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Eitan Ramot

@eiph1789

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Documentary Photography
Human stories in black & white
Based in Denmark Available for editorial & brand assignments

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Illum, personal shopping floor and stockroom — the start of an ongoing series on the work behind the rail. More from this project as it develops.
@b_keith by @eiph1789

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23 days ago

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a month ago

She's not shy. She's working.
A herding dog spends more time watching than being watched — the grass, the fence line, the horse she trusts more than the camera ever will.
That's the difference between a portrait and a document. A portrait asks for attention. This just asks to be left alone long enough to do its job.
I didn't ask her to relax. I waited until she forgot I was there. by @eiph1789

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a month ago

I didn't build these frames. They were already there — I just stayed long enough to see them
#bnw_demand by @eiph1789

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2 months ago

Black & White vs. Color: Same file, completely different creative choices. 🔄
I love how a simple color grade can totally redefine the mood of a landscape. It’s a lesson in perspective—what feels cold and textural in the B&W edit feels warm and inviting in color.
Which vibe do you prefer for this lone pine? 🏔️ Tell me why in the comments. by @eiph1789

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2 months ago

Stripping away the noise of color to focus purely on texture, shadow, and narrative space.
When you remove hue, every grain of tall grass, every shift in the heavy grey sky, and every micro-gesture between subjects has to carry the weight of the frame. It fundamentally alters the psychological pacing of the visual.
For those working in narrative and editorial video: how do you approach the threshold between color grading and monochrome? Where does the emotional weight live for
#bnw_demand you? Let’s talk craft in the comments. 👇 by @eiph1789

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2 months ago

There's a path here, if you know where to look — barely cut into the grass, disappearing into a sky that hasn't decided whether to break yet.
I don't chase good weather anymore. Storm light does something clear skies never will: it flattens the noise and leaves only what actually matters in the frame. This is Danish grassland photography the way I actually see it — quiet, a little unresolved, more true than pretty.
Genuine question: when's the last time you walked somewhere without knowing exactly where it led?
📌 Save this one if you need reminding that not every direction has to be marked. taken in Denmark by @eiph1789

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2 months ago

Sometimes the most meaningful family portraits aren't perfectly posed.
They're found in the laughter, the quiet moments, the muddy paws, and the love that doesn't need directions.
These are the memories that deserve to be remembered.
Which photo tells their story best? Let me know below. 🖤
Save this post if you believe the best photographs are the ones that make you feel something. taken in Copenhagen, Dennmark by @eiph1789

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2 months ago

They didn't ask the baby to hold their hand. They didn't have to.
There's a moment in every family session where people stop performing for the camera.
Not the practiced smile. Not the "look this way." Just a hand reaching for another hand — because it already knows where to go.
I don't direct much. I wait. Most of what actually matters happens in the seconds nobody plans for.
This is what I'm after when I photograph families: not the version you'd choose to show — the one that's already true.
What's your first memory of holding your child's hand? Tell me below. ⬇️
Documentary family sessions, now booking in Copenhagen. Link in bio.
#DocumentaryPhotography #FamilyPhotography #CopenhagenPhotographer #BlackAndWhitePhotography #UnposedFamily taken in Copenhagen, Dennmark by @eiph1789

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2 months ago

The portrait is only part of the story.
Brian knows how to create a frame. That's the visible part.
What interested me was everything around it—the pauses, the adjustments, the quiet, the moments no one was waiting for.
Somewhere between control and instinct, people stop acting and simply exist.
That's usually where I press the shutter.
Thank you @b_keith by @eiph1789

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3 months ago

There's a city beneath the city.
Copenhagen doesn't stop to look. This series isn't asking it to — it's just recording what's left at the edge of the rush: a silhouette under a black umbrella, a man alone facing a building that doesn't see him, a mannequin with more presence than most of the people we pass on the street.
"Streets of Philadelphia" isn't here for the place. It's here for the theme: bodies the city moves through without registering.
Save this if you walk fast too, and sometimes wonder who got left behind. taken in København Nordvest by @eiph1789

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3 months ago

Cama Adentro. Buenos Aires, 2013.
A documentary series about domestic workers who live in the homes where they work — invisible within the spaces they maintain.
Twelve years later, 78% still work without labor rights.
— @eiph1789
#documentary #documentaryphotography #buenosaires #domesticworkers by @eiph1789

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3 months ago