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The Fall Show opens on Saturday @shotgunplayers 🍂🍁🍂🍂 to learn more about all the beautiful people and all the beautiful things... Link in bio. 
Here are some things that Chuck Mee wrote:

“… love is not just an agreeable option
love is the glue of human society
we can’t live without it”

And also this, of course:

“Life is a strange thing.”

Hope you can join us. 📸 by @benkrantzstudio by @erkachong
10
2 days ago
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Meet the wonderful cast of The Fall Show!

Co-created by Erika Chong Shuch and Charles Mee

It’s a huge honor to have this incredible group of artists bringing The Fall Show to life!

Can’t wait to see it? We can’t either. Previews are almost sold out, so grab your tickets while you can! 

Previews are September 25 - October 2nd 
World Premiere: October 3

Photos @benkrantzstudio taken in Shotgun Players by @erkachong
1
17 days ago
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A huge part of theater happens before anyone ever takes a seat.

For The Fall Show, we’re making 750+ plates 🙈 Here’s a little sneak peek at our first plate-making session and all the teamwork that goes into bringing this show to life.

The Fall Show
Co-created by Erika Chong Shuch and Charles Mee

Previews September 25–October 2
Grand Premiere October 3 taken in Shotgun Studios by @erkachong
2
21 days ago
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The Fall Show, our next production created by Charles Mee and Erika Chong Shuch. ⁠
⁠
A story of long-lasting love is marked by both comfort and conflict when an older couple’s unexpected romance unfolds against a maelstrom of memory and music. Lovers collide, chaos erupts, and tenderness persists in an intimate examination of love ‘til the very end.⁠
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Pay What You Can Previews: September 25 until October 2.⁠
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Tickets are already selling fast - get yours before they’re sold out!⁠
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https://shotgunplayers.org/show/fall/⁠
⁠

Photo credit @benkrantzstudio taken in Shotgun Players by @erkachong
0
25 days ago
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Meet the creators behind our next production: playwright Charles Mee and director/choreographer Erika Chong Shuch.⁠
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Charles Mee is one of the most distinctive voices in contemporary American theater. His work is known for reimagining classical stories and bringing together history, philosophy, popular culture, and contemporary life in unexpected ways. His plays have been seen at Lincoln Center, the Public Theater, New York Theatre Workshop, BAM, and theaters around the world.⁠
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Erika Chong Shuch is a performance maker and choreographer whose work is driven by movement, image, music, and collaboration. Through her performance collective For You, she has been making work with isolated elders in the Bay Area since 2020, including “Party On, Party People,” an ongoing living portrait of some of the Bay Area’s lesser-seen older characters.⁠
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Together, they bring us a surreal story of older love told through music, movement, and the words of one of American theater’s most distinctive playwrights.⁠
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Pay-What-You-Can-Previews⁠
September 25 - October 2⁠
World premiere October 3⁠
⁠
Get your tickets on our link in bio! taken in Shotgun Players by @erkachong
1
a month ago
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The Fall Show. Created by Charles Mee and Erika Chong Shuch. ⁠
⁠
In The Fall Show, long-lasting love is marked by both comfort and conflict when an older couple’s unexpected romance unfolds against a maelstrom of memory and music. Lovers collide, chaos erupts, and tenderness persists in an intimate examination of love ‘til the very end. The couple, Eddie and Sam, are joined by a six-person ensemble that serves to accentuate, disrupt, and evoke the ups and downs of falling in love.⁠
⁠
Pay-What-You-Can-Previews⁠
September 25 - October 2

Photos @benkrantzstudio taken in Shotgun Players by @erkachong
2
a month ago
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Next at Shotgun Players: The Fall Show. Created by Charles Mee and Erika Chong Shuch. ⁠
⁠
In The Fall Show, long-lasting love is marked by both comfort and conflict when an older couple’s unexpected romance unfolds against a maelstrom of memory and music. Lovers collide, chaos erupts, and tenderness persists in an intimate examination of love ‘til the very end. The couple, Eddie and Sam, are joined by a six-person ensemble that serves to accentuate, disrupt, and evoke the ups and downs of falling in love.⁠
⁠
Pay-What-You-Can-Previews start September 25 with the world premiere opening on October 3. taken in Shotgun Players by @erkachong
5
a month ago
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“1,000 Ways to Hold: A new work by Erik Chong Shuch”: Now Closed (Thank you for a great run)

It's bittersweet, but we thank you for all the beautiful moments shared on this journey. Thank you to the thousands of participants who made bowls and shared their stories, and to the thousands of visitors who appreciated the exhibition.

