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Burnaway

@burnaway

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An experiment disguised as a magazine centered in Contemporary Art and Criticism from the South, the Caribbean, and their diasporas.
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Burnaway is always accepting pitches, and right now, we are specifically looking for more short-form reviews and studio visits. We are committed to publishing thoughtful, rigorous writing on contemporary art in the South, the Caribbean, and their diasporas. We accept pitches related to the following places and associated artists: Alabama, Arkansas, Washington, D.C., Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas (with emphasis on Houston), Virginia, West Virginia, and the Caribbean. We are proud to be a @wageforwork certified organization. Learn more about pitching and how to pitch at the 🔗 in bio, or at https://burnaway.org/about/#pitches. by @burnaway
4
9 months ago
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We are excited to announce full and half table exhibitors for Book//Zine 002, Burnaway’s second art book and zine fair. Join us at Goat Farm (@goatfarm) on Saturday, October 24 from 11AM-5PM for a selection of books, zines, and print materials from these exhibitors and more who will be participating in our Community Room. Over the next few weeks, we’ll be highlighting some of the works of these exhibitors, so stay tuned. RSVP for Book//Zine at the link in bio to stay up-to-date on exhibitors, programming, and details.  — @51personaeproject @mmmunder @arenotbooks @artcrittermagazine @artleaguehouston @atlantacenterforphotography @atl_printmakers @planatlanta @__bench_press @barleyxcx @biospherebooks @bodegaflower @buildyourarchive @captura.atl @cattywampuspress @practice_togetherness @evan.p.maloney @exilebooks @fiveeightscollective @flatspresents @forgottenlands.art @nono.gogo.lala @gulchmag @hellmouth.mag @hngyrn @huiyin.zhou caocollective @ianclar.k @jssrhds @pamplemousse.magazine @joecamoosa @isaiaherinjones @georgiachemistry @the_journals @justinisaiahmcelvey @kgpnyc @kyle_bravo_ @hahahahahahastop @lookschill @a_gun_rack @justinaledia @mdwheatley @luckyghostco @macerationpress @memorycavity @memorycavities @jackieblue1385 @n.masani.landfair @blk.obsidian @palace.of.fruit @patricesharon @dvdgdby @shane.wreak @audi0doo  @picklesxnickles @press.shop @printstpete @rimadayart @mellogood @sandlot____ @secretastronomer @seen_journal @sharedprintfac @shortiecountry @paul_e_shortt @shriyasusan @slugwormzines  @smallcraftadvisorypress @stukenborgpress @tangledstream @f.eli.cita @hayley__abigail @catharta__ @mjsnq__ @vixixu @tbd.mag @georgiareview @walkerbankson @_thungry @totally_clips_ @jputtphoto @ujimaboston @fortunatelymag @vedikamehra_@voxatl @zine_community @suttleandsinewy by @burnaway
11
2 months ago
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Burnaway is excited to announce Open Book, our first editorial book club. Held in-person and virtually, Open Book is a literary program for curious readers who are interested in engaging with stories touching on both art and our coverage region of the South and Caribbean. At a time marked by AI-generated content and declining reading habits, Open Book serves as a space for critical thinking, thoughtful discussion, and gathering. Through this program, we hope to continue fostering a community of engaged readers across our coverage region and beyond.  We are excited to kick off Open Book with “Hothouse Bloom” by Austyn Wohlers, selected by Burnaway’s Editor and Artistic Director Courtney McClellan (@courtneylmcclellan). Courtney will lead a virtual book club on Tuesday, September 15 from 7-8PM EST and an in-person book club in Atlanta at Larakin on Thursday, September 23 from 6-8PM EST. Register for the virtual book club and the in-person book club at the links in bio.  — Open Book is a hybrid program in which Burnaway’s editorial staff will select and announce a new book each season. Featured books may be fiction, non-fiction, essay collections and other forms of published writing and will touch on art and our coverage region of the South and Caribbean.  In-person events will be held in different locations across our coverage region in accordance with editor-at-large locations (Atlanta, the Caribbean, the Carolinas, and New Orleans), and virtual events will be held on Zoom within the same week. by @burnaway
8
2 months ago
