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D-Vision Movie People

@dvmp_official

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Italian leading Rental Facility for professional film
and digital equipment.

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On Friday, October 16, and Saturday, October 17, we’ll be at Cinecittà @cineverse_expo to strengthen our collaboration with @ancientoptics and showcase three lens sets that are set to make a lasting impact on the world of cinematography in the years to come: STATERA Anamorphic, SERIES 65, and TAMASHII.

Come visit us and get hands-on with the lenses and claim your Ancient Optics X Cineverse shirt!
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#dvisionmoviepeople #ancientoptics by @dvmp_official

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4 days ago

Discover how HyperRoll became a game changer for camera movement.

Read the full breakdown - link in bio

‘Big Cinema. New Moves’ - @hyperrollofficial
(Link in bio)
🔎1- IRONGLASS SMF 35mm f/2.8
🔎2- COOKE Duopanchro 55mm T3 TLS Rehoused
🔎3- APPLE iPhone 16 Pro Max
🔎4- SONY FE 14mm f/1.8 GM
🔎5- SIMGA High Speed 20mm T1.5
🔎6- APPLE iPhone 16 Pro Max
📹1-2- ARRI Alexa 265
📹5- ARRI Alexa 35
📹4- SONY FX3
📹3-6- APPLE iPhone 16 Pro Max
Dir/DP. @pedretti.stefano
Rental (ARRI 265 + Medium Format Lenses). @dvmp_official

There’s no cure for Lens Addiction.
But there’s a community. - Link in bio. by @dvmp_official

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8 days ago

Zeiss Standard Speed TLS lenses are now available at DvisionMoviepeople!
#cinematography #zeissstandardspeeds #lensetechnician #cameradepartment taken in D-Vision Movie People by @dvmp_official

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14 days ago

D-VISION MOVIE PEOPLE — FRAME BAR

Official Sponsor of the Cineverse Frame Bar: D-Vision Movie People.

A dedicated space where the industry meets its next generation, bringing together professionals, emerging filmmakers and new ideas through networking, conversation and connection.

Powered by D-Vision Movie People.

Cinecittà Studios, Rome
16–17 October 2026

#CineverseRoma #DVisionMoviePeople #FrameBar #Cinematography #Cinecittà by @dvmp_official

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22 days ago

Stiamo raccogliendo candidature per l’assunzione di un magazziniere nel reparto Macchina da Presa.

Per candidarti, inviaci un’email a info@dvisionmoviepeople.com taken in D-Vision Movie People by @dvmp_official

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25 days ago

Tamashii 🤫 #tamashiilenses #dvisionmoviepeople #cinematographer #lenstechnician #cameradepartment taken in D-Vision Movie People by @dvmp_official

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a month ago

‘Nessun Dolore’ by Gianni Amelio, with cinematography by @Luan.amelio.ujkaj, will be screened today at the 83rd Venice International Film Festival.

It’s always a pleasure to collaborate with Luan and help him find solutions for his visual choices. For this project, he chose to shoot with a set of Leitz Summicron-C lenses and an ARRI Alexa 35.
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#dvmp #venicefilmfestival by @dvmp_official

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a month ago

The Leitz HUGO lenses combine the precision of modern optics with an image that never feels clinical.

Designed for Large Format cinematography, they deliver exceptional micro-contrast, smooth focus fall-off, beautiful colour rendition and outstanding consistency across the entire set. The result is an image that feels rich, dimensional and incredibly natural, while maintaining the resolution today’s high-end sensors demand.

The set available at @dvmp_official consists of 9 focal lengths (18mm, 21mm, 24mm, 28mm, 35mm, 40mm, 50mm, 75mm, 90mm, 135mm), offering a complete solution for productions looking for uncompromising optical performance with the unmistakable quality of Leitz.
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#dvmp #leitzhugo by @dvmp_official

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2 months ago

At @dvmp_official we have a very special set of @cookeoptics S4/i lenses that we call Gold.

Our Chief Lens Technician, @massimoproietti, personally modified the complete 12-lens set by integrating a custom optical element that enhances the highlights with a unique warm, golden glow while preserving the legendary Cooke character.

One of our favorite cinematographers, @cristiano_di_nicola, used the Cooke Gold set for Mr. Eazi’s music video “Legalize”, directed by @federicomazzarisi.

A subtle optical modification, yet one that gives the image a truly distinctive signature. by @dvmp_official

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3 months ago

Discover more about the Technovision Anamorphics of ‘Apocalypse Now’: the original lenses that still shoot today.

Read the full Breakdown - link in bio

‘Apocalypse Now’
🔎1- TECHNOVISION Cooke Anamorphic 50mm T2.3
🔎2- TECHNOVISION Zeiss Anamorphic 50mm T1.4
🔎3- TECHNOVISION Cooke Anamorphic 75mm T2.8
🔎4- TECHNOVISION Zeiss Anamorphic 85mm T1.4
🔎5- TECHNOVISION Cooke Anamorphic 75mm T2.8
🔎6- TECHNOVISION Zeiss Anamorphic 100mm T1.4
🔎7- TECHNOVISION Cooke Anamorphic 40mm T2.3
🔎8- TECHNOVISION Cooke Anamorphic 50mm T2.3
🔎9- TECHNOVISION Cooke Anamorphic 40mm T2.3
🔎10- TECHNOVISION Cooke Anamorphic 75mm T2.8
🔎11- TECHNOVISION Cooke Anamorphic 50mm T2.3
🔎12- TECHNOVISION Zeiss Anamorphic 85mm T1.4
📹1-3-4-5-10-11-12- ARRI Mitchell 205 BNC
📹6-8- ARRI BL
📹7-9- ARRI 2C
Dir. @francisfordcoppola
DP. @storaroart
1st AC. @mauro.mauromachetti
Rental. @dvmp_official
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#lensaddiction #technovisionanamorphic by @dvmp_official

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3 months ago

@mauro.mauromarchetti Camera Assistant to Cinematographer Vittorio Storaro on ‘Apocalypse Now’ still shares a close bond with the @dvmp_official family.

Thanks to him, the story of the legendary Technovision anamorphic lens sets lives on: the Technovision Zeiss lenses used for the daylight scenes and the Technovision Cooke lenses for the night sequences of the movie. Remarkably, both sets are still fully functional and ready to shoot today.

Mauro appears in two of the photographs in this post. In the first, he is alongside his father, Alfredo Marchetti, the film’s Key Grip, pushing the camera dolly In the second, he is the blond young man standing to the left of the taller camera.

More than behind-the-scenes photographs, these are fragments of cinema history.
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#dvisionmoviepeople #apocalypsenow by @dvmp_official

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3 months ago

Proud to have supported DP @dariadantoo on @paolosorrentino_real’s La Grazia, now awarded at the @nastridargento 2026.

A beautiful recognition for Daria’s work and the entire team behind the film.
Shot with 2 ARRI Alexa 35s, Leitz Hugo primes, Summicron-C, Angenieux EZ-1 zooms and a full DVision camera package.

Congratulations to Daria and everyone involved on this well-deserved achievement.

Dir: @paolosorrentino_real
Dop: @dariadantoo

Camera Op. alessandro_abate86
1st AC: @alessiogalasso
1st AC: Dario Paolini
2nd AC: @toty987
2nd AC: Sofia Karakachoff
Video Assist: @alessandroschirru

Key Grip: @cribiagioli
Key Rigging Grip: Marco “Marinese” Santarelli
Grip: Giuseppe Scudo, Lorenzo Sardini, Andrea Pomarici, @edotores

Gaffer: Fabio Policastro
Key Rigging Gaffer: @leonardo_brocato
Elettrician: Mauro Belli, Andrea Buzza, Matteo Zanchi

Producer: Anna Maria Morelli
Production Supervisor: @priscillapacetti
Head of Production: Camille Courau
Producer: @andrscr
Producer: @paolosorrentino_real
Line Producer: @critacchino972
Unit Production Manager: @eldabaldi
Unit Manager: Tobia Calevi
Unit Manager: @roccoivano
Unit Manager Assists: nonmivadipensarci @vittorio_paladino @lucaseminario
Casting Dir. @massi.mo.ap @annasambucco
Production Design: Ludovica Ferrario
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#dvisionmoviepeople #lagrazia #dariadantonio #nastridargento2026 by @dvmp_official

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4 months ago