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Fred Orgone

@fredorgone

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PhD candidate UQAM. Video games as training tools for the chthulucene. Industrial hymns through Un Regard Froid. Videowork of noise, void, liminality.

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Cyborg T.A.R.O.T. MK5 - Final Built and internal organs.

Leaving for Marseille for all of October. The device will be presented at @biennalechroniques during "Disobeying in the Digital Age" exhibition.

Noisy and striking, the media artwork *Cyborg T.A.R.O.T.* (short for *Apophenic Teratology of Organic and Technological Rhizomes*) consists of an interactive installation offering a kinetic interpretation of a reimagined tarot deck. Each three-minute experience is personalized. The subject’s biometric data alters the arrangements produced by distorted generative AI models that remix the 19,270³ potential combinations. Rather than divination, each reading unfolds into a posthumanist exploration that blurs the boundaries between corporeality and becoming. In its metaphysical scope, the work is an investigation of noise, parasitic inputs, and sensory saturation as a gateway to the unintelligible.

From October 23 to December 13, 2026
From Wednesday to Sunday, 2pm to 7pm

Friche la Belle de Mai
La Tour, 4th floor
Marseille

Silicon hand by @mag.lc. Controller frame by @vero_sceno. Developed with the help of @sporobole and CALQ. by @fredorgone

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3 days ago

Testons @saisonsaison__ 🤭💕 taken in Quebec, Quebec by @fredorgone

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12 days ago

Quelques "avant-après" du processus de création du Cyborg T.A.R.O.T. qui a débuté en 2023. Ce projet est le prisme par lequel j'explore les nouvelles affordances de l'IA générative. Mais ce fut également la chance de découvrir @sporobole qui sont des alliés précieux dans l'exploration, le prototypage et maintenant la mise en forme d'une version adaptée pour un contexte d'exposition. Du chaos informe (et qui se débranchait constamment) a émergé quelque chose qui demeure incompréhensible 👾

Un grand merci à Guillaume Lévesque pour la sorcellerie électronique et @mag.lc qui a sculpté le contrôleur haptique. Prochaine étape : le boîtier avec @vero_sceno et réussir à passer les douanes afin d'exposer le tout à @biennalechroniques !

Nous dérivons sans faute vers le bruit, mais nous venons du bruit.
- Michel Serres

La rencontre de deux cartes donne un dialogue, et c’est à partir de trois cartes, comme à partir de trois personnages, que le Tarot devient dynamique. Avec trois cartes, un phénomène artistique dense se produit.
- Alejandro Jodorowsky Voir moins by @fredorgone

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a month ago

Discarded Major Arcanas 16-22 // Tower, Star, Moon, Sun, Judgment, World

Cyborg T.A.R.O.T. MK5 - Marseille October-December 2026

´Ne plus rire, ou sourire des questions: «D’où venons-nous?
Pourquoi existons-nous ?», mais ruminer le fait remarquable que les réponses «De rien. Pour rien » sont effectivement des réponses. Et découvrir, de ce fait, que ces questions étaient effectivement des questions - excellentes, de surcroît.
Il n’y a plus de mystère, non parce qu’il n’y a plus de problème, mais parce qu’il n’y a plus de raison.

Quentin Meillassoux // Après la finitude: Essai sur la nécessité de la contingence by @fredorgone

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a month ago

L’équipe de @sporobole a testé le plus récent prototype du Cyborg T.A.R.O.T. MK5 avec une première version du contrôleur haptique sculpté par @mag.lc. Le contrôleur capte la réponse galvanique de la peau et la pression exercée afin de paramétrer les glitches et la génération video. La version finale sera présentée à la @biennalechroniques à Marseille cet automne. by @fredorgone

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2 months ago

Discarded Major Arcanas 0-7 // Fool, Magician, High Priestess, Empress, Emperor, Hierophant, Lovers, Chariot

Cyborg T.A.R.O.T. MK5 - Marseille October-December 2026 @biennalechroniques by @fredorgone

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2 months ago

Released 12 years ago today (!!!) One of my favourite music videos as a director/editor: Rapture by the Norwegian synth unit @threewinters_official . Featuring @anderzb and @kimsolve . The track is part of their LP Chroma, a masterpiece according to my humble opinion. Three Winters also graciously offered a track for the credits of my feature film ANA.

The video is a tribute to polygonal phobias, cyberpunk architecture and hours of solitary crawling inside the virtual labyrinths of video games’ future shock: Despiria, Syndicate, Snatcher, etc. VHS remix of tunnel visions in forgotten softwares. Cinema is dead; stop re-editing its corpse. Find it online and PLAY IT LOUD. by @fredorgone

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2 months ago

🎟️ Billets disponibles dans notre bio // Tickets available on our insta bio 🎟️

#LUDODROME vous présente : Frédérick Maheux.

HYPERDEATH is an #arcade #videogame inspired by the works of Jean #baudrillard. taken in Agora Hydro-Québec de l'UQAM by @fredorgone

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2 months ago

🎟️ Billets disponibles dans notre bio // Tickets available on our insta bio 🎟️

#LUDODROME vous présente : Frédérick Maheux et Nadia Seraiocco.

GRAPEFRUIT is a #videogame based on four interpretations of @yokoono « Instructions » book. taken in Agora Hydro-Québec de l'UQAM by @fredorgone

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2 months ago

Speculative media xenoarcheology prompting. Next phase in developing an organic/epidermic video collage framework. Instagram video resolution doesn't do justice to the amount of morphing textures pollinating across layers. You will have to come to Marseille to witness the full experience. by @fredorgone

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2 months ago

AI Slop X Fragment:Flow

Audio: Un Regard Froid -
Famille (L'immoralità) by @fredorgone

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3 months ago

“I have a special plan for this world”
XX-Judgment and training sediment. by @fredorgone

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3 months ago