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Cyprien Valenza

@cypvalenza

736

followers

1855

following

Ex @ecal_ch Graphic design
Paris + Lausanne
Currently at @lopezsieurinoffice

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Last layers of Patterna. From the vector grids to the printed moiré patterns 🩵💙

Patterna, diploma project, écal 2025 taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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7 months ago

📖 A book showing animals, fashion and fashion icons.

Avoir du chien is an editorial proposal on the unique bond between fashion icons and their pets through the ages. A plunge into these relationships, from the intimate to the public sphere, and their mutual influence, whether on clothing style or the way they think and create. From Choupette to Toutou or Balthazar, this fascination with four-legged companions extends to the world of fashion, where they can become a veritable source of inspiration. After all, as the saying goes, « Like master, like dog »?

Made during almost 6 weeks of intensive image research and arrangement.

🐕😸🦌🐈🦮🐆

Project mentored by Jonathan Hares @jonathanhares

160 pages
160 pictures
32 inserts

Images: Stolen from Getty images and internet 🤫
Typeface: Ganz (WIP)
Olin Bulk 80g/m² (book block)
Daudendruck 120g/m² (cover) Avoir du chien book cover taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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2 years ago

How do we talk to images? Should exhibition images be shown or not?

Collages, appropriationists, the whole world until today, constellating images… Since the beginning of the 20th century iconographic artists have been appropriating images.

Very cool project did in 6 weeks, struggling with my computer and after effect 😵‍💫

Under the advice of Gilles Gavillet @gavillet_cie
Visual identity for a fictitious exhibition
Graphic charter + Video

Olinbulk 80g/m²

#design #exhibtion #graphicdesign #book #visualidentity #graphicchart taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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2 years ago

Art direction and Graphic Design for the SS26 Sale Campaign of @lanvin

Built around the idea of translating digital imagery into a physical object, the campaign takes e-commerce visuals off the screen by printing each look into a simple volume. Filmed as the pages turn, the sequence introduces materiality, rhythm, and depth to images originally made for online retail. Before returning to digital platforms, they briefly exist as something tactile.

#ArtDirection #Lanvin #Campaign #Editorial #Fashion taken in Paris, France by @cypvalenza

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4 months ago

Last 2 months by @cypvalenza

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a year ago

Patterna
Threads become lines. Weaving becomes writing !

Patterna is a variable display typeface designed with two axes: weight and weaving.
Its layered construction draws from the logic of Jacquard weaving and the modular principles of Cassandre’s Bifur.
The strict grid behind Patterna guarantees consistent spacing across all weights while generating rhythmic contrasts and moiré patterns when layered.
This dual system makes Patterna both a writing tool and a graphic device, designed for large-scale identities, compositions and experimental uses.

🪡🧵

Special thanks to
Aurèle Sack @aurele_sack
Gilles Gavillet @gavillet_cie
Morgane Cachin @cachin.morgane

With the great advices from
Robin Eberwein @eberbeer
Jahn Koutrios @jahnkoutrios

Many thanks to my classmates.❤️‍🔥
@alfredo_venti @marc_facchinetti @l1diamg @diegosteineribanez.ch @candice_apl @flora.hyz @dubi.eliot and many more !

With photography by
Clara Stote @_ziedonis_

Diploma project, écal 2025

@ecal_graphic_design @ecal_ch

#typeface #diploma #ecal #jacquard #specimen #cavalry #website taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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a year ago

Patterna
Threads become lines. Weaving becomes writing.

Patterna is a variable display typeface designed with two axes: weight and weaving.
Its layered construction draws from the logic of Jacquard weaving and the modular principles of Cassandre’s Bifur.
The strict grid behind the typeface guarantees consistent spacing across all weights while generating rhythmic contrasts and moiré patterns when layered.
This dual system makes Patterna both a writing tool and a graphic device, designed for large-scale identities, compositions and experimental uses.

More visuals from this project will be coming soon ! 🪡🧵

With photography by this talent
Clara Stote @_ziedonis_

Diploma project, écal 2025

@ecal_graphic_design
@ecal_ch

#typeface #diploma #ecal #jacquard #specimen #cavalry #website taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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a year ago

🔭🔭🔭

GANZ (WIP) is a grotesque geometric typeface inspired by the Grotesca Ideal’s forms of Richard Gans @richardgans_type . It adopts clean horizontal curves and balanced geometry while reimagining these characteristics for contemporary applications.

With slightly wider capitals and meticulously calibrated weights, Ganz balances visual harmony for both large displays and small text sizes.

Mentored by Aurèle Sack
@aurele_sack
Écal s5 taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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a year ago

🔭🔭🔭

GANZ (WIP) is a grotesque geometric typeface inspired by the Grotesca Ideal’s forms of Richard Gans @richardgans_type . It adopts clean horizontal curves and balanced geometry while reimagining these characteristics for contemporary applications.

With slightly wider capitals and meticulously calibrated weights, Ganz balances visual harmony for both large displays and small text sizes.

Mentored by Aurèle Sack
@aurele_sack taken in ECAL/Ecole cantonale d'art de Lausanne by @cypvalenza

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2 years ago

Ciao ciao ciao collectibles from verona and venezia taken in Italy by @cypvalenza

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2 years ago

YOUR CHANCE TO CONSULT
Cheetah display

Because we read magazine in a fashion way. And I miss cheetah’s prints sometimes. 🐆

Project supervised by Aurèle Sack @aurele_sack at @ecal_graphic_design

#type #design #specimen #serif #contemporarytype by @cypvalenza

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2 years ago

1. Milano
2. Print test
3. Amsterdam
4. New-York
5. Me not happy with the rain
6. Football
7. Paris by @cypvalenza

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2 years ago