Stay tuned for more exciting news coming soon! by @erkachong
3
a month ago
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CLOSING SOON! August 17

Your chance to experience "1,000 Ways to Hold: a new work by
Erika Chong Shuch" ends August 17.

Come explore hundreds of ceramic bowls, stories, and moments of connection created through a year-long community project.

Visit before it's gone.

Click the link in bio for more information.

Always free. All are welcome. by @erkachong
1
2 months ago
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Images from The Table, which premiered last month at Judson Memorial Church, NYC
Presented by @pinkfangnyc, a company rooted in the artistic legacy of Ping Chong.

The following is adapted from my program note:

Creating this piece in collaboration with Mei Ann Teo and this creative team has been a genuine liberation - - the chance to step into a lineage that holds community, history, the urgency of the unheard, and something harder to name: a commitment to image that precedes argument, to sensation that arrives before meaning, to mystery held open rather than resolved.

To work in the legacy of Ping Chong is to remember that maybe the artist’s role is broader and stranger than the moment often asks for.  Do we live in a time that wants art to justify itself through legibility? To carry a message, to resolve. Ping’s legacy insists otherwise: that an image can do what an argument cannot, that work can be porous and willing to carry what it cannot explain.

The Table is made in that spirit. It doesn’t ask you to arrive at a conclusion. It asks you to let your body know something before your mind does.

In a world desperate to make sense of itself, we believe there is profound value in work that doesn’t. Not because we are indifferent to the world, but because we trust that what is felt before it is understood reaches somewhere deeper, and stays longer.

The Table
By Mei Ann Teo and Erika Chong Shuch, 
created in collaboration with the cast and creative team.

Cast: Ching Valdes-Aran, maura nguyễn donohue, Julia Gu, Rami Margron, Shannon Yu

Creative Team: Tomi Tsunoda (dramaturg), Peiyi Wong (set/costume), Tuce Yasak (lighting), Justin Hicks (sound), Hao Bai (projection)

Daniel Allen Nelson (PSM), Adrienne Swan (PM), Vivian Yining Cao (line producer)

Photos: @perryyungofficial and  @rk_co_image by @erkachong
5
3 months ago
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Straight from the source!

We have a very special gallery tour for you! Join artist Erika Chong Shuch on Monday, July 6, from 1 to 2 PM on a special tour of her exhibition, “1,000 Ways to Hold.”

Meet Erika and dive into all things related to "1,000 Ways to Hold"

For more information, click the link in bio. by @erkachong
0
3 months ago
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Behind the hundreds of bowls in "1,000 Ways to Hold: A new work by Erika Chong Shuch" (@erkachong)  is a remarkable process of making.

Throughout the year, students, faculty, staff, and community members gathered across Stanford to create bowls while reflecting on the question: What have you held, and what has held you?

The project extended beyond the workshops through ARTSINST 310: Interdisciplinary Arts Practicum: 1000 Ways to Hold, in which Stanford students helped steward the bowls from clay to finished vessels. Under the guidance of physicist, Stanford Arts Faculty Director, and ceramic artist Hideo Mabuchi, participants took part in the labor-intensive process of preparing hundreds of bowls for firing.

Each bowl was wood-fired, a traditional technique of Mabuchi. Rather than relying primarily on applied glazes, wood firing allows flame, ash, heat, and atmosphere to interact directly with the clay, producing distinctive surfaces and markings that can never be exactly replicated.

The result is a collection of vessels shaped by many hands—and by the transformative forces of the kiln itself.

"1,000 Ways to Hold: A new work by Erika Chong Shuch" is on view through August 17. ✨

#AndersonCollection #StanfordArts #1000WaystoHold taken in Anderson Collection at Stanford University by @erkachong
1
3 months ago
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