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Carl Gari

@carl_gari

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@jonasyamer @funketill @jonasfriedlich
Berlin Atonal // Molten Moods // AD93 // The Trilogy Tapes
Booking & Inquiries info[at]carl-gari.com

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Release day! Our double vinyl album including a room-enhancing Carl Gari band poster is out today via @molten_moods . It features collaborations with @daleknwk , @_polygonia_ , @cobysey , @sensational_biz and @simon.popp .

Cover photography by @jonasyamer
Inlay artwork by @jonasfriedlich
Mixed by @j.manuel.live at @apollostudioberlin (“Pick’n’Peel”, “Canned Colleks” w/ @fadi.mohem )
Mastered & cut by @pole_stefanbetke at @scapemastering
Packaging design by @sepehrmethedetails .

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In the seclusion of a house in the Bavarian Forest, something unfolded that felt less like a conventional album production and more like an internal process of condensation. This house wasn’t a studio - it was a retreat. Its 1960s-inspired interiors, creaking wooden stairs, and crackling fireplace shaped the sound of Carl Gari as much as the instruments themselves. Though the house no longer exists, its atmosphere remains present in the recordings.

The music of Carl Gari - Jonas Yamer, Till Funke, and Jonas Friedlich - resists easy categorization, a trait that continues on this monumental new album. From the friction between electronic music and guitar textures, the trio forges a distinctive, idiosyncratic sound. Distorted electric guitars and pulsating basslines intertwine with analog drum machines, tape delays, and intricate effect chains, creating music that is raw, organic, and psychedelic. A new element on the album is the trio’s first use of vocals: Jonas Yamer, usually on bass, raises his voice in a punk-tinged, invented language that hints rather than narrates, unsettling more than it explains.

The cover photographs, taken by Jonas Yamer, project images of corridors onto paintings located in the now demolished house where the album was recorded. Visually, this reflects a key motif of the album: spaces exist only as overlays and echoes - not mystical ghosts, but traces of a place that has physically vanished. by @carl_gari

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a month ago

We’re happy to announce: today, the first single “Pick’n’Peel” from our self-titled Carl Gari double vinyl album is out (on Bandcamp and all usual platforms).

Recorded in the seclusion of a house in the Bavarian Forest, something unfolded that felt less like a conventional album production and more like an internal process of condensation. This house wasn’t a studio - it was a retreat. Its 1960s-inspired interiors, creaking wooden stairs, and crackling fireplace shaped the sound of Carl Gari as much as the instruments themselves. Though the house no longer exists, its atmosphere remains present in the recordings.

The album has features from @_polygonia_ , Will Brooks of @daleknwk , @cobysey , @simon.popp and Sensational. The guest artists do not merely decorate the sound - they alter its very structure at critical points.

The cover photographs, taken by @jonasyamer in the now demolished house reflect a key motif of the album: spaces exist only as overlays and echoes - not mystical ghosts, but traces of a place that has physically vanished.

With kind support by @kulturreferat.muenchen
Mixed by @j.manuel.live at @apollostudioberlin (“Pick’n’Peel”, “Canned Colleks” w/ @fadi.mohem )
Mastered & cut by @pole_stefanbetke at @scapemastering
Packaging design by @sepehrmethedetails .

Thanks to @_tenzia_ for turning the photographs into little animated videos with your AI expertise. by @carl_gari

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4 months ago

Grazie @rockerilla 🇮🇹 by @carl_gari

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3 days ago

Zeitesser feat. Simon Popp. Simon’s drumming doesn’t accompany, it insists: relentless percussion pushing against Carl Gari’s electronic undercurrent. Taken from our self-titled double vinyl album on Molten Moods. 🌀 by @carl_gari

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15 days ago

A huge warm thank you to the one and only Fusion Festival , Emil, the whole Karl Kutter team, and of course everyone who supported us so loudly during our live madness on Friday night. We’re very happy to have been part of this unique, utopian-feeling massive event once again 🚀🚀🚀 by @carl_gari

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24 days ago

We are back at the legendary open air utopia Fusion Festival. Join us for a controlled-chaotic performance including contemporary dancers on Thursday night, 2 am at Karl Kutter.

Photo: @bassam_allam by @carl_gari

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a month ago

Gracias @beatburguer by @carl_gari

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a month ago

Carl Gari feat. Sensational - “Disco Lights” out now by @carl_gari

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a month ago

“Sludgy techno” captures it pretty well. Thank you @electronicsoundmag by @carl_gari

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2 months ago

From our @ritournelle_festival x @blitz_music_club live premiere of @carl_gari and @lynneazzam by @carl_gari

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2 months ago

@thewiremagazine June 2026 💎💎💎 by @carl_gari

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3 months ago

SAT 16/05 [Start 22:00] RITOURNELLE x TUNE (Various Others Closing Party)  BLITZ  Authentically Plastic Blawan  Carl Gari (Jonas Yamer, Till Funke) & Lynne Azzam LIVE
Jonas Yamer [Molten Moos] MJK b2b Pariah  Nkisi LIVE Sarmabot Tikiman & Richard Akingbehin  Ticketlink in bio. artwork : @mirkoborsche.

featuring: Carl Gari (Jonas Yamer, Till Funke) & Lynne Azzam (📸 @zhongzixia.yao

Some collaborations begin with a plan. This one began with a feeling.
Carl Gari has always operated at the intersection of guitar music and club-driven genres — where
the physicality of a dancefloor and the intimacy of a song occupy the same space. So when
Lynne Azzam played a set after a Carl Gari concert one Munich night, something clicked. Not just
appreciation, but recognition. The kind of listening that signals a fellow obsessive.
A session followed. Then another. This project brings together Lynne with Jonas Yamer and Till
Funke — two members of Carl Gari, and the direction the band is moving toward.
Lynne’s voice doesn’t settle. It drifts between confession and abstraction, Arabic melodic
fragments surfacing through hazy indie textures. Her practice spans music, sound art, and
research — a sustained curiosity for how voice, language, and vibration travel across cultures and
disciplines. taken in BLITZ Music Club by @carl_gari

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3 months ago