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Daniel Satinoff

@dsatinoff

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Cinematographer of @hachanshakeyourbooty And @tokyovicemax

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““Tokyo Vice”
Season 2, Episodes 3, 4, 9 and 10
Showrunner: @jtsawthis
EP: @alanpoul
Director: Josef Kubota Wladyka

Shot on @arri Alexa MiniLF with @panavisionofficial lenses

@tokyovicemax @streamonmax @arri @panavisionofficial #cinematography #tokyo #emmys #minilf #arrialexaminilf #panavision #hseries #primo by @dsatinoff

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2 years ago

@yamaonna_movie from Director @takeshifukunaga.

Starring @anna_yamada_ @masatoshi_nagase_official

Shot on Alex MiniLF with Canon K35s

@arri @canonusa @sanwa_cine_equipment @ericnyari #arri #alexaminilf #canonk35 #alexa by @dsatinoff

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3 years ago

I had the privilege to work with an amazing crew who supported me in so many ways as I took on shooting episodes 6 and 7 of @tokyovicehbomax. It was an incredible experience to get to shoot all over Tokyo with such incredible people.

Thank you @jtsawthis @alanpoul @saaatch @alextheboden @hbomax for trusting me and supporting me along the way.

Thank you @dieguesz for teaching me so much about cinematography and life.

Thank you @dieguesz @jgrillo310 @k_yanagijima1979 for setting the tone of the show and showing me how it’s done.

Thank you to director Josef Kubota Wladyka for your faith in me, your collaboration and always keeping it JDM.

Thank you @steve.e.andrews for always keeping us on time and in good spirits.

Thank you most of all to the amazing Tokyo Vice crew! @panavisionofficial @arri #panavisionlenses #minilf #alexa

A Camera Operator: @tetsuoliverkato
B Camera Operator/Steadicam: @kojiscottishida
A Camera 1st AC:
@yasushimiyata
B Camera 1st AC::
@naoki_takahashi
A Camera 2nd AC:
@arinkomoe
B Camera 2nd AC:
@makoto_mk26
Bilingual Camera Assistant:
@alexanderwitmer
Cinematography Translator: @nobu_arakawa
DIT/VTR: Yasuyuki Shitara
DIT/VTR Assist: @fuya_imai
Stills Photographer: James Lisle
Dailies Colorist: @buttonstealer
Colorist: @sean_dunckley

Gaffer: Michiaki Kamochi
Best Boy: Seiichiro Mieno
Electrician: Hiroshi Tanabe
Electrician: Takumi Amadaira
Electrician: Akito Saito
Electrician: Masaya Kotabe
Electrician: Daishi Harada
Electrician: Tsuyoshi Akahane
Electrician: Yusuke Suzuki

Key Grip: Hiro Kakuhari
Best Boy: Satoshi Tsuyuki
Grip: Tsuneyuki Aiko
Grip: Shinichi Otsuka
Grip: Takayuki Denno
Grip: Akira Kanno
Grip: Kazuki Tanabe by @dsatinoff

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4 years ago

Such a special evening yesterday, getting to moderate the @hachanshakeyourbooty post-screening Q&A with the wonderful film’s talented cinematographer @dsatinoff in West LA! 🎥💃🏻 @sonyclassics @laemmle_royal by @dsatinoff

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3 days ago

LOS ANGELES we have a special Q&A for you, Cinematographer @dsatinoff will be at @laemmle_royal this Saturday moderated by @jeff_conway for #HCSYB 🎥 Get Tickets LINK IN BIO 🎟️ by @dsatinoff

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5 days ago

Our film “Ha-chan, Shake Your Booty!” had its World Premiere at the 2026 Sundance Film Festival. Thank you Josef Kubota Wladyka for trusting me to shoot this story. So amazing getting to watch it for the first time in its completed form with 1300 other people. We laughed, we cried, we shook our booties. Could not have been a more magical way to attend my first Sundance. @sundanceorg @arri @sanwa_cine_equipment @cookeoptics @hachanshakeyourbooty #sundancefilmfestival2026 taken in Eccles Center by @dsatinoff

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8 months ago

Love you @mfcandies taken in Japan by @dsatinoff

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a year ago

Happy Holidays from our pets to yours by @dsatinoff

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2 years ago

Theo is happy to report he is no longer a bastard by @dsatinoff

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2 years ago

SET YOUR ALARMS!!⚡️♥️

Meet me on my YouTube Channel TOMORROW at 3PM EST./12PM PST. I have something special for you…

SUBSCRIBE today at the link in my bio!

_____

#Electric
#Love
#DreamCity
#BeWhoYouAre😎 taken in Los Angeles, California by @dsatinoff

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2 years ago

#DOP Daniel Satinoff (@dsatinoff) takes us #behindthescenes of #TokyoVice S2, detailing this season’s even bolder look and his inspiring journey along the way.

“I was brought onto the pilot of Tokyo Vice by DOP Diego Garcia and I was deeply included in his ideas for the look of the show. For personal reasons he ended up needing to step off of his second block of episodes. Due to COVID related visa complications and border closures, it was impossible for production to bring in a DP to replace him from outside of Japan. Diego knew that I was a DP on my own, so he and [director] Josef pushed to have me step in. The studio ultimately agreed and it was a huge opportunity for me. Though stressful, it ended up being an incredible experience and they ended up asking me back for S2 with co DP Corey Walter.

Tokyo Vice has a very strong look and for S2. We wanted to push it a bit more and create a bit more dynamism in the camera movement. In our first meeting together Corey and I talked a lot about wanting to use more zooms, both as their own means of changing perspective and also hiding them within other camera movement. Japan is an exceedingly weird and beautiful place. There’s such a mix of color in some places but also a grayness in the more mundane parts of Japanese life. I wanted to lean into the color and excitement of the underworld and feel how that permeates all of Jake’s life in the show.

This project was by far the largest, most complex production I’ve ever shot. I had previously shot small indie films, music videos and commercials, and I have worked on some very big productions as a DIT. This was a great opportunity to bring those two worlds together. Japan can be particularly challenging for large productions and most of the locations are exceedingly small or difficult to access, so coming from a background of being small and nimble helped me lean into that challenge. At the same time, the show has a lot of scale, and having worked on some big TV shows and movies, I was able to draw on what I learned from DPs like Diego to also not shy away from a big or complex lighting or camera setup.” by @dsatinoff

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