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Elizabeth Atterbury

@e_atterbury

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by @e_atterbury

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2 months ago

My interview with Josh Reiman is in the Sept/Oct issue of @sculpture_magazine. Thank you @jtreiman for coming by the studio to talk shop! by @e_atterbury

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2 months ago

Some pieces I contributed to the wonderful @walpoleolf show. Up through 8/29. Thank you! @dyerrhoads by @e_atterbury

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2 months ago

by @e_atterbury

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3 months ago

by @e_atterbury

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5 months ago

Language-like opens tonight in Lisbon! My 4th show with DOCUMENT. Big love and thanks to @a.gent @sibcita taken in Lisboa, Portugal by @e_atterbury

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a year ago

LISBON | Elizabeth Atterbury: 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦-𝘭𝘪𝘬𝘦⁠ | Opening tomorrow⁠
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We look forward to welcoming you to 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦-𝘭𝘪𝘬𝘦⁠, a solo exhibition by Elizabeth Atterbury and the artist’s first in Portugal. The opening reception will take place at DOCUMENT Lisbon tomorrow from 5-8pm and the exhibition will remain on view through December 20, 2025.⁠
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Based in Portland, Maine, Atterbury creates sculptures in wood, clay, stone, and metal that echo everyday objects, alongside wall-based works made with raked mortar. The sculptures in 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦-𝘭𝘪𝘬𝘦⁠ are crafted from wood, metal, and stone, forming a unified visual language that blurs the lines between found and made objects. Some forms are instantly familiar—a lock, a shell, a leaf—while others defy simple recognition, existing in a space between the symbolic and the abstract.⁠
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Elizabeth Atterbury, 𝘡𝘦𝘣𝘳𝘢 𝘈𝘳𝘬, 2025. Basswood; 8 1/4 x 4 x 3 1/2 in.⁠
Elizabeth Atterbury, 𝘓𝘰𝘤𝘬 (𝘚𝘵𝘶𝘥𝘪𝘰), 2025. Basswood; 9 x 4 1/4 x 3 in.⁠
Elizabeth Atterbury, 𝘑𝘢𝘤𝘬 𝘗𝘢𝘵𝘩 𝘓𝘦𝘢𝘧, 2025. Cherry; 7 3/4 x 4 1/4 x 1 1/2 in.⁠
Photo credit: Kate Greene.⁠
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@e_atterbury #elizabethatterbury #documentspace by @e_atterbury

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a year ago

LISBON | Elizabeth Atterbury: 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦-𝘭𝘪𝘬𝘦 | Opening October 17, 2025⁠
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DOCUMENT Lisbon is pleased to present 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦-𝘭𝘪𝘬𝘦, a solo exhibition by Elizabeth Atterbury (b. 1982, West Palm Beach, FL, USA) and the artist’s first in Portugal. Based in Portland, Maine, Atterbury creates sculptures in wood, clay, stone, and metal that echo everyday objects, alongside wall-based works made with meticulously raked mortar. The exhibition will be on view from October 17, 2025, through January 31, 2026.⁠
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Portrait of Elizabeth Atterbury, photo: Sascha Braunig.⁠
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@e_atterbury elizabethatterbury #documentspace by @e_atterbury

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a year ago

Leaf Litter, Installation view

Center for Maine Contemporary Art, Rockland, ME
May 24—Sept. 7, 2025

Curated by Kate McNamara

@cmca
@katemcn Photography @_kategreene_ taken in Center for Maine Contemporary Art by @e_atterbury

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a year ago

First feet (Waiting), 2025, Ceramic, beach sand, shells, rock, 10 x 6.5 x 4 inches (each foot), Photography @_kategreene_

@cmcanow
@katemcn by @e_atterbury

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a year ago

1. Epigraph (installation view), 2025, Wood, 192 x 12 x 12 inches, Photography @_kategreene_
2. Epigraph (detail), 2025, Wood, 192 x 12 x 12 inches, Photography @_kategreene_
3. Studio sill
4. Leaves

Leaf Litter, May 24–Sept.7, 2025
@cmcanow
@katemcn taken in Center for Maine Contemporary Art by @e_atterbury

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a year ago

Leaf Litter, curated by Kate McNamara, is up at CMCA for another month and a half. If you are in Maine, I hope you can see the show! @katemcn @cmcanow

Some images of Big Stick, in reverse.

1: Leaf Litter, Installation view.
Who am I if not from you, did you seek me, did I reach back?, 2023, Mortar, plywood, glue, 79.5 x 60 x 1.75 in. (wall)
Architecture II (Big Stick), 2025, Basswood, 89 x 5.25 x 5.25 in. (floor)

Photography: Kate Greene @_kategreene_

2: Studio, 2024

3: Studio, 2022 taken in Center for Maine Contemporary Art by @e_atterbury

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a year ago