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Elisa

@ferroni_elisa

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Architect | Art Historian | Curator
👩‍🎓 @courtauld, @polimi grad
✍️ @exibart

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As @artverona 2026 draws near, I would like to invite you to pick up a copy of the new issue of @exibart no. 134, available as a free press publication at the fair throughout its opening days.

For this issue, I had the pleasure of speaking with @balbi_lorenzo, the newly appointed Director of the Civic Museums of Verona. Our conversation explored his vision for the city and its cultural landscape, with particular attention to the role of contemporary art, and to the possibilities of creating meaningful synergies within such a complex and diverse museum system.

My thanks to @balbi_lorenzo for sharing his perspectives, and my very best wishes to him for this new chapter. Thank you also to the entire @exibart team for making this conversation possible.

Buon Art Verona a tutti! taken in ArtVerona Fiera d'Arte by @ferroni_elisa

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8 days ago

GINO BOGONI. UNA VITA PER LA MATERIA

🗓️ 09.10.2026 — 22.12.2026
📍Via Amatore Sciesa, 24 — Verona

In occasione di @artverona 2026, galleria Faraci Arte | Atelier Bogoni presenta la prima mostra dedicata ai disegni e all’opera scultorea di Gino Bogoni negli spazi in cui l’artista ha originariamente lavorato.

Ripercorrendone il lavoro dagli anni Sessanta agli anni Ottanta, la mostra dedica particolare attenzione alla ricerca spazialista su carta, con cicli di opere come Pensieri in Movimento (1968), Momenti (1968), Ombre e Nuove Ombre (1988) e Forme Materiche (1974). Il percorso conduce poi alla scultura, attraverso opere significative come Seme Cosmico, Ombre, Heliantus e Frutto Oggetto Scultura (1967), quest’ultima visibile anche in grande formato in Piazza San Nicolò, a Verona, e al Museo Revoltella, a Trieste.

Inserita nel clima artistico del secondo dopoguerra, la ricerca di Bogoni dialoga con lo Spazialismo e l’Informale, in particolare con l’esperienza di Lucio Fontana, con il quale l’artista condivise una proficua amicizia e importanti occasioni espositive, tra cui la XXXIII Biennale di Venezia del 1966.

🕰️ ORARI DI APERTURA DURANTE ARTVERONA

9 ottobre
10:00–13:00 | 15:00–21:00

10 ottobre
10:00–13:00 | 15:00–19:00

11 ottobre
10:00–13:00

La mostra è parte degli eventi collaterali di @artverona 2026.

#GinoBogoni#UnaVitaPerLaMateria#ArtVerona2026#FaraciArte#ArteModerna by @ferroni_elisa

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9 days ago

“In un’opera di Vincenzo Agnetti si legge che il valore dell’opera d’arte aumenta, in un ipotetico grafico cartesiano, in proporzione alla necessità che questa suscita in noi. Se si prendesse per vero questo parametro, oggi Agnetti apparirebbe più che mai necessario”.
Scrivere di Vincenzo Agnetti, uno dei grandi protagonisti dell’arte concettuale, è stato un vero privilegio.
Un artista che ha fatto del linguaggio uno strumento di pensiero critico, anticipando riflessioni ecologiche che oggi sentiamo urgentissime.
Nel nuovo articolo di oggi, su @exibart, racconto perché Agnetti parla ancora così chiaramente al nostro presente.
Ph. Vincenzo Agnetti, Surplace, 1979; Vincenzo Agnetti, Autotelefonata (No), particolare, 1972. by @ferroni_elisa

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8 months ago

CONTATOO. IBRIDAZIONE 17
Giovanni Morbin, in collaborazione con un tatuatore, incide sul proprio corpo, senza inchiostro, la traccia di una presenza vegetale. Un gesto temporaneo che riflette sul corpo come superficie sensibile, attraversata da segni, tempo e relazione con il vivente. L’azione esplora il rapporto tra corpo umano e mondo vegetale, tra traccia e trasformazione, estendendosi nello spazio espositivo e nell’edizione come forma di permanenza. In collaborazione con Elisa Ferroni ed Ermanno Crescini taken in Habitat Ottantatre by @ferroni_elisa

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8 months ago

CONTATTO. IBRIDAZIONE 17
Giovanni Morbin

Essere umano e vegetale si incontrano, si toccano, si ibridano.

Sabato 31 gennaio, Giovanni Morbin presenta una nuova performance inedita nella quale il corpo diventa superficie sensibile. In collaborazione con un tatuatore, @nerofumo, l’artista si fa incidere sulla propria pelle, senza inchiostro, la traccia di una presenza vegetale.
Un gesto forte e fragile, che riflette su segno, tempo e relazione con il vivente. In collaborazione con @ferroni_elisa.

L’azione segna il finissage della mostra Fuori dalle Orbite, ultimo appuntamento per visitarla.

