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Permanent vessels, botanicals, and solid gold.
Crafted with uncompromising ethics in Canada.
@voguemagazine @vanityfair @instylemagazine @nylonmag
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Quality reflects environmental responsibility.

True sustainable quality comes with accountability. Our materials endure, our processes respect origin, and we design for longevity to naturally reduce excess. 

We honour people and planet in equal measure, ensuring our work carries no hidden cost. Our gender-fluid objects span beauty, fine jewellery, garment, and fine art. Our designs originate in our Selkirk Mountain studio and are executed by Canadian master artisans specialising in lost wax casting, bioregional herbalism, porcelain mould making, and bespoke garment construction.

Manufacturing decisions follow strict sustainability criteria. Recycled materials and natural fibres are prioritised. Botanical formulations are developed for performance and efficacy, requiring less product over time. Recycled solid gold ensures we forgo trend cycles while designing heirloom pieces to last generations. Packaging integrates compostable bagasse, mycelium, and wool while our formula vessels are modular porcelain forms intended for long-term retention and reuse. 

Our creative exploration operates within non-negotiable ethical standards. Production remains intentionally restrained, and materials are selected for repairability, durability, and safe return to earth at the end of their intended life cycle. We remain responsible for what we put into the world and do not rely on waste or recycling systems.

When objects become entrenched in routine, they hold extended functional value, becoming inspired and stable daily touchpoints. Our role is to minimise disposal while preserving meaning, and to provide uncompromising results, transparent object provenance, and connection to material energetics. 

To learn more, join our newsletter via link in bio. by @everamid
2
7 months ago
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Herbalist lip care reduces reliance.

Skincare should heal, not create dependence. Ever Amid botanical treatments support the skin’s natural repair processes at a cellular level. When consistently used within our Lip Reset Protocol, our formulas reduce product dependence within three days.

Rooted in a family herbalist tradition, formulations prioritise bioavailability, purity, and synergistic ingredient function while avoiding fillers, petroleum derivatives, synthetic fragrance, preservatives, and essential oils. 

Each treatment begins with a sixty-day cold infusion of organic botanicals and oils, forming the concentrated Restorative Botanical Infusion. This process maximises raw extraction and preserves botanical integrity to address underlying skin imbalance.

Formulations remain intentionally minimal, emphasising potency through restraint. The organic botanicals are selected for their synergistic performance. Each ingredient serves a clear functional role to heal and protect. Our formulations comfort the skin instead of controlling it. 

Housed in handcrafted porcelain vessels, treatments merge botanical medicine with functional art while delivering measurable restoration.

Permanent Collection porcelain vessels form a modular pottery library with interchangeable lids and bases. Bespoke sculptures that evolve as collections grow. Designed for continued use beyond the formulation lifecycle, the porcelain supports versatile storage while maintaining craft presence.

Follow the studio journal:
everamid.substack.com/subscribe by @everamid
4
7 months ago
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Material choice reveals design integrity.

Our designs resist compromise and are the result of slow exploration grounded in strict ethical standards, where curiosity, sensory awareness, ambitious sustainability criteria, and collaboration guide development.

Materials are limited to solid 18k recycled gold, fine porcelain, organic botanicals, and natural fibres chosen for structural performance and sensory richness. Production emphasises precision manufacturing and material efficiency, while packaging developed from porcelain, bagasse, and wool reflects the same material intelligence as the objects themselves.

Design decisions prioritise traceable materials with sensory depth. Solid gold carries meaningful physical weight and intrinsic value while supporting energetic balance. Botanicals such as rose, calendula, and chamomile offer strength, centering, and serenity alongside performance in barrier support, environmental protection, and recovery from skin vulnerability.

There are no shortcuts to quality. Gold provides malleability and repair potential; porcelain offers archival stability and sculptural versatility; botanical formulations deliver potency through extended raw infusion; natural fibres contribute breathability and durability. The result is a collection defined by tactile richness and material presence, guided by uncompromising quality standards.

