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CH64 Gallery

@ch64gallery

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๐˜๐˜ช๐˜ฅ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜š๐˜ถ๐˜ณ๐˜ง๐˜ข๐˜ค๐˜ฆ๐˜ด ๐–ป๐—’ ๐–ฎ๐—๐—ˆ ๐–ฒ๐—๐–พ๐—‡๐—€๐–พ๐—…๐—‚๐–บ ๐Ÿข๐Ÿจ.๐Ÿข๐Ÿจ ๏ผ ๐Ÿฃ๐Ÿฃ.๐Ÿข๐Ÿฉ
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Installation views of Niniko Morbedadzeโ€™s exhibit, which is on view through 13 December. In the Garden and Other Spaces, 2026 A quiet tension between belonging and estrangement runs through the works. Gardens, fields and distant landscapes become stages upon which human figures, animals, plants and uncanny objects coexist. Morbedadzeโ€™s protagonists are at once rooted in their surroundings and yet never entirely at home within them. Even when figures gather, a certain solitude remains. They move between works like fragments of a half-remembered story, assuming different roles with each appearance. Across the exhibition, recurring motifs of flowers, birds, insects, domestic animals, distant architecture and modes of travel create a loose visual vocabulary rather than a fixed narrative. Morbedadze leaves these symbols deliberately unresolved, allowing humour, unease, melancholy and tenderness to occupy the same image. Her spaces resist a single interpretation; instead, they invite the viewer to wander through them, much as one might wander through a garden, discovering unexpected connections while never quite knowing where one space ends and another begins. The works are woven together by Morbedadzeโ€™s masterful handling of colour and line. Pale greens, powder greens and blues, muted yellows and soft pinks give the landscapes an almost luminous delicacy, recalling the faded intensity of memory. Against these restrained grounds, passages of black, deep red and saturated blue become emphatic. Colour becomes a means of directing attention, shifting emotional gears and almost imperceptibly moving the image from tenderness towards unease. The gestures of her figures are similarly charged. Often suspended just before or after an action, these gestures resist explanation and within Morbedadzeโ€™s carefully constructed spaces, the smallest movement can become the centre of an entire scene. แƒœแƒ˜แƒœแƒ˜แƒ™แƒ แƒ›แƒแƒ แƒ‘แƒ”แƒ“แƒแƒซแƒ” | Niniko Morbedadze แƒ‘แƒแƒฆแƒกแƒ แƒ“แƒ แƒกแƒฎแƒ•แƒ แƒกแƒ˜แƒ•แƒ แƒชแƒ”แƒ”แƒ‘แƒจแƒ˜ | In the Garden and Other Spaces, 2026 แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 13 แƒ“แƒ”แƒ™แƒ”แƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 13 December. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ by @ch64gallery
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2 days ago