📍 Habitat Ottantatre
via Mantovana 83/E, Verona
🗓 31 gennaio 2026

🕚 ore 11.00
Apertura / introduzione

🕛 ore 12.00
Azione performativa

A seguire
Incontro con il pubblico nelle sale della mostra
Presentazione dell’edizione numerata by @ferroni_elisa

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9 months ago

Provence, tu étais merveilleuse 🧸 taken in Provence, France by @ferroni_elisa

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9 months ago

It was a pleasure to write about Carla Accardi for @exibart. One of the most influential Italian artists of the twentieth century.
Sharing here an image of one of my favorite works, Grande Trasparente (1975), in dialogue with the salt flats of Trapani, where her roots lie.
Hope you enjoy the article! by @ferroni_elisa

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10 months ago

🌹 taken in Bistrot de Venise by @ferroni_elisa

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10 months ago

✨ My latest article for @exibart is now live!
Antifona - the immersive new sound work by Shezad Dawood, awarded the inaugural Colline ad Arte (@collinepatrimonioumanita) prize - lets the Prosecco Hills speak through plant bioelectricity. Developed with ethnobotanist Michal Moss and composer Teresa Winter, the piece unfolds as an immersive musical composition where plants, trees and fungi form a living, polyphonic chorus.

I spoke with Shezad and the curators behind this first edition of Colline ad Arte, exploring the process, the vision and the ideas that shaped this unique project. Our conversation opened up unexpected insights, behind-the-scenes stories and broader reflections on ecology, deep listening and alternative futures.

Huge thanks to Shezad Dawood, Sabrina Donadel and Valeria Szabó Facchin for their generosity and inspiration!

Ph. Sabrina Donadel, Simone Masetto by @ferroni_elisa

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a year ago

Tomorrow, July 4th, opens S.W.O.T. Plastic, a solo exhibition by artist Guillaume Krick at Redaktion in Lucerne, on view until August 9. The opening also marks the launch of issue #181 of _957 Art Magazine, featuring a critical text written by me titled ‘S.W.O.T. Plastic: Challenging Strengths, Weaknesses, Opportunities and Threats of Our Time’.

The text explores how Krick’s work turns industrial debris, from oil barrels to plastic toys, into archaeological artifacts of the present, raising questions about memory, materiality, and the ecological legacy of our time.

I’m really happy to have been part of this project! 🧡 Congratulations @guillaumekrick, and thank you for inviting me to write about your work (which I’ve loved from the moment I first saw it!).

📍 REDAKTION, Himmelrichstrasse 4, Lucerne
🗓️ July 4 – August 9

Don’t miss it!

#guillaumekrick #swotplastic #957magazine #redaktion #lucerne #artopening #contemporaryart #artwriting #ecology #artandecology taken in Lucerne, Switzerland by @ferroni_elisa

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a year ago

I’m pleased to share my interview with Katerina Gregos (@katerina.gregos), artistic director at EMST Athens (@emstathens), published today on @exibart. Together we discussed the strategic decisions behind the museum’s permanent collection, temporary exhibitions, and her vision for the institution’s future. We also touched on how the museum engages with pressing political and social issues, using art as a tool for reflection and dialogue in today’s world.

Many thanks to Katerina Gregos for her time and valuable insights. Her leadership and innovative approach offer shifts in thinking that we can all take inspiration from.

Hope you will enjoy the reading!

https://www.exibart.com/musei/lemst-di-atene-protagonsita-della-scena-culturale-nazionale-e-internazionale-parola-di-katerina-gregos/

📸:
1. Yael Bartana, “What if Women Ruled the World”, 2016, neon. Photo: emst.gr.
2. Installation view of “Women, Together” with works by Maria Tsagkari (EMST Collection), Hera Buyuktasiyan (EMST Collection), Etel Adnan (work on loan, courtesy Saradar Collection, Paris/Beirut).
3. Installation view of “Women, Together” with works by Cornelia Parker (left, center) and Tracey Moffatt (right), part of the D. Daskalopoulos donation to EMST.
4. Installation view of Bouchra Khalili’s exhibition “Lanternists and Typographers.” Photo: Paris Tavitian.
5. Portrait of Katerina Gregos. Photo: Paris Tavitian. by @ferroni_elisa

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2 years ago

Nancy Holt’s Sun Tunnels in Utah, 1977.
📸 Scott T Smith/Getty Images

‘If it’s sunny, light dapples through holes in the pipes arranged in the constellations Capricorn, Columba, Draco and Perseus – as if you were walking on stars. Twice a year, on the summer and winter solstices, the sun will align exactly with the tunnels and the light will pour through. Using the Earth and cosmos as her tools, Holt, who died in 2014, accentuates the vast beauty of the natural world by providing a vessel with which to view it’ @katy.hessel

#nancyholt #suntunnels by @ferroni_elisa

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2 years ago