Read more at www.everamid.com by @everamid
2
7 months ago
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An heirloom made for play, the Interlocking Trine Gold Ring is now available.

Three interlocking bands move continuously, each rotating independently, held by the structure of the others. Roll them between your fingers. Slide them one over the other. Spin them around the other’s circumference. 

Reach for them when concentrating, waiting, ruminating, or when the body simply needs somewhere to put its energy.

Made in solid 18k recycled yellow gold, the Interlocking Trine is both fine jewellery and an elevated sensory object for the hand.

Designed for a lifetime and intended for everyday play.

Handcrafted in Canada. by @everamid
12
a month ago
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The art of lost wax casting.

A form is carved in wax, then encased and burned away, leaving its exact impression behind. Solid 18k yellow gold is melted and cast into the space once occupied.

The result is the Interlocking Trine Gold Ring.

Launching September 1st. by @everamid
0
a month ago
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The Interlocking Trine Gold Ring.

Three rings of solid 18k recycled gold, moving independently while relying on the others for structure.

An heirloom, a talisman, and a grounding object for the hand.

Available September 1. by @everamid
2
a month ago
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Painter @joykinna holding a one-of-a-kind Ceremonial Protection Treatment alongside one of her original paintings in her Vancouver Island studio.

The porcelain glaze and the canvas were made by two Canadian artists living in different towns without a word or a plan. When this vessel came out of the kiln, I knew it needed to be hers.

Unplanned serendipity is my favourite. by @everamid
2
a month ago
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Beginning August 12, 2026, Ever Amid will temporarily pause shipping into the United States. 

Unprecedented tariffs taking effect later this month are set to impose an additional 50% duty on affected Canadian-made goods, including products previously protected under the CUSMA free trade agreement. 

We are unwilling to risk unexpected delays and added costs to our clients. 

We look forward to returning to our U.S. clients as soon as circumstances allow. by @everamid
0
2 months ago
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Our forms become more audacious.

As the porcelain collection continues to evolve, we find ourselves drawn further from convention. Long ago, we abandoned traditional branding, plastics, glass, and metals in favour of a material language entirely our own.

This new addition explores proportion and scale and will be available late summer.

Hand formed in our studio, each piece is an object to live with, not simply look at. by @everamid
6
3 months ago
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Held close, worn often.

The Nourishing Rouge Stain leaves a soft veil of crimson colour while supporting the lips and skin with botanical nourishment. 

Our XL vessels are nearly gone from the last replenishment, but our Permanent Collection in porcelain remains.

Image @_piel_morenita by @everamid
2
4 months ago
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When I designed the porcelain vessels to house our formulas, I wasn’t interested in creating another object. I was interested in creating fewer.

Much of Ever Amid has been an exploration of how we might consume more thoughtfully while still participating in the realities of modern life. We still need skincare. We still need daily objects. We still bring things into our homes. I want those things to ask more of themselves.

This is where the larger porcelain forms emerged. They hold more formula, offer more lifetime uses once emptied, require fewer replenishment orders, and reduce the packaging and shipping required relative to volume.

What interests me most, however, is the relationship that develops with them over time. The place they earn within a home. The familiarity of reaching for the same object day after day.

I believe that sustainability is not only about using less, it is also about choosing objects we are willing to live with longer.

A limited number of vessels from the current release remain available. by @everamid
0
4 months ago
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The XL porcelain vessels return tomorrow morning. 

A second release of the sculptural forms that sold through in 18 hours after their initial release. 

Shaped by the same slow, intentional process, and made available again in limited quantity. Filled with your choice of Ceremonial Protection Treatment or Nourishing Rouge Stain. 

A modular system, where the more vessels you collect, the more unique your collection grows. Lids and bases are interchangeable. 

Tuesday, June 9. by @everamid
1
4 months ago
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