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Cinematic Giants

@cinematicgiants

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The #1 destination for cinematic music. 🎬
Soundtracks, artists & stories from film, games & TV.
More than a blog.

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Limit State close their album with “Eleos,” a heavy instrumental born from grief and eventually understood as a piece about mercy and healing. Distorted guitar drones, percussion and an apocalyptic atmosphere keep the tension intact.

Read the full review at Cinematic Giants. by @cinematicgiants

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15 days ago

SIENNÁ connects nature and electronic experimentation on EMA, an album shaped by walks through Kyoto’s Kibune valley and Ischia. Across its opening tracks, trip-hop, club rhythms, strings, guitar and processed voice appear in different combinations.

Read the full review at Cinematic Giants. by @cinematicgiants

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16 days ago

The Wow Wows bring distorted guitar, filtered vocals and a dark psychedelic edge to “I Am Your Man.” The hook gives the song an action feel, while its nostalgic streak ties back to the band’s older influences.

Read the full review at Cinematic Giants. by @cinematicgiants

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15 days ago

FORRM gives “PALAZZO” an indie-rock groove with funkier edges, a nostalgic feel and steady movement from start to finish. The track leaves plenty of room for scenes built around travel, arrival or transition.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

50mething made “Obsession” alone in his home studio, turning his own fixation with music into a smooth mix of funk and soul. Bass, guitar, keys and harmonised vocals keep the arrangement full without overloading it.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

Dan Webb’s “Thai Basil” pairs a funky synth bassline with jazzy brass and an horn line so difficult it had to be recorded in sections. The instrumental builds toward a dense, psychedelic ending without losing its feel-good energy.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

Hamish revisits “Singing In My Soul,” first released in 1999 and now returning ahead of Significant Others, his first album in 27 years. Warm acoustic guitar, an upfront vocal and a strong melody keep the song as direct as ever.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

Sergiy Bolotny revisits Dutch folklore on Little Dutch Rhapsody No. 1, a solo violin piece with a classical sound, playful character and plenty of technical detail.

Read the full review at Cinematic Giants. by @cinematicgiants

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15 days ago

Brian Hunsaker closes the singles run for Where Dreamers Fall with “Final Score,” starting soft before turning into the heaviest track of the set. Distortion, strings, synths and an anthemic vocal build toward a hook made for action.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

Ryan James Monroe made “MIRROR BALL” with Madison Square Garden in mind. Big vocals, classic and indie rock grooves and an 80s/90s nostalgic feel turn the song into an upbeat anthem about staying young and becoming who you want to be.

Read the full review at Cinematic Giants. by @cinematicgiants

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14 days ago

Alexander Nantschev closes his trilogy with Half A Century, an eleven-track album bringing together classical music, electronics, psychedelic vocals, funk, spacey effects and ideas gathered across decades of work.

Read the full review at Cinematic Giants. by @cinematicgiants

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15 days ago

Emily Mac makes her EP debut with ROCK N ROLL ANIMAL, a five-song set that moves from bluesier material into heavier cuts and glam-pop. Big guitars, powerful vocals and plenty of action give the EP an obvious sync angle.

Read the full review at Cinematic Giants. by @cinematicgiants

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15 days ago