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Bruno Rodriguez

@eztudiodesign

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Sneak peek breu del meu treball final de grau: Yes. this is the enemy.

Imprès a Tecnoart @tecnoart_print
Enquadernat a Encuadernadora Ràpid
Tall làser de la xapa @roserbcn_ by @eztudiodesign

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17 days ago

Gràcies per haver-me deixat una cadira a la vostra taula blanca. No hauria pogut ser millor. by @eztudiodesign

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3 months ago

Folding Papers

@rodriguezbrun0

#stilllifephoto #photography #stilllife by @eztudiodesign

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5 months ago

En esta casa siempre hemos creído que las cosas bien hechas necesitan tiempo, dedicación y, sobre todo, mucho cariño. Por eso, hemos decidido dar un paso atrás en estos tiempos tan frenéticos y crear un proyecto que no sucumba a la inmediatez del mundo moderno.

Detrás de este proyecto solo somos una madre y un hijo, ilusionados por crear piezas únicas diseñadas para formar parte de vuestro día a día.

Gracias por confiar en nosotros y permitir que sueños como el de DeMiMadre puedan seguir existiendo.

Talent aitana.ropero by @eztudiodesign

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8 months ago

PEQUIS 🖤🩶 PEQUIS

Pequis is a wireless, fully detachable lamp
Take it with you wherever you go
Shipped as shown, vacuum-sealed and protected inside an envelope by @eztudiodesign

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10 months ago

Shooting Pequis for @frankprat

#stilllife #photographer #photography #design #lampsdesign by @eztudiodesign

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a year ago

[cat]

El cens de les coses que mai haurien succeït (i d’altres que si)

Durant aquell interval suspès, res no va succeir: ningú no va nèixer, ningú no va morir.

El projecte pren com a punt de partida el canvi de calendari del julià al gregorià, decretat a Rússia l’any 1918, quan després de la Revolució, el nou govern va decidir ajustar-se al calendari occidental.
Aquella reforma va suposar l’eliminació de tretze dies sencers de la història: l’endemà del 31 de gener va esdevenir el 14 de febrer.
Aquest buit temporal, aparentment tècnic, va significar molt més que una correcció cronològica —va esborrar una porció de temps viscut, desplaçant la percepció mateixa de la realitat i del pas dels dies.
Quines coses no hauríen succeït mai a la Barcelona de 1918?

Calendari de l’1 al 31 de febrer de 1918

[Eng]

The census of things that would never have happened (and others that did).

During that suspended interval, nothing took place: no one was born, no one died.

The project takes as its starting point the change from the Julian to the Gregorian calendar, decreed in Russia in 1918, when, after the Revolution, the new government decided to align itself with the Western calendar.
That reform meant the elimination of thirteen entire days from history: the day after January 31 became February 14.
This temporal void, apparently technical, meant much more than a chronological correction — it erased a portion of lived time, displacing the very perception of reality and of the passing of days.
What things might never have happened in the Barcelona of 1918?

Calendar from february 1 to 31, 1918

#bountyhuntersarchive #designinspiration #printedmatter #editorialgrid #editorialdesign #contemporarytype #editorialdesign #artbook #editorial #graphicdesign #itsnicethat #graphicfeed #thebookdesign #visualbleed #currodsgn #stopdesigning #tomorrow_featured
@designeverywhere_ @curro.dsgn @stopdesigning @kooollektoor @iamcollaps @visualbleed @thegraphicaddict by @eztudiodesign

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a year ago

Typographic poster presenting information and statistics from the Raval neighborhood in Barcelona.
It also features visual experimentation on the neighborhood’s degradation using the printed technique of repeated copying.

#experimental #designpractice #graphicdesign #typography #typographicposter #visual #visualdesign #visualbleed by @eztudiodesign

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2 years ago

Me pisan los bajos [Research Process]
Editorial Book

In “Me pisan los bajos,” reflections are made on how the use of trousers has been a symbol of status and power throughout history, from its association with aristocracy to its adoption by revolutionary movements. Additionally, it explores how gender norms have influenced fashion and perceptions of masculinity and femininity.

The text also delves into how social pressures and gender expectations affect both men and women in contemporary society. Surveys on attitudes towards masculinity are mentioned, revealing discrepancies between social expectations and reality, as well as the persistence of gender-based violence and hate crimes in society. Furthermore, it discusses how perceptions of fashion and masculinity have evolved over time.

BAU, 2024

#graphicdesign #design #graphic #scan #scanning #designthinking #editorial by @eztudiodesign

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2 years ago

Honored to be part of @mcr_bcn

The handwriting of a grandmother, who arrived in Barcelona from Posadas (Córdoba), is the starting point of this work. Shaped by the stories of migrants from the 1960s, the piece pays tribute to their collective effort and transforms memory into legacy, a reminder of the value of those who built our city with sacrifice and allowed us to grow among its streets.

I would like to thank Sebastiana, Angeles, Juan, Araceli, Efigenia, Paquita, Antonio, Paco, and Luisa for sharing their time with me. My gratitude also goes to the organizers for creating this festival and for giving us the chance to collaborate and share processes with such talented creatives.

Find out more about the festival, as well as the work of the other participants, on their website

@mcr_bcn @studiodbd @marketingmanchester @adgfad

[Cat]

És tot un plaer poder formar part del @mcr_bcn

La carta d’una àvia, que va arribar a Barcelona des de Posadas (Còrdova), és el punt de partida d’aquesta obra. Nodrida per les històries dels migrants dels anys seixanta, la peça ret homenatge al seu esforç col·lectiu i transforma la memòria en llegat, un recordatori del valor d’aquells que van construir la nostra ciutat amb sacrifici i ens van permetre créixer entre els seus carrers.

Vull agrair a Sebastiana, Ángeles, Juan, Araceli, Efigenia, Paquita, Antonio, Paco i Luisa per compartir el seu temps amb mi. Agrair també als organitzadors, per crear aquest festival i donar-nos l’oportunitat de col·laborar i compartir processos amb creatius tan talentosos.

Podeu trobar més informació del festival a la web del festival.

@mcr_bcn @studiodbd @marketingmanchester @adgfad by @eztudiodesign

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a year ago

Zooming in on details by @eztudiodesign

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2 years ago

Jungle (sleep soundscape) - The Blaze

This Jungle album offers a complete sensory immersion. To capture the essence of this experience, I have chosen to represent it using the technique of blind embossing. This printing technique adds relief or texture to certain areas of the design, achieving tangible elevation on the paper by applying pressure through a die or special plate during the printing process.

What makes this album unique is that all its sides are crafted using blind embossing, completely foregoing printed ink. On the covers, we find non-figurative shapes symbolizing the dreamiest part of sleep, while the vinyl sleeves remind us of a bed.

@theblazeprod
@bau_bcn

#graphic #theblaze #theblazejungle #design #vinyl #music #vinylcollection #vinyldesigns
#bountyhunters #bountyhuntersarchive #graphicdesign #visualbleed #photography #visual #visualdesign #printisnotdead #digitalarchive by @eztudiodesign

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2 years ago