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Get to know another set of tablers who will be presenting their work at Book//Zine, Burnaway’s annual art book and zine fair, at Goat Farm (@thegoatfarm) on Saturday, October 24 from 11AM-5PM. See more from these exhibitors—as well as the full list of tablers who will be joining us at Book//Zine—at the link in bio. 1 - Tangled Stream — Providence, RI — @tangledstream 2 - The Georgia Review — Athens, GA — @georgiareview 3 - Love For Sale — New York, NY — @lookschill / @a_gun_rack / @justinaledia / @mdwheatley 4 - Julie Fordham — Atlanta, GA — @the_journals 5 - Yoon Nam — Atlanta, GA — @suttleandsinewy 6 - Good Nest Press — Athens, GA — @nono.gogo.lala 7 - Peace Offering Press — Atlanta, GA — @dvdgdby / @Shane.wreak / @audi0doo 8 - KGP MONOLITH — Queens, NYC — @kgpnyc 9 - Vedika Mehra — Atlanta, GA — @vedikamehra_ by @burnaway
1
a day ago
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Join us for a mini-zine Riso workshop during @burnaway Book//Zine at @thegoatfarm. We’re excited to be part of this celebration of independent publishing. Spend some time exploring Book//Zine, then join us in the studio to create and print your own two-color mini-zine. We’ll cover artwork preparation, color separation, printing, and folding. You’ll leave with an edition of 20 copies. Participants will receive a template before class to prepare their zine layout in advance. You’re also welcome to create something during the workshop using our shared art supplies. No prior experience needed. 🗓️ Saturday, October 24 🕛 Workshop: 12–3 PM 📍 Posy Press during Burnaway’s Book//Zine 🎟️ Tickets at posypress.co Flyer and workshop instruction by @_ara_pena_ ✨ #risograph #minizine #atlantaartist #indiepublishing taken in Goat Farm Midtown Atlanta by @burnaway
2
a day ago
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Annie Moye (@anniesaysii) profiles Yvette Gunn, an Atlanta artist and environmentalist who has transformed her Kirkwood home into Birdhouse Paradise, an artist-built environment filled with more than 400 handmade birdhouses, gardens, and found objects. “I’m not dying to see heaven, so I create my own here to share with others.” Read more from Moye’s profile of Gunn in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair (@atlartfair) from Thursday, October 1 to Sunday, October 4. — 1-3. Yvette Gunn’s “Birdhouse Paradise” in East Lake, Atlanta. Photograph by and courtesy of Amanda Greene. by @burnaway
1
2 days ago
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Renee Royale profiles Martinique-based artist David Gumbs (@gumbsy), whose interactive installations use technology, everyday objects, and ecological markers to explore memory, ancestry, and the layered histories of the Caribbean. “For the artist, technology can adapt to the environment through the tactile intervention of his hand, offering an equalizing, rather than dominating, force.” Read more from Royale’s profile of Gumbs in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair (@atlartfair) from Thursday, October 1 to Sunday, October 4. — 1. David Gumbs in 2023. Photograph by Kiron Key and courtesy of the artist. 2. David Gumbs, “Mummy’s Crochet,” 2026, interactive installation. Photograph by and courtesy of the artist. 3. David Gumbs, “Ethno Spirits Martinique,” 2023, multimedia installation. Photograph by and courtesy of the artist. by @burnaway
3
3 days ago
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Bryn Evans (@brynevans_) speaks with Marguerite (Margy) Adams (@marguread) and Joslyn Gardner, cofounders of Emory University’s Black Feminist Working Group, about Madeleine Hunt-Ehrlich’s (@madeleine_hunt_ehrlich) “The Ballad of Suzanne Césaire” (2024) and the film’s surrealist approach to Suzanne Césaire, archival fragments, and the politics of seeing. “That’s central to her articulation of camouflage: the tourist isn’t able to see. Beauty itself is a form of camouflage, and there’s a duality where camouflage also acts as a form of resistance. The islands are not allowing people to see through its beauty.” Read more from Evans’s conversation with Adams and Gardner in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair from Thursday, October 1 to Sunday, October 4. Come by Atlanta Contemporary (@atlantacontemporary) on Saturday, October 3 from 11am–1pm for a screening of The Ballad of Suzanne Césaire and pick up a copy of the broadsheet. — 1-3. Stills from “The Ballad of Suzanne Césaire,” 2024. Image courtesy of Madeleine Hunt-Ehrlich and “The Ballad of Suzanne Césaire” Team. by @burnaway
4
4 days ago
