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Annike Flo

@cocreateures

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🪱 Death and erotics, rot and soil 🪱 Oslo / London
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🌙🌧As October comes to an end, we say goodbye to the sun and to residents Annike Flo, Lexie Owen and Nora Adwan. October has been unusually warm and wet, which has mostly called for indoor work. But on the best days, we have been out making the most of the disappearing  daylight. Over the past two weeks, we have been filming in Adventdalen, fossil hunting by Longyearbreen, hiking to Platåfjellet, and Annike Flo and Lexie Owen have  hosted an artist walk as part of their ongoing series «Walking with Death». Next week, we welcome a new group of residents: Lina Machida, Dina Brode-Roger and Kristine Fornes. by @cocreateures
Lucida is an audiovisuel installation made by Verdenteatret for Dikemark Festivalen 2026 Artistic Team: Asle Nilsen, Annike Flo, Ali Djabbary, Espen Sommer Eide, Janne Kruse, Jenny Berger Myhre and Torgrim Torve Produced by: Martin Taxt This documentation is filmed and edited by Jenny Berger Myhre Supported by Fond for lyd og bilde and Ministery of culture and equality by @cocreateures
Lucida på Dikemark går inn i sin nest siste visningsuke. Åpningstider er onsdag - søndag 12.00-16.00. Velkommen! Denne uken har Kunstkritikk publisert et nytt intervju med flere av kunstnerne i Verdensteatret. Her kan dere lese mer om hvordan vi har arbeidet med Lucida, og hvordan vi tenker om kunst. Samtiden har også publisert en kommentar om avviklingen, og har interessante synspunkter rundt kulturpolitiske prioriteringer. Link til begge artikler i bio. Foto 1: Espen Sommer Eide, Foto 2-5: Janne Kruse by @cocreateures
Press release: Lucida will be Verdensteatret's final work😢 By the end of 2026, the company established by Lisbeth Bodd in 1986 will be dissolved. Throughout much of its existence, Verdensteatret has fought hard for its right to exist. In recent years we have felt like a plaything tossed around in a system without a clear arts policy strategy. We have had to secure funding from one year to the next, and have not had the necessary resources to work long-term on booking and network-building. We feel that funding for the Norwegian performing arts field is no longer set up to keep an artists' collective like Verdensteatret afloat. Thanks to our audience. Thanks to all our supporters. Thanks to our partners and co-producers. It is with a heavy heart we've come to this conclusion. Sincerely from Asle, Ali, Annike, Espen, Janne, Martin and Torgrim by @cocreateures
✨Verdensteatret markerer sitt 40-årsjubileum i 2026 med den nye installasjonen Lucida på Dikemark 8-30. august! 𝒱𝒾 𝓋𝒶𝓃𝒹𝓇𝑒𝓇 𝒾 𝑒𝓉 𝒾𝓃𝒹𝓇𝑒 𝓋𝑒𝓀𝓉𝓁ø𝓈𝓉 𝓁𝒶𝓃𝒹𝓈𝓀𝒶𝓅 𝒶𝓋 𝓂𝓊𝓁𝒾𝑔𝒽𝑒𝓉𝑒𝓇, 𝓅𝒶𝓇𝒶𝓁𝓁𝑒𝓁𝓉 𝓂𝑒𝒹 𝓋å𝓇𝓉 𝓈𝓁𝒾𝓉 𝒾 𝒹𝑒𝓃 𝒻𝓎𝓈𝒾𝓈𝓀𝑒 𝓋𝑒𝓇𝒹𝑒𝓃 𝒶𝓋 𝑜𝒷𝒿𝑒𝓀𝓉𝑒𝓇 𝑜𝑔 𝑜𝓅𝓅𝑜𝓋𝑒𝓇𝒷𝒶𝓀𝓀𝑒𝓇. 𝒟𝓇ø𝓂𝓂𝑒𝓇 𝑜𝑔 𝒾𝓂𝓅𝓇𝑜𝓋𝒾𝓈𝒶𝓈𝒿𝑜𝓃 𝑔𝒿ø𝓇 𝑔𝓇𝑒𝓃𝓈𝑒𝓃𝑒 𝓅𝑜𝓇ø𝓈𝑒, 𝓈𝑜𝓂 𝒽𝓊𝓁𝓇𝑜𝓂 𝒾 𝑜𝓇𝑔𝒶𝓃𝒾𝓈𝓀 𝓂𝒶𝓉𝑒𝓇𝒾𝒶𝓁𝑒. 𝒱å𝓇𝑒 𝒻𝑜𝓇𝒻𝑒𝒹𝓇𝑒𝓈 𝒻ø𝓁𝑒𝓁𝓈𝑒𝓈𝓁𝒾𝓋 𝑜𝑔 𝒻𝑜𝓇𝑒𝓈𝓉𝒾𝓁𝓁𝒾𝓃𝑔𝓈𝓀𝓇𝒶𝒻𝓉 𝑒𝓀𝓈𝒾𝓈𝓉𝑒𝓇𝓉𝑒 𝒾 𝓊𝓉𝒶𝓁𝓁𝒾𝑔𝑒 å𝓇 𝒻ø𝓇 𝓈𝓅𝓇å𝓀𝑒𝓉 𝑜𝓅𝓅𝓈𝓉𝑜. 𝒯𝓇𝑜𝓁𝒾𝑔 𝓋𝒶𝓇 𝒹𝑒𝓉 𝒾𝓃𝒹𝓇𝑒 𝓁𝒾𝓋𝑒𝓉 𝒾 𝒹𝑒𝓃𝓃𝑒 𝓁𝒶𝓃𝑔𝑒 𝓅𝑒𝓇𝒾𝑜𝒹𝑒𝓃 𝓃æ𝓇𝓂𝑒𝓇𝑒 𝓅å 𝑒𝓃 𝒹𝓇ø𝓂𝓂𝑒𝓃𝒹𝑒 𝒷𝑒𝓋𝒾𝓈𝓈𝓉𝒽𝑒𝓉 𝑒𝓃𝓃 𝑒𝓃 𝓋å𝓀𝑒𝓃. 𝒟𝑒𝓉 𝑒𝓇 𝒾𝓃𝑔𝑒𝓃 𝓈𝓀𝒿𝑒𝓇𝓂𝑒𝓇 𝒾 𝒹𝓇ø𝓂𝓂𝑒𝓃𝑒 𝓋å𝓇𝑒. 𝒯𝑒𝑔𝓃𝑒𝓃𝑒 𝒷𝑒𝑔𝓎𝓃𝓃𝑒𝓇 å 𝓈𝓋𝒾𝓇𝓇𝑒. 𝒫𝒶𝓇𝒶𝓃𝓉𝑒𝓈𝑒𝓃𝑒 𝓋𝑒𝓃𝒹𝑒𝓇 𝓊𝓉𝑜𝓋𝑒𝓇. 𝒟𝓇ø𝓂𝓂𝑒𝓃𝑒 𝓀𝒶𝓃 𝓈𝓎𝓃𝑒𝓈 å 𝓋æ𝓇𝑒 𝑒𝓃 𝒻ø𝓇-𝓈𝓅𝓇å𝓀𝓁𝒾𝑔 𝓉𝑒𝓀𝓃𝑜𝓁𝑜𝑔𝒾. 𝒮𝑜𝓂 𝓈𝑒𝓁𝓋𝑒 𝒹𝓊𝓀𝑒𝓃 𝓋𝒾 𝓅𝓇𝑜𝒿𝒾𝓈𝑒𝓇𝑒𝓇 𝓋å𝓇𝑒 𝓁𝒾𝓋 𝓅å. by @cocreateures