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Installation views of Niniko Morbedadzeโ€™s exhibition at CH64 Gallery. The show is on view through 13th December. | แƒ˜แƒœแƒกแƒขแƒแƒšแƒแƒชแƒ˜แƒ˜แƒก แƒฎแƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ แƒ›แƒ˜แƒ›แƒ“แƒ˜แƒœแƒแƒ แƒ” แƒœแƒ˜แƒœแƒ˜แƒ™แƒ แƒ›แƒแƒ แƒ‘แƒ”แƒ“แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒ“แƒแƒœ. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 13 แƒ“แƒ”แƒ™แƒ”แƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. In the Garden and Other Spaces, 2026 A quiet tension between belonging and estrangement runs through the works. Gardens, fields and distant landscapes become stages upon which human figures, animals, plants and uncanny objects coexist. Morbedadzeโ€™s protagonists are at once rooted in their surroundings and yet never entirely at home within them. Even when figures gather, a certain solitude remains. They move between works like fragments of a half-remembered story, assuming different roles with each appearance. Across the exhibition, recurring motifs of flowers, birds, insects, domestic animals, distant architecture and modes of travel create a loose visual vocabulary rather than a fixed narrative. Morbedadze leaves these symbols deliberately unresolved, allowing humour, unease, melancholy and tenderness to occupy the same image. Her spaces resist a single interpretation; instead, they invite the viewer to wander through them, much as one might wander through a garden, discovering unexpected connections while never quite knowing where one space ends and another begins. The works are woven together by Morbedadzeโ€™s masterful handling of colour and line. Pale greens, powder greens and blues, muted yellows and soft pinks give the landscapes an almost luminous delicacy, recalling the faded intensity of memory. Against these restrained grounds, passages of black, deep red and saturated blue become emphatic. Colour becomes a means of directing attention, shifting emotional gears and almost imperceptibly moving the image from tenderness towards unease. The gestures of her figures are similarly charged. Often suspended just before or after an action, these gestures resist explanation and within Morbedadzeโ€™s carefully constructed spaces, the smallest movement can become the centre of an entire scene. Images by Sera Dzneladze Niniko Morbedadze In the Garden and Other Spaces, 2026 A quiet tension between belonging and estrangemen taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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6 days ago
