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FritoStudio

@fritostudio_

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Experimental
Industrial Design Studio

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NO SOFT COLORS
loud energy, texture & character taken in Buenos Aires, Argentina by @fritostudio_

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16 days ago

¿Qué construye el color cuando trabaja con la materia, la forma y el espacio?

COLOR EN TENSIÓN explora cuatro paletas desde la percepción, la materialidad y el diseño.

01 — Materia Serena
Verdes apagados, arena y negro.
Ideal para mobiliario, interiores, iluminación y objetos donde la textura y la materialidad tienen protagonismo.

02 — Tierra Estructural
Arcillas, arenas y grises.
Funciona en arquitectura, revestimientos, equipamiento y productos que buscan peso, estabilidad y permanencia.

03 — Pulso Natural
Una base neutra atravesada por coral.
Perfecta para producto, outdoor y señalética, donde el color puede orientar la atención, marcar una interacción o destacar una función.

04 — Energía Funcional
Azul, turquesa, rosa, amarillo y rojo.
Una paleta para interfaces, movilidad, retail y objetos interactivos donde el color organiza funciones, jerarquías y puntos de atención.

Cada paleta se analiza por la relación entre sus colores y por la función que asumen dentro del sistema: construir jerarquía, equilibrar, orientar o activar.

La percepción del color no depende solo del tono. Saturación, luminosidad, contraste y contexto también influyen en cómo leemos una combinación y en la respuesta visual que genera.

Color como materia.
Color como jerarquía.
Color como función.

F: Valdez & Mehrabian · Wilms & Oberfeld · Palmer & Schloss · Elliot & Maier taken in Buenos Aires, Argentina by @fritostudio_

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a month ago

Eco water bottle crefted from recycled plastic

♻️How much recycled plastic does it take to make a 400 ml bottle?
150 grams of recycled plastic! That’s roughly equivalent to:
🩵 3–4 recycled 1.5-liter plastic bottles
💚 10–12 recycled 500 ml plastic containers
🤍 20–25 recycled plastic bags

♻️¿Cuánto plástico se recicla para fabricar una botella de 400ml ?
*150 gramos de plástico reciclado*: Esto equivale a:
🩵 3-4 botellas de plástico de 1,5 litros
💚 10-12 envases de plástico de 500 ml
🤍 20-25 bolsas de plástico

. #blender #recycle #waterbottle #eco #modeling taken in Turin, Italy by @fritostudio_

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2 years ago

Experimental glass dispersion meets a minimal coffee maker concept taken in Turin, Italy by @fritostudio_

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2 years ago

3D printing is my passion 🤣

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#blender #blendercommunity #3dprinting #product #helmet #vinyl #polarizado #modeling #render taken in Barcelona, Spain by @fritostudio_

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2 years ago

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2 years ago

🌃 by @fritostudio_

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2 years ago

FLAIL CHAIR CONCEPT
Experimenting textures

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#blender #cyclesrender #metal #digitalarchive #blendercommunity #design #industrialdesigner #industrialdesigncommunity #digitalart #6tm_magazine #render #rendering #3dmodeling #3dmodel #chair #amchair #3dconcept taken in Barcelona, Spain by @fritostudio_

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2 years ago

Il Sacrificio by @fritostudio_

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4 years ago

moss in all its (or my) perspectives taken in Lago di Como by @fritostudio_

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4 years ago

by @fritostudio_

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4 years ago

ESCANEO 3D - HORNED HELMET
Período: 1512
Artista: Konrad Seusenhofer
ubicación: Royal Armouries Museum
Dimensiones: 485 mm 335 mm 370 mm
Modelado 3D: escaneado
Escáner: Creaform Go!SCAN 3D

Probably the most recognisable object in the Royal Armouries' collections is the 'horned helmet' of Henry VIII. The helmet is notable for its grotesque mask, its brass spectacles supported by a hooked and dripping nose, and for its ram's horns. For five centuries its extraordinary features have stimulated the great scholarly debate.

A 'headpiece with a ram's horn', was listed among Henry VIII's possessions after his death. Recent research suggests that the mask compares closely with the face of the "Schellenunter", or "Knave of Bells", a 'fool' on a playing card designed by Peter Flötner, a 16th-century German artist famous for drawing grotesque characters. This figure has the same close-fitting hood, hooked and dripping nose, stubbly chin and 'rivet' spectacles. The presence of horns, however, remains a subject of debate.

In 1511, two years after Henry became king, Maximilian I, the Holy Roman Emperor, commissioned his armourer, Konrad Seusenhofer, to make an armour decorated with gilded silver panels as a diplomatic gift for Henry. But many scholars believe it is unlikely that Maximilian would have sent Henry such a helmet since horns were so often regarded as the sign of a cuckold. taken in Royal Armouries by @fritostudio_

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4 years ago