Thank you to everyone who joined us for our Necromantic Kitchen full moon gathering at Losæter and Gamlebyen cemetery! Beginning in Gamlebyen cemetery, we walked with wild plant expert Kia Vulgaris, senior consultant at Gravplassetaten Snorre Utengen, and fagleder at Oslokompost Thomas Gabler, learning about how to care for the decay of those who have passed, how Oslo's compost systems circulate through the city (and back to its graveyards), and meeting some of the edible herbs growing among the graves. From there we moved to Losæter for butter churning (and spanking), lefse baking, and the blending of herbs as offerings for our dead and for death itself, drawing on traditional Norwegian food culture as a way to practice regenerative necromancy. Necromantic Kitchen forms part of our ongoing collaborative research project, Afterlives, which explores death through material culture, metabolism and decomposition. Rather than approaching death as an ending, the project asks how we might understand it as a generative force that continually reshapes the living world. Thank you to everyone who walked, baked, gathered and shared the evening with us! 🪦 The event was a collaboration between artist duo Lexie Owen and Annike Flo, Kunstprogrammet på Losæter, Norwegian BioArt Arena, NOBA , and Gravplassetaten. The event was supported by Oslo Kommune and Sparebankstiftelsen DNB by @cocreateures
Join us tonight (30.Juni) for Necromantic Kitchen @losaeter for this month's full moon gathering! We will start the evening with a gravplass vandring at Gamlebyen Gravlund (meeting at 5pm) focusing on regeneration and the metabolic processes of the graveyard. We will be joined by wild plant expert Kia Vulgaris, senior consultant at gravplassetaten Snorre Utengen, and fagleder at Oslokompost Thomas Gabler. >>> guest bios Snorre K Utengen is a gardener with 30 years of experience in the industry. Many of these years he has been a gardener teacher and has a great desire to strengthen the level of knowledge about gardens, parks and nature. Today he works as a senior consultant in the Graveyards Agency. He is particularly interested in communicating the connection between what happens above ground with trees and plants, and what happens below ground (degradation and soil conditions) Thomas Gabler is fagleder in Oslokompost, the is the section of the Renovation and Recycling Agency that processes garden waste and produces compost in the municipality of Oslo. Kia Vulgaris is a certified wild plant expert and has extensive experience with wild plant foods. She currently works as an urban farmer in Losæter, and lives in the forest outside Oslo with her family. >>> about Necromantic Kitchen Necromantic Kitchen explores how we can develop an understanding of death not as an ending, but rather as the beginning of a transformative, generative, and creative process. We work to link practices of mourning and grieving to processes of metabolism, both in terms of human digestion, everyday kitchen magic like fermentation and the action of decomposition, which turns organic matter into soil. Through this work we take an expanded approach to the concept of necromancy, reading the term openly as a re-activation or re-animation of that which has been considered dead. By applying this concept to to different knowledges, cultural phenomena, relations and materials we seek to develop a non-extractive mode of necromancy that troubles the false binary of life/death, bringing us closer to an understanding of the intricate and interwoven relationship between the two. by @cocreateures