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แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒก, 9 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ”แƒ แƒก 18:00 แƒกแƒแƒแƒ—แƒ–แƒ” แƒ’แƒ”แƒžแƒแƒขแƒ˜แƒŸแƒ”แƒ‘แƒ˜แƒ— แƒœแƒ˜แƒœแƒ˜แƒ™แƒ แƒ›แƒแƒ แƒ‘แƒ”แƒ“แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒก แƒ’แƒแƒฎแƒกแƒœแƒแƒ–แƒ” | We are pleased to invite you to Niniko Morbedadzeโ€™s exhibition opening on Friday, 9 October at 18:00. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 13 แƒ“แƒ”แƒ™แƒ”แƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 13 December. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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11 days ago
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Installation view of Sopho Mamaladzeโ€™s (b. 2001, Tbilisi) exhibition Silent Archetypes แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Silent Archetypes is, at once, both a surrender and a prayer. The works carry forward a narrative not merely of struggle, but of survival, transition, and transformation. Each work reflects an inner state at the moment of confluence between reality and imagination. The series emerges from a dialogue with the subconscious, with archetypes, and with the remnants of ancient worlds that continue to live within our bodies and memories. These works speak to the silent monologues each of us carries within. They do not offer answers, but pose questions that may become clues along the way. The visual language of the series draws deeply on mythology and symbolism to express and invoke the invisible forces that operate throughout our daily lives, forces that exist beyond words and remain eternally alive within us. Myths are not remnants of the past; they are alive. They are dreams that have traveled beyond our time, places where humans, animals, and memory merge into one another. Flesh, fur, wings, eyes, roots, colour, everything speaks the same language. Forms merge and fuse, creating a space where beings seek survival through transformation, becoming one another. Figures dissolve into fragments, yet it is within this fragmentation that the story is concealed: separation, return, survival. Images by Sera Dzneladze Installation view of Sopho Mamaladzeโ€™s (b. 2001, Tbilisi) exhibition Silent Archetypes. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavc taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
1
18 days ago
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Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes The way of Metamorphosis, 2025 Oil on canvas 200 x 160 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes Transparent Wings, 2025 Mixed media on wood 31 x 31.5 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes Green meadow, 2025 Mixed media on wood 26 x 30 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes What lingers beyond the flesh, 2025 Oil on canvas 165 x 187 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes Sacrifice, 2026 Mixed media on wood 28 x 30 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:0 taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
