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Daniel Gordon

@danielgordonstudio

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Daniel Gordon
'Artichokes and Succulents' (2023)
Pigment print with UV lamination
30 × 40 inches

Moving between two and three dimensions, Daniel Gordon’s practice appropriates images of still-life subjects found online. Gordon prints, cuts and assembles these images into three-dimensional tableaux in his studio, which he then photographs, bringing handmade and digital processes into dialogue.

Through this process, Gordon transforms downloaded imagery from immaterial data into physical objects and back again. His constructed still lifes reflect on the proliferation of photographic imagery and the increasingly blurred relationship between representation and the physical world.

@danielgordonstudio

#DanielGordon #HuxleyParlour #ContemporaryPhotography by @danielgordonstudio

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23 days ago

Sneak peek of new work by Daniel Gordon we’re going to be showing at The Armory Show, booth 207, from September 24 - 27! ✨✨

Daniel Gordon is known for photography and sculpture that employ appropriation and reproduction in order to question the nature of the image-object relationship. Melding optical illusion, pastiche, mixed media, and a recalibration of analog processes, Gordon consciously reframes what it means to have a photographic practice.

Beginning with found imagery sourced from the internet and his camera roll, Gordon reconstructs the three-dimensional form and scale of objects using cut-and-pasted printouts of the objects themselves. 🫜🍷 by @danielgordonstudio

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a month ago

Light Study (Plate, Bowl, Cup, Fork), 2025
Archival Pigment Print
11.2” × 14” inches by @danielgordonstudio

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3 months ago

Light Study (Protractor, Pens, and Pencils), 2025
Archival Pigment Print
11 1/5” × 14” inches by @danielgordonstudio

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3 months ago

Objects at Hand by @danielgordonstudio , published by @radius.books , turns familiar household objects into something unstable and strange. Glasses, bowls, cutlery, and other simple things are photographed, distorted, printed, rebuilt, and photographed again. What first looks like glass, metal, or shadow slowly becomes harder to trust.

In the interview, Gordon talks about why he moved away from saturated color and made this work in black and white. He explains how limits, one light source, paper constructions, and familiar objects helped him return to basic photographic questions: light, form, transparency, and the space between what an image shows and what is actually there.

One of the most interesting parts is how Gordon makes illusion feel physical. At a time when many images can be made without a camera, his work still begins with real objects, real light, and a slow handmade process.

Read the full article on aboutphotography.blog

Comment "Link" bellow and I will send you the whole article in the DM by @danielgordonstudio

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3 months ago

Light Study (Mechanical Pencil), 2024
Archival Pigment Print
11 1/5” × 14” inches by @danielgordonstudio

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3 months ago

Light Study (Poland Spring Water Bottle), 2024
Archival Pigment Print
11. 1/5” × 14” inches by @danielgordonstudio

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3 months ago

Light Study (Knives, Forks and a Spoon), 2025
Archival Pigment Print
11 1/5” × 14” inches by @danielgordonstudio

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3 months ago

Light Study (Plate with Two Knives), 2025
Archival Pigment Print
11 1/5” × 14” inches by @danielgordonstudio

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3 months ago

Light Study (Blue Tape), 2024
Archival Pigment Print
11 1/5” x 14 by @danielgordonstudio

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3 months ago

Light Study (Glass Bowl and Forks), 2026
Archival Pigment Print, 11 1/5” x 14”
@olneygleason
@radius.books by @danielgordonstudio

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4 months ago

Daniel Gordon presents DUETS, published by Three Star Books, and shares how he conceived this unique artist’s book project.

2026
20 copies
Signed and numbered
60 pages
36×27 cm - 14.1×10.6 in.
Paper: Fedrigoni Old Mill, 150 g
Printing: Indigo
Binding: Hand-sewn
Printed slipcase

Daniel Gordon’s project DUETS with Three Star Books departs from the traditional photobook model. Rather than simply reproducing images, the book is conceived as an artwork in which photography itself is the medium. Gordon works at the intersection of photography and art: his images are constructed, exploring illusion, composition, and perception, while the book’s sixty-page structure foregrounds its own temporality and makes the experience of moving through the book an integral part of the artistic experience.

Unlike film, whose viewing conditions have been transformed by digital technologies, the book medium has always allowed for a decomposed and non-linear experience: it can be approached from beginning to end, read in reverse, opened at random, or paused indefinitely. In DUETS, this inherent freedom becomes central to the work’s proposal.

The artist’s design introduces an additional layer of complexity. Through an original layout and varying page formats, images are alternately concealed and revealed. Pages overlap, fragment, and reframe one another, generating shifting visual relationships as the reader moves through the volume. The work thus becomes tactile and performative: the act of turning pages activates the images. In doing so, the conventional distance between artwork and reproduction is effectively dissolved, evoking Michael Snow’s Cover to Cover (1975), where the physical movement through the book is integral to the artwork itself. taken in Brooklyn, New York by @danielgordonstudio

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4 months ago