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FRANCESCA EMILIA MINÀ aka FEM

@fe__________m

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Notes on Beats and Be-Bop Ep. 3 - Under The Influence out now on @radioraheem.milano 📂📑🔗
https://www.radioraheem.it/notes-on-beats-and-be-bop/notes-on-beats-and-be-bop-3-under-the-influence/

You may be surprised / The people in this world / Are getting organized / You’re bound to lose / You fascists are bound to lose 🎶

La scaletta della puntata andata in onda il nove maggio scorso subiva un cambio in corsa la notte prima della sua messa in onda, dal momento che mi rendevo conto che gran parte del cantautorato folk americano di seconda ondata, che si era formato anche sulle pagine beat di protesta e dissacrante critica sociale, contribuiva alla messa in musica di un certo tipo di poesia politica. Conflitti violenti chiamavano forte una rivendicazione collettiva di giustizia sociale e dignità umana.

La tensione politica e sociale scatenata all’epoca dalla guerra fredda e dal conflitto in Vietnam per Dylan e Baez, il Maggio francese per De André nel momento in cui decide di scrivere “Storia di un impiegato”, porteranno ad un’urgenza collettiva di “dichiararsi” politicamente in musica e di prendere posizione netta rispetto a soprusi e oppressioni, consapevoli della necessità di una lotta comune.

La Bomba In Testa - Fabrizio De André
[Archive] Fabrizio De André, Mauro Pagani e Gregory Corso ospiti di @fondazionegiannimina per la quarta puntata di Blitz, su cantautorato e poesia impegnata
All You Fascists - Woody Guthrie
Which Side Are You On - The Weavers
Subterranean Homesick Blues - Bob Dylan
A Hard Rains A-Gonna Fall - Pete Seeger covering Bob Dylan
Cocaine Blues - Dave Van Ronck
Gloria in Excelsis Deo - Patti Smith
Ballad of Sacco and Vanzetti - Joan Baez
The Revolution Will Not Be Televised - Gill Scott Heron
When The Revolution Comes - The Last Poets
Excursions - A Tribe Called Quest
Goodbye Pork Pie Hat - Joni Mitchell, Pat Metheny, Jaco Pastorius, Michael Brecker, Don Alias covering Charles Mingus by @fe__________m

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2 years ago

@clubtoclub by @fe__________m

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2 years ago

lc_08.10.2026 w/felicity j lord + corporate finance by @fe__________m

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a day ago

recurring series that sees me outmogging two handsome gentlemen by my side by @fe__________m

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22 days ago

lc_17.09.2026 w/ Dave Bixby by @fe__________m

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a month ago

Paid, Not Bought. An essay by @fe__________m revisiting her memory of Diego Maradona's final interview with her father, the Italian journalist Gianni Minà, in the 1990s, and reconnecting that conversation with the realities of today. Accompanied by @franco_p._v._'s photographs of Maradona's funeral in the streets of Buenos Aires, the essay explores the footballer's sociopolitical legacy, reinterpreting his final words as prophecy and asking what truly defines a legend and why Maradona may have been one of the last.

Read the full text on MAFC Issue 1 by @fe__________m

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2 months ago

everything i do comes from a place of love by @fe__________m

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2 months ago

This year marked @__balay’s first birthday. I had the pleasure of sitting with Ray Ibarra (@_eathaaat) for a couple of hours, inside one of my favourite places in Milan, to reconstruct the genesis of the stories behind a sentimental almanac of objects gathered from all over the globe, now living inside the place.

balay means home, and that was our starting point.

Thank you to my beloved @plentyofema, @nardi_giulia and @aaronwski for granting me the trust to tell this story.

Thank you to @pamplem0uss3, the silent presence behind a great part of these acquisitions.

Thank you to the ones who bring this place alive and let people feel at home through their service every night, @andrea_amancho @haroldkeanelising @jayrome009 @sickoness.

BALAY - Atlas of Objects from Ray Ibarra’s Collection (2021-2026)

Edited by @cose.journal
Concept, Art Direction & Design
@1plus1plus1plus1plus1plus1plus
@plentyofema
@nardi_giulia
@cose.journal
Photography by @alecio.untitled
Assistant Photographer @riccardo_ruffolo
Set Design by @adrianapintoazevedo by @fe__________m

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3 months ago

peter² by @fe__________m

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4 months ago

di getto su “mairiso” di @deepho21
*porta venezia by @fe__________m

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5 months ago

Oneplus curated the visual identity and book design of “Dove Non Si Muore Mai”. 💀

“Dove Non Si Muore Mai is a multidisciplinary book project developed by @southmanifesto and @ipogeodeicristallini.
It uses the ancient Ipogeo dei Cristallini in Napoli’s Rione Sanità as a starting point to explore private grief, memory, and their collective consequences.

The book brings together @brett_lloyd’s photographic reading of the Ipogeo and four long-form interviews curated by @fe__________m with specific Napoli-related identities: Don Antonio Loffredo, former parish priest of the Rione Sanità; film director Antonio Capuano; photographer and fashion mastermind Francesca Vitucci Sorrenti; and Falconero, a world-weary witness to Napoli’s street economy. Added to this are an excerpt from a 2001 conversation between Gianni Minà @fondazionegiannimina and Diego Armando Maradona, and a series of interviews with the youth of the Rione Sanità.”

Dream team:
Book by @southmanifesto and @ipogeodeicristallini
Editor @fe__________m
Photographer @brett_lloyd
Design director @axelagerborg
Curated by @feberico @iamyellowboy
Custom jewel design by @nastin____ by @fe__________m

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9 months ago

I wrote my FOREWORD for Dove Non Si Muore Mai at my father’s desk, on the night between November 1st and November 2nd, 2025.
 Dove Non Si Muore Mai is a multidisciplinary book project developed by @southmanifesto and @ipogeodeicristallini, and designed by @axelagerborg and @1plus1plus1plus1plus1plus1plus. It uses the ancient Ipogeo dei Cristallini in Napoli’s Rione Sanità as a starting point to explore private grief, memory, and their collective consequences.

The book brings together @brett_lloyd’s photographic reading of the Ipogeo and four long-form interviews I curated with specific Napoli-related identities: Don Antonio Loffredo, former parish priest of the Rione Sanità; film director Antonio Capuano; photographer and fashion mastermind Francesca Vitucci Sorrenti; and Falconero, a world-weary witness to Napoli’s street economy. Added to this are an excerpt from a 2001 conversation between Gianni Minà @fondazionegiannimina and Diego Armando Maradona, and a series of interviews with the youth of the Rione Sanità.

My premise for these interviews was simple: to speak today of private mourning, knowing that for entire populations the private no longer exists—because houses are gone, because cemeteries are rubble, because borders are sealed and IDs no longer match bodies—is perhaps the greatest luxury of the West, which is at once the beneficiary of these conditions and jointly responsible for them.

The fact that beneath the Rione Sanità still stand four tombs of a Hellenistic necropolis from the fourth century B.C. is a material reminder, carved into tuff, of what is needed for grief to come to completion: a place, an inscription, a walkable route. And at the same time, it is a lesson against the naivety with which we often look at “the classical,” as if archaeology were a neutral past and not, on the contrary, proof that when the infrastructures of mourning remain standing, a human community, with all its contradictions, can remain standing as well.

Forever grateful @feberico e @iamyellowboy. by @fe__________m

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