2
25 days ago
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Installation views of Sopho Mamaladzeโ€™s (b. 2001, Tbilisi) Silent Archetypes | แƒกแƒแƒคแƒ แƒ›แƒแƒ›แƒแƒšแƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒก, โ€˜แƒ›แƒ“แƒฃแƒ›แƒแƒ แƒ” แƒแƒ แƒฅแƒ”แƒขแƒ˜แƒžแƒ”แƒ‘แƒ˜โ€™-แƒก แƒ˜แƒœแƒกแƒขแƒแƒšแƒแƒชแƒ˜แƒ˜แƒก แƒฎแƒ”แƒ“แƒ”แƒ‘แƒ˜. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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25 days ago
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Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes What do braids tell us?, 2025 Oil on canvas 169 x 156 cm. A field of forgotten dreams, 2026 Oil on canvas 77.5 x 85 cm. Self portrait, 2025 Mixed media on wood 25 x 25 cm. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Images by Sera Dzneladze by @ch64gallery
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a month ago
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Sopho Mamaladze (b. 2001, Tbilisi) Silent Archetypes แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 4 แƒแƒฅแƒขแƒแƒ›แƒ‘แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 4 October. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue Silent Archetypes is, at once, both a surrender and a prayer. The works carry forward a narrative not merely of struggle, but of survival, transition, and transformation. Each work reflects an inner state at the moment of confluence between reality and imagination. The series emerges from a dialogue with the subconscious, with archetypes, and with the remnants of ancient worlds that continue to live within our bodies and memories. These works speak to the silent monologues each of us carries within. They do not offer answers, but pose questions that may become clues along the way. The visual language of the series draws deeply on mythology and symbolism to express and invoke the invisible forces that operate throughout our daily lives, forces that exist beyond words and remain eternally alive within us. Myths are not remnants of the past; they are alive. They are dreams that have traveled beyond our time, places where humans, animals, and memory merge into one another. Flesh, fur, wings, eyes, roots, colour, everything speaks the same language. Forms merge and fuse, creating a space where beings seek survival through transformation, becoming one another. Figures dissolve into fragments, yet it is within this fragmentation that the story is concealed: separation, return, survival. Images by Sera Dzneladze by @ch64gallery
