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Inci Eviner

@eviner_inci

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Artweeks Istanbul Collector’s Edition

@leventcalikoglu @papkoartcollection @hakancinarstudio @jaumeplensaofficial @irem___tok @eviner_inci @leylaemadi @laldogakarakas @fahrelnissa_zeid @birsel.selim @jeromezonder #exhibition #contemporaryart #art #artweeksakaretler @artweeksistanbul taken in Art Weeks Akaretler by @eviner_inci

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15 days ago

Opening at Mugaksa Temple.

16th Gwangju Biennale
“You Must Change Your Life”

5 September – 15 November 2026
Gwangju, South Korea

#gwangjubiennale #gwangju #biennale #16thgwangjubiennale #contemporaryart by @eviner_inci

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a month ago

16th Gwangju Biennale

"You Must Change Your Life"

 5 September – 15 November 2026

 Gwangju, South Korea

 With the curators:

Ho Tzu Nyen and Che Kyongfa

“The 16th Gwangju Biennale announces its theme, You must change your life. Inspired by the final line of Rainer Maria Rilke’s poem Archaic Torso of Apollo.”

#gwangjubiennale #gwangju #biennale #16thgwangjubiennale #contemporaryart by @eviner_inci

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a month ago

Nursing Modern Fall, 2012, HD video, 5.1 sound, 3’ loop

National Fitness, 2013, HD Video, 5.1 sound, 3’ loop

16th Gwangju Biennale

“You Must Change Your Life”
 5 September – 15 November 2026
 Gwangju, South Korea

Artistic Director: Ho Tzu Nyen
 Curators: Che Kyongfa, Park Gahee, Brian Kuan Wood

“The 16th Gwangju Biennale announces its theme, You must change your life. Inspired by the final line of Rainer Maria Rilke’s poem Archaic Torso of Apollo.”

#gwangjubiennale #gwangju #biennale #16thgwangjubiennale #nursingmodernfall #nationalfitness #contemporaryart #movingimage by @eviner_inci

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a month ago

Nursing Modern Fall / Modern Çöküşün Bakımı, 2012, HD video installation, 5.1 sound, 3’, loop.

Performers: Canan Pekiçten Yücel, Ekin Akbaş.

#contemporaryart #nursingmodernfall #art #artwork #installation #video #movingimage #cananyücel #ekinakbaş by @eviner_inci

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2 months ago

Başka bir ülkede ve şimdiki zamanda…
Özgürlük karşıtı bir gündemi olan baskıcı yönetim, başarısızlıklarını örtbas etmek için hayali düşmanlar icat etmiştir. Bu düşmanlar ülke sınırları dışındadır ve dijital teknolojilerin ulaşamayacağı kadar soyuttur. Düşmanlar tamamen bizim bilgi alanımızın dışındadır. Korku o kadar yüksek ki, tüm tartışmalar ve tutarsızlıklar ortadan kaldırılıyor ve herkes güvenli alanına geri dönüyor. Bir başka bariz sonuç da olası tüm muhalefetin ortadan kaldırılmasıdır. İnsanlar bu duruma katlanabilmek için hafızalarını silerler…

In another country and in present tense. Oppressive governance with an anti-freedom agenda has invented fictional enemies to cover up its failures. These enemies are located outside the country borders and are intangible to the extent that digital technologies cannot reach them. The enemies are entirely outside our knowledge domain. The fear is so high that all controversies and discrepancies are eliminated and everyone goes back to their safe sphere. Another obvious result is the elimination of all possible opposition. People voluntarily delete their memories to be able to endure this situation...

Beuys Underground / Beuys Yeraltında, 4K Video, 2’ 40’’ loop, 2017, commissioned by 13th Sharjah Biennial.

Performers: Sırma Öztaş, Adnan Devran.

#contemporaryartwork #contemporaryart #videoart #movingimage #sharjahbiennial by @eviner_inci

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3 months ago

IMPOSSIBLE LOVE

Video is Dead, Long Live Video

Video has never been only a medium.
It carries time, gesture, body, memory and representation while opening questions around production, display, circulation and collecting.

In the second episode of Impossible Love, programmed by Azra Tüzünoğlu as part of Art Show: Galleries Meeting 2026, Agah Uğur and İnci Eviner discuss video through two distinct perspectives: the collector’s view and the artist’s practice.

