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@eleven04pro

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Our Alexa 35 is settling in just fine, thanks for asking! All the other cameras are a little jealous of how much attention she's getting, but I'm sure they'll figure it out soon. In the meantime, come on down for 1-on-1 demos! Our techs are happy to hang out and explore Textures, LogC4, REVEAL, and more!

#alexa35 #arri #arri35 #cinemacamera #cameragear #filmcrew #cameraassistant #cameraaccessories #cinelens #cameraoperator #camerasetup #camerarig #cameradept #cameradepartment #filmmaker #filmmakers #preproduction #filmgear #filmequipment #gearporn #indiefilm #indiefilmmaker #indiefilmmaking #chicagofilm #chicagofilmmakers taken in Eleven04 by @eleven04pro

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4 years ago

‘Feast’

Director: Brooklyn Verbeek @brooklynverbeekbooks
Producer: Nathan Ferris @nathan.ferris.9083477
DoP: Zachary Clark @espoclark
Production Designer: Zach Thomas @opaqueblinds

Gaffer: Connor Hawkins @honnorcawkins
BBE: Tyler Scanlan @scanlan.tyler
BBE: Joel Rodgers @_joel_rodgers
1st AC: Joshua Wylie @joshua.wylie
2nd AC: Cody Card @codyc3218

Zeiss Super Speed 35mm
‘Feast is a film about body dysmorphia, which, to me, is a topic that requires careful attention to lensing. Any character inherent to the optics of the glass would be applied to the actor – so we had to navigate when and how feelings of self-hallucination – or euphoria – would occur. What makes the Zeiss Super Speeds so essential to a project like this is that they are part of this tradition of cinematic language we all understand, while having a lot of character that doesn’t take audiences out of the story, or say something unwanted about body image.”

Zeiss Super Speed 25mm
‘I found myself drawn to the 25mm lens time and time again. It’s minimal of distortion makes it a versatile tool for close-ups or wides, and it has an impressive amount of character when stopped down to T2 or T2.8. This allowed us to better control highlights, peer out windows, and create wide tableaus that avoided sterility and were full of emotion. These lenses sing throughout the aperture range – there is a lot to love in a Super Speed even when it isn’t wide open.

Zeiss Standard Speed 135mm
‘The rehoused 135 was a delight – it helped us create one of the most striking images from our shoot, where we had to restrict what the audience could and could not see. Being able to play up and down the whole set of six-lens set gave our little indie a ton of freedom and storytelling ability. Being able to go from 18mm to 135mm, have the vintage attributes, Zeiss optical engineering, and a modern housing match all the way through the focal lengths, meant every single piece of glass could be your workhorse.’
#tls #zeiss #superspeed taken in Eleven04 by @eleven04pro

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4 months ago

New at Eleven04 the @blkbrdcine NATO Pivot Balancer.

Anyone who works with an Easyrig knows that a perfectly balanced camera makes all the difference. The NATO Pivot Balancer gives operators a fast, tool-free way to fine-tune balance using a pivoting arm and sliding NATO rail, making it easy to adapt to changing builds on set.

Whether you’re running a lightweight FX3 package or a fully rigged Alexa35, the adjustable design and multiple mounting positions help keep the camera balanced and comfortable throughout the day.

AVAILABLE to rent at Eleven04. #easyrig #chicagofilm #chicagofilmmaker #rentalhouse taken in Eleven04 by @eleven04pro

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4 months ago

New at Eleven04 the @lightwidowcinema Horizon Monitor Mount Kit. Designed for the kind of monitor moves operators make all day.

The Horizon arm lets you move the monitor above or to the side of the camera while keeping it level, with 16 quick-locking positions. Paired with the 3-axis monitor mount, you get pan, tilt, and roll without constantly loosening knobs or fighting awkward monitor angles.

Great for operators moving between handheld, tripod, low-mode, tight spaces, or any setup where the monitor needs to shift quickly without slowing down the build.

AVAILABLE to rent at Eleven04. taken in Eleven04 by @eleven04pro

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5 months ago

Love Super Speeds but hate the housing. Fixed!
Our new set of @truelensservices rehoused Zeiss Super Speed lenses are here. E04’s set includes an 18mm, 25mm, 35mm, 50mm, 85mm and paired with a 135mm Zeiss Standard Speed lens to round out a true 6-lens kit thats ready for your next project.
These lenses have been a staple on Hollywood blockbusters for decades for a reason. Fast, compact, sharp and full of character. With beautiful micro-contrast, gentle highlight roll-off, and separation that feels dimensional rather than clinical. It’s a look that cannot be replicated, modern lenses often chase it, but there’s something about the original coatings and optical design that stands apart.
Rehoused by True Lens Services, this set brings modern mechanics to legendary glass: Consistent fronts for matte box use Smooth, reliable focus and iris Proper witness marks your AC can trust No more fighting worn housings or mismatched builds
And yes, the triangle bokeh is gone. What you’re left with is a cleaner, more refined image while still keeping the soul of the Super Speed look. If you’ve ever wanted to shoot on Super Speeds without dealing with the usual headaches… this is that set.
AVAILABLE for rental at Eleven04 Book a demo today!
#zeiss #superspeeds #chicagofilm #rentalhouse taken in Eleven04 by @eleven04pro

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6 months ago

Meet the Canon 200mm, aka the “Eye of Sauron.” This extremely rare Canon FD 200mm f/1.8 has an ominous, almost-glowing 130mm front element. It earns its Tolkien-esque nickname for the way it frames a single, piercing specular highlight like a watchful, all-seeing eye.
This lens is part of Canon’s early “L”-series lineage, marrying Super Spectra coatings with advanced optical design which was converted to PL by Optiek and joins E04’s Zero Optik FD set.

It’s our longest, fastest full‑frame cinema prime. Expect dramatic tele compression, razor‑thin depth of field at f/1.8, buttery creamy bokeh, and high contrast with subtly vintage color rendering. Scarce on the market and prized by collectors and cinematographers for its distinctive, dramatic look. Stop by to test it, and don’t forget to add the Eye of Sauron when you rent our Canon FD set.
#canonfd #cinematography #lenses #chicagofilm #lensporn taken in Eleven04 by @eleven04pro

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6 months ago

Small lenses. Big character. We just added the @leitzcine M 0.8 Lens Series to the Eleven04 lineup. Originally designed as Leica M photography lenses, these optics were cinemodded by Leitz to be a lightweight cinema lens with 0.8 focus/iris rings keeping the small footprint that made M lenses famous.

What makes them special isn’t just the size, it’s the way they render an image. Wide open, they hold fine details with a gentle focus rolloff, rounded highlights, natural softened backgrounds, and subjects separate without feeling artificially sharp. Because these lenses are so compact, they open up possibilities for intimate camera placements that are hard with larger cinema glass. Making gimbals, handheld builds, drones, car rigs, tight interior a breeze. Sometimes the best lens is the one that lets you put the camera somewhere new.
Available now at Eleven04.

#cinematography
#cinelenses
#leitzcine
#vintageglass
#filmmakingtools taken in Eleven04 by @eleven04pro

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7 months ago

Now available at Eleven04 the IronGlass Soviet MK2 Helios 77m4 50mm. Built from original vintage Soviet optics and fully rehoused by IronGlass, this lens delivers low-contrast imagery, gentle highlight rolloff, and organic rendering that feels immediately filmic on modern sensors.

Out of focus, the 50mm produces textured, painterly bokeh with subtle swirl and smooth falloff. Some of the best Edge-to-edge in the Soviet MK2 set, maintaining soft corners and natural contrast falloff that preserve the vintage feel.

Like the rest of the MK2 set, it features consistent front diameter, modern focus and iris gears, and improved mechanical reliability.