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a month ago
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แƒ˜แƒœแƒกแƒขแƒแƒšแƒแƒชแƒ˜แƒ˜แƒก แƒฎแƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒแƒ—แƒ แƒจแƒ”แƒœแƒ’แƒ”แƒšแƒ˜แƒแƒก (แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜, 1991) แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒ“แƒแƒœ โ€žแƒคแƒแƒ แƒฃแƒšแƒ˜ แƒ–แƒ”แƒ“แƒแƒžแƒ˜แƒ แƒ”แƒ‘แƒ˜โ€œ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ 2026 แƒฌแƒšแƒ˜แƒก 6 แƒ˜แƒ•แƒœแƒ˜แƒกแƒ˜แƒ“แƒแƒœ 19 แƒ˜แƒ•แƒšแƒ˜แƒกแƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒ˜แƒงแƒ แƒฌแƒแƒ แƒ›แƒแƒ“แƒ’แƒ”แƒœแƒ˜แƒšแƒ˜. Installation views from Oto Shengeliaโ€™s (b. 1991, Tbilisi) exhibiton โ€˜Hidden Surfacesโ€™. The show was on view at CH64 Gallery from 6 June to 19 July, 2026. แƒแƒ—แƒ แƒจแƒ”แƒœแƒ’แƒ”แƒšแƒ˜แƒ (แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜, 1991) แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ โ€žแƒคแƒแƒ แƒฃแƒšแƒ˜ แƒ–แƒ”แƒ“แƒแƒžแƒ˜แƒ แƒ”แƒ‘แƒ˜โ€œ แƒ”แƒฅแƒ•แƒกแƒ˜ แƒกแƒ™แƒฃแƒšแƒžแƒขแƒฃแƒ แƒฃแƒšแƒ˜ แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ˜แƒกแƒ’แƒแƒœ แƒจแƒ”แƒ“แƒ’แƒ”แƒ‘แƒ. แƒฌแƒแƒ แƒ›แƒแƒ“แƒ’แƒ”แƒœแƒ˜แƒšแƒ˜ แƒกแƒ™แƒฃแƒšแƒžแƒขแƒฃแƒ แƒ”แƒ‘แƒ˜ แƒฉแƒแƒ แƒฉแƒแƒก, แƒกแƒแƒ แƒ™แƒ”แƒกแƒ แƒ“แƒ แƒคแƒ”แƒ แƒฌแƒ”แƒ แƒแƒก แƒแƒ”แƒ แƒ—แƒ˜แƒแƒœแƒ”แƒ‘แƒ”แƒœ แƒ“แƒ แƒฅแƒ›แƒœแƒ˜แƒแƒœ แƒกแƒ˜แƒ•แƒ แƒชแƒ˜แƒ— แƒแƒ‘แƒ˜แƒ”แƒฅแƒขแƒ”แƒ‘แƒก, แƒ แƒแƒ›แƒšแƒ”แƒ‘แƒ˜แƒช แƒ”แƒ แƒ—แƒ“แƒ แƒแƒฃแƒšแƒแƒ“ แƒแƒงแƒแƒšแƒ˜แƒ‘แƒ”แƒ‘แƒ”แƒœ แƒ“แƒ แƒแƒœแƒ’แƒ แƒ”แƒ•แƒ”แƒœ แƒคแƒแƒ แƒ›แƒแƒก. แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒ˜ แƒ”แƒ แƒ—แƒ›แƒแƒœแƒ”แƒ—แƒก แƒ™แƒ•แƒ”แƒ—แƒ”แƒœ แƒ“แƒ แƒฌแƒแƒ แƒ›แƒแƒจแƒแƒ‘แƒ”แƒœ แƒ’แƒแƒ›แƒแƒกแƒแƒฎแƒฃแƒšแƒ”แƒ‘แƒ”แƒ‘แƒก, แƒ แƒแƒ›แƒšแƒ”แƒ‘แƒจแƒ˜แƒช แƒแƒ แƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒงแƒ•แƒ”แƒšแƒ แƒ›แƒแƒกแƒแƒšแƒ แƒ—แƒแƒœแƒแƒ‘แƒแƒ  แƒ›แƒœแƒ˜แƒจแƒ•แƒœแƒ”แƒšแƒแƒ‘แƒแƒก แƒ˜แƒซแƒ”แƒœแƒก, แƒ˜แƒฅแƒœแƒ”แƒ‘แƒ แƒ”แƒก แƒคแƒ”แƒ แƒฌแƒ”แƒ แƒ, แƒฎแƒ” แƒ—แƒฃ แƒกแƒแƒ แƒ™แƒ”. แƒ—แƒ˜แƒ—แƒแƒ”แƒฃแƒšแƒ˜ แƒ“แƒ”แƒขแƒแƒšแƒ˜ แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒก แƒ แƒแƒ’แƒแƒ แƒช แƒกแƒฎแƒ”แƒฃแƒšแƒ˜แƒก แƒœแƒแƒฌแƒ˜แƒšแƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒกแƒแƒ™แƒฃแƒ—แƒแƒ  แƒคแƒฃแƒœแƒฅแƒชแƒ˜แƒแƒกแƒ แƒ“แƒ แƒ›แƒœแƒ˜แƒจแƒ•แƒœแƒ”แƒšแƒแƒ‘แƒแƒก แƒ›แƒฎแƒแƒšแƒแƒ“ แƒกแƒฎแƒ•แƒ แƒ”แƒšแƒ”แƒ›แƒ”แƒœแƒขแƒ”แƒ‘แƒ—แƒแƒœ แƒ™แƒแƒ•แƒจแƒ˜แƒ แƒจแƒ˜ แƒแƒ•แƒšแƒ”แƒœแƒก. แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒจแƒ˜ แƒฃแƒ แƒ—แƒ˜แƒ”แƒ แƒ—แƒกแƒแƒžแƒ˜แƒ แƒ˜แƒกแƒžแƒ˜แƒ แƒ แƒ—แƒ•แƒ˜แƒกแƒ”แƒ‘แƒ”แƒ‘แƒ˜แƒกแƒ แƒ“แƒ แƒ’แƒแƒœแƒกแƒฎแƒ•แƒแƒ•แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ›แƒแƒกแƒแƒšแƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒ แƒฌแƒงแƒ›แƒ แƒฌแƒแƒ แƒ›แƒแƒฅแƒ›แƒœแƒ˜แƒก แƒ•แƒ˜แƒ–แƒฃแƒแƒšแƒฃแƒ  แƒ’แƒแƒ แƒ”แƒ›แƒแƒก, แƒกแƒแƒ“แƒแƒช แƒจแƒ”แƒฃแƒ—แƒแƒ•แƒกแƒ”แƒ‘แƒ”แƒšแƒ˜ แƒ˜แƒ“แƒ”แƒœแƒขแƒแƒ‘แƒ”แƒ‘แƒ˜ แƒ—แƒแƒœแƒแƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ”แƒœ แƒ“แƒ แƒแƒฎแƒแƒš แƒ›แƒ—แƒšแƒ˜แƒแƒœแƒแƒ‘แƒแƒ“ แƒ’แƒ•แƒ”แƒ•แƒšแƒ˜แƒœแƒ”แƒ‘แƒ˜แƒแƒœ. Oto Shengelia (b. 1991, Tbilisi) The exhibition โ€œHidden Surfacesโ€ brings together six sculptural works. The pieces are constructed from a combination of frames, mirrors, and paintings, resulting in spatial objects that simultaneously construct and destroy form. Each piece intersects with itself to create images in which all materials are of equal importance, be it painting, wood, or mirror. Every element acts as a part of a single body and reveals its function and meaning in conjunction with other elements. The combination of opposing qualities and different materials in the works creates a visual environment where incompatible identities coexist as a new whole. taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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2 months ago
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แƒ˜แƒœแƒกแƒขแƒแƒšแƒแƒชแƒ˜แƒ˜แƒก แƒฎแƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒแƒ—แƒ แƒจแƒ”แƒœแƒ’แƒ”แƒšแƒ˜แƒแƒก (แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜, 1991) แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒ“แƒแƒœ โ€žแƒคแƒแƒ แƒฃแƒšแƒ˜ แƒ–แƒ”แƒ“แƒแƒžแƒ˜แƒ แƒ”แƒ‘แƒ˜โ€œ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ 2026 แƒฌแƒšแƒ˜แƒก 6 แƒ˜แƒ•แƒœแƒ˜แƒกแƒ˜แƒ“แƒแƒœ 19 แƒ˜แƒ•แƒšแƒ˜แƒกแƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒ˜แƒงแƒ แƒฌแƒแƒ แƒ›แƒแƒ“แƒ’แƒ”แƒœแƒ˜แƒšแƒ˜. | Installation views from Oto Shengeliaโ€™s (b. 1991, Tbilisi) exhibiton โ€˜Hidden Surfacesโ€™. On view at CH64 Gallery from 6 June to 19 July, 2026. แƒแƒ—แƒ แƒจแƒ”แƒœแƒ’แƒ”แƒšแƒ˜แƒ (แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜, 1991) แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ โ€žแƒคแƒแƒ แƒฃแƒšแƒ˜ แƒ–แƒ”แƒ“แƒแƒžแƒ˜แƒ แƒ”แƒ‘แƒ˜โ€œ แƒ”แƒฅแƒ•แƒกแƒ˜ แƒกแƒ™แƒฃแƒšแƒžแƒขแƒฃแƒ แƒฃแƒšแƒ˜ แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ˜แƒกแƒ’แƒแƒœ แƒจแƒ”แƒ“แƒ’แƒ”แƒ‘แƒ. แƒฌแƒแƒ แƒ›แƒแƒ“แƒ’แƒ”แƒœแƒ˜แƒšแƒ˜ แƒกแƒ™แƒฃแƒšแƒžแƒขแƒฃแƒ แƒ”แƒ‘แƒ˜ แƒฉแƒแƒ แƒฉแƒแƒก, แƒกแƒแƒ แƒ™แƒ”แƒกแƒ แƒ“แƒ แƒคแƒ”แƒ แƒฌแƒ”แƒ แƒแƒก แƒแƒ”แƒ แƒ—แƒ˜แƒแƒœแƒ”แƒ‘แƒ”แƒœ แƒ“แƒ แƒฅแƒ›แƒœแƒ˜แƒแƒœ แƒกแƒ˜แƒ•แƒ แƒชแƒ˜แƒ— แƒแƒ‘แƒ˜แƒ”แƒฅแƒขแƒ”แƒ‘แƒก, แƒ แƒแƒ›แƒšแƒ”แƒ‘แƒ˜แƒช แƒ”แƒ แƒ—แƒ“แƒ แƒแƒฃแƒšแƒแƒ“ แƒแƒงแƒแƒšแƒ˜แƒ‘แƒ”แƒ‘แƒ”แƒœ แƒ“แƒ แƒแƒœแƒ’แƒ แƒ”แƒ•แƒ”แƒœ แƒคแƒแƒ แƒ›แƒแƒก. แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒ˜ แƒ”แƒ แƒ—แƒ›แƒแƒœแƒ”แƒ—แƒก แƒ™แƒ•แƒ”แƒ—แƒ”แƒœ แƒ“แƒ แƒฌแƒแƒ แƒ›แƒแƒจแƒแƒ‘แƒ”แƒœ แƒ’แƒแƒ›แƒแƒกแƒแƒฎแƒฃแƒšแƒ”แƒ‘แƒ”แƒ‘แƒก, แƒ แƒแƒ›แƒšแƒ”แƒ‘แƒจแƒ˜แƒช แƒแƒ แƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒงแƒ•แƒ”แƒšแƒ แƒ›แƒแƒกแƒแƒšแƒ แƒ—แƒแƒœแƒแƒ‘แƒแƒ  แƒ›แƒœแƒ˜แƒจแƒ•แƒœแƒ”แƒšแƒแƒ‘แƒแƒก แƒ˜แƒซแƒ”แƒœแƒก, แƒ˜แƒฅแƒœแƒ”แƒ‘แƒ แƒ”แƒก แƒคแƒ”แƒ แƒฌแƒ”แƒ แƒ, แƒฎแƒ” แƒ—แƒฃ แƒกแƒแƒ แƒ™แƒ”. แƒ—แƒ˜แƒ—แƒแƒ”แƒฃแƒšแƒ˜ แƒ“แƒ”แƒขแƒแƒšแƒ˜ แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒก แƒ แƒแƒ’แƒแƒ แƒช แƒกแƒฎแƒ”แƒฃแƒšแƒ˜แƒก แƒœแƒแƒฌแƒ˜แƒšแƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒกแƒแƒ™แƒฃแƒ—แƒแƒ  แƒคแƒฃแƒœแƒฅแƒชแƒ˜แƒแƒกแƒ แƒ“แƒ แƒ›แƒœแƒ˜แƒจแƒ•แƒœแƒ”แƒšแƒแƒ‘แƒแƒก แƒ›แƒฎแƒแƒšแƒแƒ“ แƒกแƒฎแƒ•แƒ แƒ”แƒšแƒ”แƒ›แƒ”แƒœแƒขแƒ”แƒ‘แƒ—แƒแƒœ แƒ™แƒแƒ•แƒจแƒ˜แƒ แƒจแƒ˜ แƒแƒ•แƒšแƒ”แƒœแƒก. แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒจแƒ˜ แƒฃแƒ แƒ—แƒ˜แƒ”แƒ แƒ—แƒกแƒแƒžแƒ˜แƒ แƒ˜แƒกแƒžแƒ˜แƒ แƒ แƒ—แƒ•แƒ˜แƒกแƒ”แƒ‘แƒ”แƒ‘แƒ˜แƒกแƒ แƒ“แƒ แƒ’แƒแƒœแƒกแƒฎแƒ•แƒแƒ•แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ›แƒแƒกแƒแƒšแƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒ แƒฌแƒงแƒ›แƒ แƒฌแƒแƒ แƒ›แƒแƒฅแƒ›แƒœแƒ˜แƒก แƒ•แƒ˜แƒ–แƒฃแƒแƒšแƒฃแƒ  แƒ’แƒแƒ แƒ”แƒ›แƒแƒก, แƒกแƒแƒ“แƒแƒช แƒจแƒ”แƒฃแƒ—แƒแƒ•แƒกแƒ”แƒ‘แƒ”แƒšแƒ˜ แƒ˜แƒ“แƒ”แƒœแƒขแƒแƒ‘แƒ”แƒ‘แƒ˜ แƒ—แƒแƒœแƒแƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ”แƒœ แƒ“แƒ แƒแƒฎแƒแƒš แƒ›แƒ—แƒšแƒ˜แƒแƒœแƒแƒ‘แƒแƒ“ แƒ’แƒ•แƒ”แƒ•แƒšแƒ˜แƒœแƒ”แƒ‘แƒ˜แƒแƒœ. Oto Shengelia (b. 1991, Tbilisi) The exhibition โ€œHidden Surfacesโ€ brings together six sculptural works. The pieces are constructed from a combination of frames, mirrors, and paintings, resulting in spatial objects that simultaneously construct and destroy form. Each piece intersects with itself to create images in which all materials are of equal importance, be it painting, wood, or mirror. Every element acts as a part of a single body and reveals its function and meaning in conjunction with other elements. The combination of opposing qualities and different materials in the works creates a visual environment where incompatible identities coexist as a new whole. taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
2
2 months ago
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Last weekend to see ๐˜›๐˜ฉ๐˜ช๐˜ฏ ๐˜š๐˜ฉ๐˜ฆ๐˜ญ๐˜ญ ๐–ป๐—’ ๐–ฌ๐–บ๐—‹๐—‚๐–บ๐—† ๐–ฒ๐–บ๐—„๐—‡๐–พ๐—…๐–บ๐—Œ๐—๐—๐—‚๐—…๐—‚ (๐–ป. ๐Ÿค๐Ÿข๐Ÿข๐Ÿค, ๐–ณ๐–ป๐—‚๐—…๐—‚๐—Œ๐—‚). แƒ›แƒแƒ แƒ˜แƒแƒ› แƒกแƒแƒ™แƒœแƒ”แƒšแƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ โ€œแƒ—แƒฎแƒ”แƒšแƒ˜ แƒ™แƒแƒ แƒ™แƒแƒกแƒ˜โ€ แƒ™แƒ•แƒ˜แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. ๐˜œ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ญ๐˜ฆ๐˜ฅ ๐Ÿค๐Ÿข๐Ÿค๐Ÿง ๐–ฆ๐–บ๐—‡๐—Œ๐–บ๐—‚ ๐—‰๐–บ๐—‚๐—‡๐— ๐–บ๐—‡๐–ฝ ๐—€๐—‹๐–บ๐—‰๐—๐—‚๐—๐–พ ๐—ˆ๐—‡ ๐—๐–บ๐—Œ๐—๐—‚ ๐—‰๐–บ๐—‰๐–พ๐—‹ ๐Ÿค๐Ÿฆ.