet choreography "If I Should Lose You" for TanzLab 2026.I want to thank these two beautiful people @pablodcampo and @brookehopec for coming with me and trusting me in this process. And for making random images, I dreamt about come true on stage.Thankyou to:@heranorin for the photos@lemeviinicius for assisting in this production@ivanalboresi_choreograf and @ballett_theater_nordhausen for making this production possible@rinahayash for being part of the process, all the way a year agoThe costume and light people for all the help along the wayMusic: "Origin of the World" - Erik Truffaz & Murcof"If I Should Lose You" - Nina Simone"Keep Watch" - Ben Lukas Boysen by @brookehopec

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2 months ago

Rehearsals for our young choreographers’ evening “TanzLab” – premiere on June 5.“If I Should Lose You” by Chris RoosenburgIn “If I Should Lose You”, we go into the psyche of a man who lost his wife. The grief both of them experience, the way they blame each other, the nostalgia of their good times and the loathing of their bad times.Choreography: @chrisroosenburg Dancers: Brooke Coralles and Pablo del CampoMusic: “Origin of the World” by Erik Truffaz & Murcof, “If I Should Lose You” by Nina Simone, “Keep Watch” by Ben Lukas BoysenBallet direction: @ivanalboresi_choreograf Ballet master and assistant: @lemeviinicius Intendant: @danielklajner @tn_los Pictures: @heranorin by @brookehopec

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2 months ago

Rehearsals for our young choreographers’ evening “TanzLab” – premiere on June 5.“Vell Nadó” by Mariona Carrasco This piece has continuously changed form throughout the process. It has evolved through questions, encounters, and the people surrounding it.I have always been intrigued by the concept of morality, by the tension between what is controlled, expected, censored, and what exists underneath. At the same time, I find an immense source of power and inspiration in dancing with people, in sharing intuition, presence, and vulnerability through movement. The choreographic material emerged from a desire to work closely with the people I have shared artistic space with this year, but with whom I had never actually danced. During a dance session with makeup artists, musicians, composers, and performers, I found the impulse to create something rough, honest, and non-decorative.The starting point became simple, not to censor any movement that appeared honestly. To let the body speak without worrying about shapes, aesthetics, or form. To allow instinct, contradiction, fragility, and impulse to exist without correction. This work became less about constructing an image and more about exposing a state. To leave shame aside during the whole path and to welcome every thought impulse and desire. Choreography: @marionacrrsc Dancers: Brooke Corrales with members of Theater Nordhausen involved in the processMusic: “Mirror I!” by Luca Marcossi, “Folk fær andlit”, by Hildur Guğnadóttir, “Piel” by Arca, “Moonlight Sonata 3rd Movement” by Ludwig van BeethovenMusic mixed/produced: @joana_torello Ballet direction: @ivanalboresi_choreograf Ballet master and assistant: @lemeviinicius Intendant: @danielklajner @tn_los Pictures: @heranorin by @brookehopec

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2 months ago

Today we have another performance of DIE VIER JAHRESZEITEN & DAS GLÜHENDIE VIER JAHRESZEITENBy @ivanalboresi_choreograf Dancers in photo@brookehopec @leo_desss In Nordhausen 28/3 Theater Nordhausen12/4 Theater Nordhausen22/5 Theater NordhausenPhotographer: @idazennaphotographyChoreography: @ivanalboresi_choreografMusic: @maxrichtermusicBallet direction: @ivanalboresi_choreografBallet Master & assistant: @lemeviinicius Intendant: @danielklajner@tn_los by @brookehopec

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4 months ago

8 months of performances, friends, and questionable trains by @brookehopec

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5 months ago

Our new ballet dancer season 25/26Brooke Hope Corrales@brookehopec Brooke Hope Corrales received her initial dance training in her native California. From 2020 to 2022, she was a member of the Alonzo King LINES Ballet’s Pre-Professional Training Program in San Francisco, dancing works by Alonzo King, Keelan Whitmore, and Sidra Bell. During her time at LINES, she also presented her own choreography as part of the program’s winter performance.After completing her training, Brooke Corrales joined SFDanceworks, a project-based company in San Francisco, where she performed repertoire by Edward Clug, Babatunji Johnson, and Yin Yue. From 2022 to 2025, she continued her professional development in the Arts Umbrella Post Graduate Program in Vancouver, Canada, under the direction of Artemis Gordon. There, she had the opportunity to work with internationally renowned choreographers and perform pieces by them, including ”Revisor” by Crystal Pite, ”All Long Dem Day” by Marco Goecke, ”Love Chapter 2” by Sharon Eyal, ”Artifact Suite” by William Forsythe, and ”Bolero” by MatsEk. In her second year, she performed with Ballet BC, Vancouver, in ”Bolero X” by Shahar Binyamini. During her time at Arts Umbrella, she also created original works under the direction of Crystal Pite, which were performed as part of a student performance. In her final year, she worked on a film project in Amsterdam.Since the beginning of the 2025/26 season, Brooke Hope Carrales has been a member of Ballet TN LOS!.Intendant: @danielklajnerBallet Director: @ivanalboresi_choreografBallet Master and assistant: @lemeviinicius Picture: @julialormis@tn_los by @brookehopec

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10 months ago

Fresh starts by @brookehopec

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10 months ago

Goodbye, but not for long ❤️Dad, not a day will pass that I won’t miss you, think of you, or wish you were still here with me. Losing you is one of the hardest things I’ll ever have to survive—but for you, I will keep going. I will keep living. I will make the most of the life you helped give me.Thank you for teaching me what strength really is—to “walk it off,” to never quit, to fight with grit. You instilled in me resilience and the love of so many beautiful things. I just wish we had more time. More memories. More adventures. More chances to heal what had been broken—and for me to witness all the incredible things you still had left to do.Know that I’m forever proud of you—for the demons you faced, the battles you fought, and the way you never stopped pushing forward. I’ll always cherish our laughter, our sunrise walks, and how you were always up for all my crazy ideas.Our relationship wasn’t always easy, but it was always filled with love. You never stopped believing in me—and I always believed that someday, you’d find your way home. That you’d show the world the big, beautiful heart I always knew you had.I will carry you with me always. I know you’re smiling down, reminding me to laugh more, take more chances, embrace life—the good and the bad—and to be gentle with myself.I can’t wait to hug you again in the next life, where I know you’ll be waiting for me with open arms. You’re flying free now, Daddy. Finally at peace.I love you. I love you. I love you.Shaun Luis Corrales August 31,1969- May 22, 2025 by @brookehopec

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a year ago

Left my Soi(l) n Tula by @brookehopec

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a year ago

As 2024 draws to a close, I find myself filled with nothing but gratitude. The year has spun me in every direction, yet I couldn’t have asked for better friends to share the journey with. Here’s to walking into the New Year surrounded by remarkable people and an abundance of appreciation. by @brookehopec

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2 years ago