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Elisa Mosch

@elisalotta

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curation & management @fuhrwerkswaage
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kleine outtakes 🌇 by @elisalotta

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a month ago

Save the Date!
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I am very excited and happy about the publication of my first monograph, titled *Backyard Comedy*.
160 pages. Hardcover.
The monograph is supported by the Kunststiftung NRW and will be published by Salon Verlag.
The launch date is October 2nd, 6pm at the Fuhrwerkswaage. The authors Wadim Arkadii and Elisa Mosch who wrote the great texts will give a reading from the book.
🧱
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@fuhrwerkswaage
@salonverlagedition
@w_arkadii
@elisalotta
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#publikation #book #monograph #fuhrwerkswaage
#salonverlag
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The cover shown is not yet the printed version. by @elisalotta

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2 months ago

🐒 Now on view! 🐒

@philip_emde
. 𝘊𝘰𝘳𝘳𝘪 .. 𝘢𝘯𝘥 𝘋𝘰𝘰𝘳 …
24 July – 5 September 2026

In . Corri .. and Door ..., Philip Emde (*1976 in Mannheim, lives and works in Cologne) resists the epilogue of a classical retrospective. The term feels too definitive for an oeuvre in which past, present, and possibility do not unfold sequentially, but exist simultaneously. Instead of looking backward, the exhibition bets on simultaneity. Memories, familial origins, artistic developments, and new experiences enter into dialogue with one another, forming a continuous present.

The Steiff animals are far more than recurring motifs within Emde’s work. Over decades, the artist has amassed an extensive collection and arranged them throughout his studios. His paintings and installations emerge from these figures. Sometimes they sit on shelves, sometimes they appear individually, and sometimes they encounter one another in carefully composed constellations. Elephants, frogs, monkeys, leopards, and crocodiles populate his pictorial world as active characters in a complex, emotional topography. – @elisalotta

Photos: @andrew_phelps_buffet

#philipemde #elisamosch #elektrohallerhomberg #salzburg taken in Elektrohalle Rhomberg by @elisalotta

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3 months ago

Sommer in ösn 💚🍀🧚🏼

Danke Euch
@elektrohalle_rhomberg @philip_emde @bo.neless
@ccarolinestreck @svenjabrueggemann
@aenni_pottery @andrezbalu by @elisalotta

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3 months ago

. Corri .. and Door ...
@elektrohalle_rhomberg
Opening Friday, 24 July 2026, 5 - 8 pm
24 July - 5 September 2026
Samergasse 28b,
5020 Salzburg, Austria

… Philip Emde’s world of references feeds on pop culture, film, literature, and personal mythology. Michael Ende’s The Neverending Story is particularly present. In that tale, the disappearance of imagination leads to the spread of „The Nothing.“ Emde’s works similarly circle the question of which interior spaces open up when memory, fantasy, and reality collide.

Like Michael Ende, Lewis Carroll (Alice in Wonderland), or J. M. Barrie (Peter Pan), Emde does not view play as an counter-world to the seriousness of life, but as its very form. His painting preserves childhood not as a memory of a bygone time, but as a faculty that accompanies human beings until the very end: the capacity to wonder, to invent, to forge connections, and to encounter the world anew time and again. His animals do not populate a childish fairytale world. They take the place of humans without replacing them, opening up a space where feelings, relationships, and experiences become visible without needing to be explained. As in play, meaning and direction only emerge in the process. Even the artist himself does not know the outcome. Painting and painter embark together on an adventure whose course remains open, and at the end of which both are transformed. Precisely therein lies the resistance of these works. They counter the desire for ambiguity with a poetic openness, defending play as a creative form of experiencing the world. …

( excerpt from the exhibition text by Elisa Mosch )

#emdiland #philipemde #elektrohallerhomberg #elisamosch #salzburg ……. 🌑🐆🌕 …………….. taken in Salzburg, Österreich by @elisalotta

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3 months ago

Ein Auszug aus meinem Katalogtext für Dragutin Banić @dragutin.banic zur Blauen Stunde

Katalogrelease & Lesung am 2. Oktober
Uhrzeit wahrscheinlich um die blaue Stunde herum
in der Fuhrwerkswaage @fuhrwerkswaage

Bild 1: Ohne Titel (Fenster), 2025, Hasenleim, Pigmente, Ölpastell auf Leinwand, 150 x 120 cm
Bild 2: Yellow Lounge, 2025, Hasenleim, Pigmente, Ölpastell auf Leinwand, 160 x 120 cm
Bild 3: Ohne Titel (18:57), 2025, Hasenleim, Pigmente, Ölpastell, Acryl auf Leinwand, 160 x 120 cm by @elisalotta

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3 months ago

CALL FOR CURATORS
Ausschreibung: NEXT GENERATION III
Deadline: 14. Juni 1026

Alle Infos im Link in der Bio taken in Fuhrwerkswaage by @elisalotta

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6 months ago

🕊️♊️ by @elisalotta

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3 months ago

LAST CALL: BETWEEN DEPTH AND DISTANCE
Über Nähe, Rückzug, Verletzlichkeit und emotionale Präsenz in der Gegenwart

Bewerbungen noch bis einschließlich diesen Sonntag

Alle Infos in der Bio taken in Fuhrwerkswaage by @elisalotta

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4 months ago

BETTER VERSION OF MYSELF, 2025
120x110 cm, acrylic on linen

excerpt of catalogue text by Elisa Mosch @elisalotta :

The work Better Version of Myself began with a wedding dress as its basic motif-a festive, ceremonial, soft, almost protective form that remains palpable as an underlying shape. In the layers above, it is enveloped by curved lines, overpainted multiple times, growing over the motif like dense, wavy foliage. They create a green, moss-like coat that does not erase the original form but instead envelops, protects, and warms it, offering shelter.

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Das Werk Better Version of Myself begann mit einem Hochzeitskleid als Grundmotiv - einem festlich konnotierten, zeremoniellen, weichen, fast schützenden Gebilde, das als zugrundeliegende Form spürbar bleibt. In den Schichten, die auf ihm liegen, wird es ummantelt von mehrfach übermalten geschwungenen Linien, die wie dichtes gewelltes
Blattwerk über das Motiv wachsen. Sie erzeugen einen grünen, moosig anmutenden Mantel, der das ursprüngliche Motiv nicht auslöscht, sondern umhüllt, schützt, wärmt; ihm einen Unterschlupf bietet.

Slide 4: exhibition view Syker Vorwerk, 2025/26, photos by Tobias Hübel

#newwork #fadeintoform #betterversionofmyself #delphianopencall2026 by @elisalotta

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8 months ago

Another glimpse into our catalogue Fade into Form
now available @syker_vorwerk >> Shop

or via link in bio.

With texts by @elisalotta @manya.gra @nicigi 🙏🏻🙏🏻

#sykervorwerk #catalogue #ninamariaküchler #carolinestreck #duoexhibition taken in Syker Vorwerk - Zentrum für zeitgenössische Kunst by @elisalotta

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8 months ago

the poetry of it all by @elisalotta

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5 months ago