๐Ÿง ๐—‘ ๐Ÿฃ๐Ÿช ๐–ผ๐—†. ๐˜๐˜ข๐˜ญ๐˜ญ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜‰๐˜ช๐˜จ ๐˜›๐˜ณ๐˜ฆ๐˜ฆ ๐Ÿค๐Ÿข๐Ÿค๐Ÿจ ๐–ฆ๐–บ๐—‡๐—Œ๐–บ๐—‚ ๐—‰๐–บ๐—‚๐—‡๐— ๐—ˆ๐—‡ ๐—‰๐–บ๐—‹๐–ผ๐—๐—†๐–พ๐—‡๐— ๐—‰๐–บ๐—‰๐–พ๐—‹, ๐—๐—ˆ๐—ˆ๐–ฝ ๐Ÿจ๐Ÿฃ ๐—‘ ๐Ÿฃ๐Ÿค๐Ÿช.๐Ÿง ๐–ผ๐—†. แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 24 แƒ›แƒแƒ˜แƒกแƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 24 May. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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5 months ago
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๐–ณ๐—๐–พ๐—Œ๐–พ ๐—๐—ˆ๐—‹๐—„๐—Œ ๐–ป๐—’ ๐–ฌ๐–บ๐—‹๐—‚๐–บ๐—† ๐–ฒ๐–บ๐—„๐—‡๐–พ๐—…๐–บ๐—Œ๐—๐—๐—‚๐—…๐—‚ (๐–ป. ๐Ÿค๐Ÿข๐Ÿข๐Ÿค, ๐–ณ๐–ป๐—‚๐—…๐—‚๐—Œ๐—‚) ๐–บ๐—‹๐–พ ๐—‰๐–บ๐—‹๐— ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐—ˆ๐—‡๐—€๐—ˆ๐—‚๐—‡๐—€ ๐–พ๐—‘๐—๐—‚๐–ป๐—‚๐—๐—‚๐—ˆ๐—‡ ๐˜›๐˜ฉ๐˜ช๐˜ฏ ๐˜š๐˜ฉ๐˜ฆ๐˜ญ๐˜ญ ๐—ˆ๐—‡ ๐—๐—‚๐–พ๐— ๐—๐—๐—‹๐—ˆ๐—Ž๐—€๐— ๐—๐—๐—‚๐—Œ ๐–ฒ๐—Ž๐—‡๐–ฝ๐–บ๐—’, ๐–ฌ๐–บ๐—’ ๐Ÿค๐Ÿฆ๐—๐—. | แƒ›แƒแƒ แƒ˜แƒแƒ› แƒกแƒแƒ™แƒœแƒ”แƒšแƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒ”แƒก แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒ˜ แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ— แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ แƒ›แƒ˜แƒ›แƒ“แƒ˜แƒœแƒแƒ แƒ” แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ˜แƒก โ€œแƒ—แƒฎแƒ”แƒšแƒ˜ แƒ™แƒแƒ แƒ™แƒแƒกแƒ˜โ€-แƒก แƒคแƒแƒ แƒ’แƒšแƒ”แƒ‘แƒจแƒ˜, แƒ™แƒ•แƒ˜แƒ แƒ˜แƒก, 24 แƒ›แƒแƒ˜แƒกแƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ—. ๐˜œ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ญ๐˜ฆ๐˜ฅ ๐Ÿค๐Ÿข๐Ÿค๐Ÿฆ ๐–ฆ๐–บ๐—‡๐—Œ๐–บ๐—‚ ๐—‰๐–บ๐—‚๐—‡๐— ๐—ˆ๐—‡ ๐—๐–บ๐—Œ๐—๐—‚ ๐—‰๐–บ๐—‰๐–พ๐—‹ ๐Ÿฅ๐Ÿค.๐Ÿฅ ๐—‘ ๐Ÿค๐Ÿฆ.๐Ÿง ๐–ผ๐—†. ๐˜œ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ญ๐˜ฆ๐˜ฅ ๐Ÿค๐Ÿข๐Ÿค๐Ÿฆ ๐–ฆ๐–บ๐—‡๐—Œ๐–บ๐—‚ ๐—‰๐–บ๐—‚๐—‡๐— ๐—ˆ๐—‡ ๐—๐—ˆ๐—ˆ๐–ฝ ๐Ÿฅ๐Ÿฆ ๐—‘ ๐Ÿค๐Ÿฆ.๐Ÿฉ ๐–ผ๐—†๏ผŽ แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ 24 แƒ›แƒแƒ˜แƒกแƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ— แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒ˜แƒฎแƒ˜แƒšแƒแƒ—. | The exhibition is on view through 24 May. แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ แƒฆแƒ˜แƒแƒ: 12:00 - 19:00 (15:20-16:00 แƒจแƒ”แƒกแƒ•แƒ”แƒœแƒ”แƒ‘แƒ) แƒกแƒแƒ›แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒฎแƒฃแƒ—แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒžแƒแƒ แƒแƒกแƒ™แƒ”แƒ•แƒ˜ | แƒจแƒแƒ‘แƒแƒ—แƒ˜ | แƒ™แƒ•แƒ˜แƒ แƒ Gallery Hours: 12:00 - 19:00 (break 15:20-16:00) Tue I Wed I Thu | Fri | Sat | Sun ๐Ÿ“ 64แƒ‘ แƒ˜. แƒญแƒแƒ•แƒญแƒแƒ•แƒแƒซแƒ˜แƒก แƒ’แƒแƒ›แƒ–แƒ˜แƒ แƒ˜ | 64b I. Chavchavadze Avenue taken in CH64 Gallery - แƒกแƒ˜แƒ”แƒ˜แƒฉ64 แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ by @ch64gallery
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5 months ago
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