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Ergin Cavusoglu

@ergin_cavusoglu

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Untitled /2002/ in Labour of Love at Galerist, Istanbul. 16 September - 7 November 2026. “Galerist celebrates its 25th anniversary with ‘Labour of Love’, an exhibition bringing together nearly 50 artists whose practices have shaped the gallery’s identity since its founding.”
 Untitled /2002/ is concerned with the illusion and necessity of mental images and their pictorial representation. It borrows its conceptual framework from Walter Benjamin’s work on thinking-in-images (Bilddenken). The painting addresses the transformation of the “thought image” (Denkbild) and the “image desire” (Bildbegehren) into formal visual material. ’02 E.C. Ergin Çavuşoğlu
Untitled /2002/ Oil on canvas
91,5 × 61 × 3,5 cm © The Artist Hussein Chalayan Airmail Dress - Silver Transmission /2026/ Painting and UV print on tyke 143x90 cm © The Artist :mentalKLINIK Quinn, Profile Series /2014/ Ultra nationalist, hipster, girly gothic, eco conscious, barfly, buzzer, techno nerd Tempered glass, micro-layered polyester films 174 x 118 cm © The Artists @galerist_tr @chalayanstudio @mentalklinik by @ergin_cavusoglu
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8 days ago
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“When I was building the house for my sister in Vienna I was so completely exhausted at the end of the day that all I could do was go to a ‘flick’ every night.” L.W. to Drury by @ergin_cavusoglu
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2 months ago
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“it has no master outside it, and none inside it either” /Wittgenstein, 1958/2009, paragraph 398/ by @ergin_cavusoglu
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3 months ago
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“Tomorrow the sun will hide behind the clouds. .. across the notorious Bay of Biscay.” William Langewiesche, The Outlaw Sea /2004/ by @ergin_cavusoglu
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3 months ago
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A better today! by @ergin_cavusoglu
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3 months ago
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A better tomorrow! by @ergin_cavusoglu
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3 months ago
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The Raft of the Medusa /Scène de Naufrage/ by @ergin_cavusoglu
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3 months ago
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Ergin Çavuşoğlu Haus Wittgenstein - Propellers and Propositions /2025/ Perspex (inlay) 420mm x 594mm x 5mm Hayward Gallery Touring Brings Work by 50 Leading British Artists Small Wonders: Reimagining British Art will present a journey through British art over the past half-century. 5 June - 25 July, Williamson Art Gallery in Birkenhead 11 September - 15 November, The Base in Greenham Venues in 2027 to be announced Hayward Gallery Touring is delighted to announce Small Wonders: Reimagining British Art, a new touring exhibition launching as part of the Southbank Centre’s 75th anniversary celebrations. Bringing together new and existing work by 50 acclaimed artists, the show offers an eclectic snapshot of British art across the past 45 years. The exhibition features alumni from every edition of the landmark British Art Show - the UK’s most significant recurring survey of contemporary art - spanning the inaugural 1979 iteration to the most recent in 2021. Inspired by Marcel Duchamp’s Boîte-en-valise (a ‘portable museum’ comprising miniature versions of his work), each artist was invited to contribute a small-scale work reflecting on their past involvement in British Art Show. Each approached the invitation in a distinctly personal way. Participating artists include: Abake; Tomma Abts; Caroline Achaintre; Simeon Barclay; Zarina Bhimji, Kathrin Böhm; Frank Bowling; Pablo Bronstein; Andrea Büttner; Varda Caivano; Ergin Çavuşoğlu; Michael Craig-Martin; Nicholas Deshayes; Mandy El-Sayegh; Doug Fishbone; Martino Gamper; Mona Hatoum; Marguerite Humeau; Kabir Hussain; Runa Islam; Mikhail Karikis; Kerstin Kartscher; Lawrence Lek; Tonico Lemos Auad. @williamsonart_ @hayward.gallery @southbankcentre @thebasegreenham by @ergin_cavusoglu
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4 months ago
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Dust Breeding /2011-2016/ in ‘But a Storm Is Blowing from Paradise’ at the Solomon R. Guggenheim Museum, New York. Curated by Sara Raza. April 29 - October 5, 2016. Vinyl, closed-circuit video camera, HD monitor, floor section: W3813.60 cm x H9073 cm; column: H110.9 cm x W69.5 cm; glass: W197.92cm x H132.35 cm. Installation view Solomon R. Guggenheim Museum, New York, 2016. © David Heald©SRGF, NY and Will Ragozzino©SRGF, NY Solomon R. Guggenheim Collection, New York The interplay between the layers suggests mashrabiya lattice screens and barbed wire, means of arresting movement. Visitors are encouraged to walk across Dust Breeding (2015), Bulgarian-born, London- based Turkish artist Ergin Çavusoglu’s anamorphic floor drawing that takes its title from Man Ray’s 1920 photograph of Duchamp’s Large Glass with Dust Motes ; a closed-circuit camera is trained upon a vantage point from which the drawing looks three-dimensional. Rahel Aima, Art in America (June, 2016) @guggenheim @punkorientalism @artinamerica by @ergin_cavusoglu
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7 months ago
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‘Seeing Is Believing: The Art and Influence of Gérôme’ MATHAF, Doha 3 November 2024 - 22 February 2025 ‘I Swear I Saw That’ Curator: Sara Raza A Wider Lens, A New Gérôme Curator: Emily Weeks Between Gérôme and Photography: Truth Is Stranger than Fiction Curator: Giles Hudson @mathafmodern @theofficialgerome @punkorientalism @gilesmhudson @canvasmag @leila_lebreton by @ergin_cavusoglu
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9 months ago
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ARROKA /in production/ The K–Pg boundary “And yet beneath this veil of ominous significance an entirely different one arises with the sun.” André Breton by @ergin_cavusoglu
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a year ago
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ARROKA /in production/ House With No Door /1970/ VdGG by @ergin_cavusoglu
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a year ago
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