Available for rental at Eleven04. Schedule a Demo today!
#ironglass #sovietlenses #cinematography #vintageoptics #filmlook taken in Eleven04 by @eleven04pro

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8 months ago

Now at Eleven04 Leitz Thalia Primes!!

Our 6-lens Thalia set includes:
30mm • 45mm • 55mm • 70mm • 100mm • 120mm

Designed by Leitz for modern large-format cinematography, Thalia Primes offer true full-frame and VistaVision coverage with an expansive 60mm image circle, delivering exceptional edge-to-edge performance with no falloff or softness toward the corners. The Thalias strike a balance between modern resolution and a more organic rendering, with smooth focus fall-off and pleasing skin tone reproduction that avoids a harsh or clinical feel.

Based on Leica S medium-format optical designs, Thalias combine:
• High resolution with controlled contrast
• Smooth, organic roll-off
• Minimal distortion and breathing
• Consistent performance across the entire frame

A 15-blade iris maintains a near-perfect circle at every stop, producing natural bokeh without mechanical artifacts, while modern coatings help control flare without stripping character. Mechanically, the lenses feature 270° of cam-driven focus rotation, a matched 95mm front diameter, and integrated Cooke /i metadata, making them just as production-friendly as they are optically refined.

Large format without compromise. Schedule a demo today.

📍 Available now at Eleven04 #filmrental #chicagofilmmaker #cinematography #lensporn #leica taken in Eleven04 by @eleven04pro

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9 months ago

The @aputure.lighting 400x is now available for rental at Eleven04.
Our 1200x units have been true flagship lights, and the BLAIR (Blue, Lime, Amber, Indigo, Red) color engine has more than proven itself. The 400x brings that same color accuracy and control into a smaller, more flexible package that fits easily into real-world situations.
The BLAIR engine offers genuine ± green control, with indigo emitters that help fluorescing materials behave more like natural daylight. It’s the kind of color response you notice immediately on set.
The 400x is equipped with the Pro-Lock Bowens mount which pairs great with the CF7 Fresnel and its barn doors, which makes shaping the light easy. And with an IP65 rating, it’s built for Chicago’s less-than-ideal weather days.
We’re excited to add this unit to our inventory at a great price. Available now for rental at Eleven04. #aputure #cinematography #chicagofilm #rentalhouse #ledlighting #filmmaking taken in Eleven04 by @eleven04pro

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10 months ago

New Motorola R2 walkies just landed at E04.

They’re a huge upgrade from the CP200s. With better range, way cleaner audio, and noise filtering that actually cuts through wind, generators, and busy locations. Battery life is basically all-day, and the slimmer body is way easier to wear when you’re rigging or running around on set.

The R2’s updated receiver design handles interference far better than the older CP200s, so you get fewer dropouts in hotels, big buildings, and stages. And the audio processing keeps voices level even when different departments use different mics and headsets.

Up to 64 channels, tougher build, and all your CP200 accessories still work.

Available at Eleven04.

#Eleven04Rental #FilmCrew #SetComms #MotorolaR2 #ChicagoFilm #chicagofilm #supportlocal taken in Eleven04 by @eleven04pro

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a year ago

The @revarcine 4x5 Rota Whirlpool with 49mm window has one of the most hypnotic looks we’ve seen from a filter. Thanks Mini Winnie for helping us test another filter!
The Revar Cine Rota Whirlpool has this rippling, almost liquid like texture that bends light in waves around the frame. It’s less of a swirl and more of a rolling distortion. As you rotate the tray, the pattern shifts and flows, warping reflections and stretching shapes outward while still keeping the middle of your frame grounded and sharp. Built into a 4x5. 138mm rotating tray with 0.8 pitch gears, making it easy to fine-tune on the fly and works great on wide lenses without vignetting. Come check it out at Eleven04.#revarcine #whirlpoolfilter #filmcameratests #opticaleffects #cinematographytools #behindthelens #chicagofilm #cinematographytest by @eleven04pro

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a year ago