A conversation on new media, video art, representation, and the afterlives of the moving image.

Now online.

İMKANSIZ AŞK

Video Öldü, Yaşasın Video

Video hiçbir zaman yalnızca bir medium olmadı.
Zamanı, jesti, bedeni, hafızayı ve temsili taşırken; üretim, gösterim, dolaşım ve koleksiyona dahil olma süreçlerine dair sorular açtı.

Art Show: Galeriler Buluşması 2026 kapsamında, Azra Tüzünoğlu tarafından programlanan İmkansız Aşk serisinin ikinci bölümünde, Agah Uğur ve İnci Eviner videoyu iki farklı perspektiften ele alıyor: koleksiyonerin bakışı ve sanatçının pratiği.

Yeni medya, video art, temsil politikaları ve hareketli imgenin bugünkü varoluş biçimleri üzerine bir konuşma.

Yayında. by @eviner_inci

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4 months ago

Urfa Man, 2026, acrylic and silkscreen on paper, 140x101 cm

#contemporaryart #painting #drawing #screenprint #drawingroomlondon #drawingroomnewyork #haywardgallery by @eviner_inci

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4 months ago

I’ve got two works featured in the Drawing Biennial 2026 fundraising auction, which is now live.

“The Sculptor’s Joy” and “Banished from Paradise” are available to bid on alongside drawings by hundreds of leading contemporary artists, all in support of Drawing Room’s mission to champion drawing.

Visit the link in @drawingroomlondon’s bio to explore the work and place a bid.

Drawing Biennial 2026 is an important fundraising auction that offers a great opportunity to acquire drawings by renowned artists working internationally, while providing vital support that helps keep Drawing Room open and accessible to all.

@drawingroomlondon
#DrawingBiennial2026 by @eviner_inci

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4 months ago

Ilgın Hancıoğlu: Akşamüstü Bir Dakika
İMALAT-HANE Proje Alanı, İMÇ 5541

Ziyaret saatleri: 12.00-18.00

Akşamüstü Bir Dakika*, ilhamını William Beckford’un 1786 tarihli Gotik romanı Vathek’ten alır. Eserde Halife Vathek, kendisine miras kalan sarayı genişleterek her biri farklı bir duyusal hazza adanmış bina kanatları inşa eder. Bu yapıdan yola çıkan Hancıoğlu, aşırılık ve titizlikle kurgulanmış bu yapıyı bir çıkış noktası olarak ele alır; bu mekânları birbirinden ayrılmış birimler olmaktan çıkararak sınırların iç içe geçtiği hibrit bir yapıya dönüştürür.

Animasyon, büyük bir yolculuğun hemen öncesindeki sessiz bir öğleden sonraya odaklanır. Diğer sakinlerin henüz uykuda olduğu bu askıda kalmış zamanda Şeytan, beş farklı tezahürüyle odalar arasında dolaşır ve her mekânda farklı bir bedene bürünür. Çölün ortasında, dış dünyadan yalıtılmış bu sarayda figürler, nesneler ve melez formlar doğrusal olmayan, mekânsal bir anlatı içinde belirip kaybolur.

*Akşamüstü Bir Dakika, Kadir Has Üniversitesi Tasarım Yüksek Lisans Programı kapsamında İnci Eviner’in (@eviner_inci) yürüttüğü Performatif Araştırma dersinde üretilmiştir.

Mekânsal destek: İMALAT-HANE taken in İmalat-hane İMÇ Proje Alanı by @eviner_inci

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6 months ago

Hayvan Şefkati /Animal Compassion, 2025, acrylic, charcoal and silkscreen on paper, 151 x 99 cm

Tutuklu Kelimeler / Imprisoned Words, 2026, acrylic and silkscreen on paper, 114 x 85 cm

#contemporaryart #drawing #artwork #visualart #mixedmediaart #acrylicpainting #screenprint by @eviner_inci

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6 months ago

Glad to be part of Drawing Biennial 2026 with two drawings and to contribute to @drawingroomlondon that continues to celebrate drawing as an evolving and enduring medium.

Banished from Paradise, 2025, Watercolor on paper, 29.7 x 21 cm
The Sculptor's Joy, 2025, Watercolor and ink on paper, 29.7 x 21 cm

#drawingbiennial2026 by @eviner_inci

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7 months ago