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Official Instagram Account for the Centre of Cultural and Media Policies
Part of @scapvc at @uniofwarwick

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a guide to all you need to know about our Media and Creative Industries BA (Hons) course 💻🎥

designed and brought to you by Gobi Cheung @gobi_c / @yoursgobi

have a question? leave it in the comments 💬

#media #creativeindustry #creative #universityofwarwick by @ccmpswarwick

This week, we celebrated the graduation of our 4th cohort of Media and Creative Industries BA (Hons) students! 🎓

A massive congratulations to our graduates for their outstanding work for the last three years and we look forward to seeing what they do in the future! ⭐️ by @ccmpswarwick

POV: You just finished your first year at Warwick studying MCI ⭐️📷 by @ccmpswarwick

CDI TV HYBRID LIVESTREAM: AI and the Bullshittification of Work 💼🤖

📆Wednesday 18th March
⏰16:30 (4:30pm)
📍FAB 1.16 by @ccmpswarwick

Join us this Wednesday for next Research Seminar! 🎙️

Here’s a bit about it…
European reforms on cultural property restitution have overlooked a crucial aspect that should not be underestimated: the archival, digital materials and intellectual property associated with the cultural objects. Rights in these assets can vary depending on the jurisdiction of creation, who has owned them, and who holds rights vested in them, such as rights in property, contract or intellectual property. Similar to rights conflicts arising during physical restitution, these rights can clash to obstruct restitution goals and raise new questions about the ownership and management of a wide range of heritage materials. Left unresolved, new inequities will emerge around who can own, access, use, control, and commercialise these materials for decades. This article analyses the restitution landscape against another rapidly developing movement called ‘open GLAM’ (Galleries, Libraries, Archives and Museums) to digitise collections for unrestricted reuse. It outlines the utility, benefits, and harms of digitisation to restitution and makes a novel argument: restitution is incomplete unless it is approached through the lens of intellectual property to catch all analogue and digital materials and rights derived from the wrongful dispossessions. It then sets pathways to more equitable outcomes that centre epistemic justice and use existing flexibilities in private law and collections management practice.

Andrea Wallace is a Reader in Law and UK Director of the AHRC-funded GLAM-E Lab, founded in partnership with the Engelberg Center on Innovation Law and Policy at NYU Law School. Andrea works across multiple disciplines including intellectual property law, art and cultural heritage law, digital humanities, visual studies, and museum studies. As the UK Director of the GLAM-E Lab, Andrea collaborates on research with cultural institutions and organisations on emerging issues related to digitisation, intellectual property and cultural heritage management. by @ccmpswarwick

Join us tomorrow for the first Open Day of the academic year! 📸

Looking to study Media and Creative Industries here at Warwick? Here’s our schedule, so you can get a taste of our course and answers to your questions…
11:30 - Introduction and Course Overview
12:45 - A Taste of Media Lab
2:00 - Admissions Q&A
2:30 - Introduction and Course Overview (repeated)

Tomorrow is the perfect chance to get the inside scoop from our lecturers and students! Keep an eye out on our stories for updates about the day… ⭐️ by @ccmpswarwick

Welcome to the new academic year! ⭐️

We hope everyone had a fantastic first day of the new term. Follow @mciwarwick and @ccmpswarwick to keep in the loop of everything happening this year - from event updates, socials and what our students are getting up to.

#mediaandcreativeindustries #universityofwarwick @uniofwarwick by @ccmpswarwick

Last week, we found out that Media and Film Studies at Warwick has been ranked first in the UK by The Guardian University Guide 2026! ⭐️

Huge congratulations to our amazing staff and students at MCI for achieving this success! 🎓 by @ccmpswarwick

On 15th July, we celebrated the graduation our 3rd batch of Media and Creative Industries BA (Hons) students 🎉

A huge congratulations to all our graduates, and welcome to the Warwick Alumni community! We can’t wait to see where your next chapters take you 💜

Congratulations to Roseline Adusei (@roselineadusei) recipient of the Prize for Academic Achievement (Highest Overall Mark), Callum Andrews (@__calandrews), recipient of the Prize for Academic Achievement (Final Project), and to Gobi Cheung (@gobi_c), recipient of the Prize for Best Student Contribution.

#MediaAndCreativeIndustries #Graduation2025 #CreativeIndustries #WarwickGraduates #UniversityOfWarwick #Media #Graduation @uniofwarwick @scapvc

*Please note, some students were unable to attend our End of Year Drinks and are not pictured here, but they were very much missed! by @ccmpswarwick

Explore Hollow Follows 🤖🎭🧬🫀

Exhibition hosted by of AED Students @warwickaed_students

MA in Arts, Enterprise, and Development, Exhibition for the module: Project Management for Cultural Enterprises

Photographs by Luke Robert Mason

#ArtExhibition #HollowFollows #DigitalEra #PostHuman #universityofwarwick #Warwick #WarwickArts by @ccmpswarwick

Thanks for joining us at today’s Open Day 🫂We really enjoyed meeting everyone and if you have any questions make sure to message us on @mciwarwick ‼️

📹 @gobi_c (@yoursgobi)

#lifewithouttrendingaudio #withouttrendingaudio #asmr #universityofwarwick #warwickopenday #openday #creative #warwickevents #university #media by @ccmpswarwick

🚨CCMPS TERM 3 CALENDAR #5 🚨
Make sure to come check out all these amazing events before the term ends!

Swipe to see what’s on!

designed by @gobi_c / @yoursgobi

#creativecalendar #creativeevents #warwickevents #creativeindustry #universityofwarwick @uniofwarwick @scapvc by @ccmpswarwick