Sunny Sunday prep for Necromantic Kitchen @losaeter this coming Tuesday by @cocreateures
Connecting the soil of the graveyard with the soil of the urban farm, thinking regenerative necromancy through digestive metabolisms, come and celebrate this solstice strawberry moon with artist duo Annike Flo + Lexie Owen. For this Full Moon Gathering Flo + Owen will bring their ongoing creative research project Necromantic Kitchen to Losæter with an evening of participatory events in two parts. You are welcome to join for either or both. Dress according to the weather. PART ONE: Graveyard Walk at Gamlebyen gravlund 17:00 – Meet at the graveyard at the Oslogate/Ekebergveien entrance. Gravplassetaten will join us. The first half of the evening unfolds at Gamlebyen gravlund with a gravplass vandring focusing on regeneration and the metabolic processes of the graveyard. Participants and invited guests will explore the site together, and will arrive at Losæter in time for the second half of the event. PART TWO: offerings for the dead Meet at Losæter at 19:00 The second half of the evening unfolds at the urban farm, where Flo + Owen will facilitate the opportunity to participate in an offering to the dead, reengaging with traditional Norwegian food craft, including lefse, butter making, and herbal tea blending. If participants have a particular deceased person they would like to make a tea offering for they are encouraged to bring an element they relate to that person to add to their own tea blend. Through this evening at Losæter the duo will continue their ongoing practice exploring what it means to enter into dialogue with death as a creative and transformative force. The evening will be concluded with a closing ritual performed by the artists. by @cocreateures
Spring textures and adventures with @drewjbeckett_ @verdensteatret_ @janne.kruse @have.nin #3 by @djabbary #5 @drewjbeckett_ by @cocreateures
Travelling through Sør-Varanger for Jærtegn with Anthropogenic Soils team, Hilde, and Kjell Gunnar Jærtegn (2025) was curated by Hilde Methi and made possible through an artist’s residency at @norwegianbioartarena and Anthropogenic Soils at the University of Oslo First image by Kjell Gunnar Monsen @kayjayfoto Supported by @norskebilledkunstnere @fondforlydogbilde @nordnorskkunstnersenter @forskningsradet #textileinstallation #performativeinstallation #jærtegn #occultecology #morethanhuman #Soilepistemology #Annikeflo #Anthropogenicsoils #nematodes by @cocreateures
Bits and remnants from research and making of Jærtegn in the studio with @carolinebangh Jærtegn was curated by Hilde Methi and made possible through an artist’s residency at @norwegianbioartarena and Anthropogenic Soils at the University of Oslo Supported by @norskebilledkunstnere @fondforlydogbilde @nordnorskkunstnersenter @forskningsradet #textileinstallation #performativeinstallation #jærtegn #occultecology #morethanhuman #Soilepistemology #Annikeflo #Anthropogenicsoils #nematodes by @cocreateures

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