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Milano / NYC / Sardinia
Graphic Design and Research Practice
Designer at @studiolin
Also @utopianprimitive
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Luca Pacioli: Ancient Double-Entry Bookkeeping, published by Mercury. @mercuryfi 

A contemporary republication of John B. Geijsbeek’s 1914 English translation of Luca Pacioli’s landmark 1494 treatise on bookkeeping. Redesigned and newly typeset at the exact dimensions of the original 1914 edition, the book brings the translation together with original pages, diagrams and historical material in a new editorial structure.

Pacioli’s text was the first printed description of double-entry bookkeeping, codifying the system of debits, credits, journals and ledgers that became foundational to modern accounting. The subject has particular relevance for Mercury, whose financial tools for businesses are built on many of these same underlying principles.

The section-sewn hardcover features an exposed spine, silver foil typography and a violet-painted top edge, and is housed in a flexographically printed box.

Published by @mercuryfi 
Edited by Sarah Robinson
Design by @studiolin
Printed and bound by Ofset Yapimevi, Istanbul by @chiaraaalexandra
13
9 days ago
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Kid Echo, a new photobook by Park Sung Jin @parksungjinx published by @session_press / @miwasusuda.

Photographed throughout the early 2000s, the book brings together previously unpublished portraits of teenagers in Seoul and its outskirts, returning to the world Park first explored in Kid Nostalgia.

The hardcover is wrapped in a four-flap dust jacket.
Instead of page numbers, the book numbers the people themselves. Each subject receives a number, including each individual within a shared portrait, with an index connecting them to place and year. 

Photographs by @parksungjinx
Published by @session_press
Design by @studiolin
Interview by Marc Feustel
Edited by Susanna Chang
Lithography by Sebastiaan Hanekroot, Colour & Book
Production by Jos Morree, Fine Books
Printed by Wilco Art Books by @chiaraaalexandra
25
11 days ago
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Studio Lin designed TRÁNSITO, a full-color photographic monograph by Roberto Tondopó, published by Capricious.

Rooted in personal history and collective tradition, TRÁNSITO weaves together the death of Tondopó’s father — named Tránsito and born in Chiapa de Corzo, Chiapas, Mexico — with the artist’s participation in the Fiesta Grande, a local celebration held in honor of Saint Sebastian. Central to the festival is the Chuntá tradition, in which men dress as women in a celebratory ritual of gender performance. By becoming a Chuntá himself, Tondopó offers both a tribute to his father and a reflection on mourning as metamorphosis.

The book’s interior pages have an untrimmed head, giving the object a more tactile and three dimensional presence. The cover features a photo that wraps around the top edge, and was produced in three variants, making each copy part of a limited edition of 500.

Contributors / credits:
Artist: Roberto Tondopó @tondopo 
Design: @studiolin
Publisher: Capricious Publishing @capriciousfoundation
Editor: Fernando Gallegos @gallegosfer 
Essay: Roberto Tondopó
Essay editor: Duen Neka’hen Sacchi
Translation: Beatriz Llenín Figueroa
Printing: Ofset Yapimevi @ofset.yapimevi 

Book specs:
208 pages
7.5 × 10 inches
Full color
Untrimmed head
Cover sticker wrapping around top edge
Three cover variants
Limited edition of 500 by @chiaraaalexandra
8
4 months ago
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Studio Lin designed the fully illustrated catalogue for Martin Wong: Chinatown USA, the first U.S. monographic museum exhibition of Martin Wong since 2017. Spanning several decades of work, the book presents Wong’s plates roughly chronologically, with essays discussing each decade of his practice. A to-scale visual index gives readers a direct sense of the physical range of the work, while PMS yellow Magno Gloss sections — including multiple foldouts — contain supporting illustrations and contextual visual material. The book is constructed as a Smyth-sewn exposed book block with a folded poster jacket, extending the interior material language to the exterior.

Contributors / credits:
Artist: Martin Wong
Design: @studiolin
Editor: @nakamoriyasufumi
Curators: @nakamoriyasufumi with Ashley Janke
Essays: Solomon Adler, Lisa Hsiao Chen @lisachichen, Mark D. Johnson, Vivian Li @floatingcomma, Margo Machida , Lydia Yee
Publisher: Halsted A&A Foundation and @gregoryrmiller
Exhibition: @wrightwood659
Estate/gallery: @ppowgallery
Printing: @graphiusgroup

Book specs:
Smyth-sewn exposed book block
Folded poster jacket
Papers: Munken @munkenpaper Print Cream, Fedrigoni @fedrigoni.paper Tatami, Magno Gloss

#MartinWong #MartinWongChinatownUSA #ChinatownUSA by @chiaraaalexandra
29
4 months ago
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“Nature Never Loses” surveys over 60 years of artist Carl Cheng’s work. Presented chronologically, each project’s images are organized into groupings and laid out like columns of text with one caption at the bottom of each image stack. Carl Cheng’s voice is present throughout the book in a custom cut of Courier starting from the cover. 

Studio Lin also designed the exhibition that opened in Austin and has toured to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Bonnefanten, Maastricht; Museum Tinguely, Basel; and the Institute of Contemporary Art, Los Angeles (2024–2027).

Published by @jrpeditions. 448 pages with corrugated flexography printed board sleeve. 

Designed in collaboration with Curator Alex Klein @apkapkapk and Rachel Eboh @sweetbabyrach. 

Edited by Alex Klein and Rachel Eboh with Jennifer Krasinski @prettiestmetals.

With contributions from Carl Cheng, Joel Ferree, Alex Klein, Gloria Sutton, Celien Govaerts, Andres Pardey, Amanda Sroka, and Rachel Eboh.

Printed by Wilco/Jos Morree @wilco_artbooks 
Color separations by @colourandbooks by @chiaraaalexandra
24
9 months ago
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Visual identity for @asif__roma, gallery and radio based in Trastevere (RM). The typographic system is based on the Utopensium alphabet by Thomas More, published in 1516 (2, 5).

Designed by @chiaraaalexandra and @riccardo__savioli

(Website slides show an unselected, unpublished proposal) by @chiaraaalexandra
5
15 days ago
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structuring a giant taken in Tomba Dei Giganti by @chiaraaalexandra
3
5 years ago
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La mostra a @panoramavenezia è finita ma il suo odore ritorna con ogni pioggia improvvisa. Se avete con voi uno dei 60 ephemera, lasciate che si bagni: ogni goccia ne rivelerá la fonte. E non temete, la sua traccia rimarrà vivida anche quando invisibile, pronta ad emergere ancora ovunque siate. ✴️ Salizada San Francesco 3155, 30122 Venezia VE

Graphic Design: @chiaraaalexandra
Fragrance Design: Alessia Ugolin
Foto: one and only @g.i.a.c.o.m.o.b.i.a.n.c.o 
Rain Design: @marta.magini by @chiaraaalexandra
0
2 years ago
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taken in Santuario nuragico di Abini by @chiaraaalexandra
0
5 years ago
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