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CALLS FOR ARTISTS 🗣 Our monthly roundup of opportunities includes residencies in New York, Texas, and Alaska, public art commissions in Florida and Tennessee, an interdisciplinary artist-scientist grant, and juried exhibitions across the country. Pictured here is a sculpture pad created through the Germantown Public Art Program in Germantown, Tennessee. The Germantown Public Art Program invites sculptors residing in Alabama, Arkansas, Florida, Georgia, Illinois, Indiana, Kentucky, Louisiana, Missouri, Mississippi, Ohio, Oklahoma, Tennessee, and Texas to submit outdoor works for the 2027–2029 "Sculpture on the Greenway" rotating exhibition. Seven selected artists will each receive a $4,000 stipend. Applications are due on October 4, 2026. Learn more about this call and other artist opportunities at the link in bio. — Sculpture pad along the Wolf River Cultural Greenway, courtesy Germantown Public Art Program. by @burnaway
1
5 days ago
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Amina Daugherty (@cryingbartsimpson) profiles Atlanta-based printmaker and muralist Jasmine Nicole Williams (@jn.ooomami), whose practice brings together art, working-class identity, community, and cultural liberation, drawing connections to the work of Suzanne Césaire. “Culture is more than art as a commodity; it’s speaking, relating, and caring for one another and the world. What grows from the culture being created? It could be mold—something corrosive—or something beautiful and nourishing that evolves until the systems around us have to change.” Read more from Daugherty’s interview with Williams in Burnaway’s special edition broadsheet, available at our booth at the Atlanta Art Fair (@atlartfair) from Thursday, October 1 to Sunday, October 4. Come by Atlanta Contemporary (@atlantacontemporary) on Saturday, October 3 from 11am–1pm for a screening of 'The Ballad of Suzanne Césaire' and pick up a copy of the broadsheet. — 1. Jasmine Nicole Williams at Atlanta Printmakers Studio, Hapeville. Photograph courtesy of the artist. 2. Jasmine Nicole Williams, "Forward Together," 2025 in Atlanta. Photograph by and courtesy of the artist. 3. Jasmine Nicole Williams, "Liberate," 2023 in Atlanta. Photograph by and courtesy of the artist. by @burnaway
7
6 days ago
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This Saturday, October 3rd, is the return of SITE: Goat Farm’s third annual campus-wide exhibition of contemporary art, performance, music, film, installation, and experimentation. Explore new works by more than 50 local, national, and international artists across Goat Farm’s 12-acre campus, alongside live music, open studios, performances, and large-scale artworks. Each year, SITE explores the idea of “site” through new commissions, performances, and installations that engage with place, context, time, and perception. SITE artists: 1024 architecture Brandon Sadler x Rocko Walker Jacob Irish Hermes Mangialardo Ollie Goss Navin Norling Gresham Cash Dana Haugaard Michael “Mike” Stasny T.W. Pilar Laila Jhané Sound Service (Nia Rich) Living Walls x Addam Yekutieli Kristan Woolford Elisa Dore L42i – Lab for Interaction & Immersion Adam Forrester Maia Jones x With Width Dance Company Broly Su Liliana Penagos Linda McNeil Virginia Broyles Justin W. Archer Gabi Madrid Blaise Dell Amelia Reiser Hiroko Kelly x Isa Newport x Madeline O’Brien Lisa Li x (TBD) Design x Monsieur Blanc Jordan Young Colin Mulligan Musical performances: csndra Nelward (solo) D2T Wifi Daddy Gladys Frankly Dope LUNGWING Schedule: 5:30PM Frankly Dope (WARHORSE) 6:00PM D2T (MAIN STAGE) 7:30PM Lungwing (WARHORSE) 8:00PM Nelward (MAINSTAGE) 8:30PM Brandon Sadler & Rocko Walker (GOODSON) 9:00PM csndra (MAIN STAGE) 9:30PM Gladys 9:45PM Wifi Daddy 💥 SITE 2026 📅 10/3 ⏰ 5pm - 11pm 📍 Goat Farm 🎟️ Week-of $35 at link in @thegoatfarm’s bio 🔗$40 day-of by @burnaway
1
7 days ago
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Daisy Gould (@daisymgould) considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis (@annalee.devere) for the 61st Venice Biennale (@labiennale). "This is work that demands time, not just to make, but to sit with, and the tenderness of the fabric diverged from the abrupt immediacy of a tourist’s experience (myself included). Our desire to consume and capture the work on phones and film felt contradictory, yet people don’t blink when this happens to the Caribbean landscape." Read more from Gould's feature at the link in bio. — 1. Barbadian artist Annalee Davis on site at the 61st Venice Biennale, pictured with her installation, "Let This Be My Cathedral" (2026), for the 61st Venice Biennale. Image credit: Matteo Losurdo.2. "Bush Bath in the Glasi" (2025), Annalee Davis, embroidery, fabric paint on tea-stained tablecloth, madras fabric, 152 cm (diameter). On loan from Spore Initiative, Berlin. Photo credit: Matteo Losurdo.3. Installation view of "Let This Be My Cathedral" (2026) by Annalee Davis. As seen in "In Minor Keys," curated by Koyo Kouoh, for the 61st International Biennale di Venezia in the Corderie, Arsenale. Photo credit: Matteo Losurdo. by @burnaway
1
8 days ago
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