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Giulia Celuppi

@gceluppi

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“VIVONO. Art and Feelings, HIV-AIDS in Italy 1982–1996. Reader” (@aa_xx_ii_ss, 2025) recalls an era whose memory “is incomplete, fragmented, hidden, but full of love,” extending its scope beyond 1996 to foreground practices of care, self-help, and harm reduction across alternative networks. In Annie Ernaux’s “The Other Girl” (@fitzcarraldoeditions, 2025), the narrator seeks to “put an end to the blur of the past,” confronting an absence that shaped childhood and the unsettling sense that “one had to die for the other to live.” Robert Glück’s (@4321robert) “Jack the Modernist” (@nybooks, 2025), a manifesto for New Narrative, unfolds as “a love affair told… from my house to yours,” where theory turns into gossip and gossip into theory.

Follow the link in our bio to read the Books column by Mousse editors Barbara Casavecchia (@barbara_casavecchia), Chiara Moioli (@imsoemptyilikememes), and Giulia Celuppi (@gceluppi) from Mousse 94–Winter 2026.

Photo: Rita Lino (@rita_lino) by @gceluppi

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6 months ago

by @gceluppi

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a year ago

Detail from “Saint Jerome and Sainte Catherine” (ca. 1480–1490). The label notes: “The costly heart-shaped book she holds probably contains profane love songs.” taken in Rijksmuseum by @gceluppi

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a year ago

Susan Sontag quoted by @blangagubbay in “Notes on Spitting: Part 2, A Signature Truer Than the Name” (Mousse 92, Summer 2025) @moussemagazine by @gceluppi

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a year ago

Sólo revistas Literature only Somente literatura taken in Aeroporto Internacional de Porto Alegre by @gceluppi

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2 years ago

Jiajia Zhang; Ghislaine Leung; Liliana Moro; Nina Beier; Maggie Nelson; Adelita Husni Bey; Stephanie LaCava; Mona Filleul; John Giorno; fioraio; sotce– by @gceluppi

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2 years ago

[I’m a little late to the party, but] diving into the visuals for Mousse #86—Winter 2024 and exploring Anna Oppermann’s kaleidoscopic ensembles was an absolute joyride. This survey analyzes how, from her Hamburg kitchen table, Oppermann navigated her role as a woman and mother in postwar Germany, and examined the notion of “being normal,” questioning ideas of normalization and of “being different” through her works. Heartfelt thanks to my dear @imsoemptyilikememes and @madeleinehns, and to @galerie_barbara_thumm. by @gceluppi

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3 years ago

Soy loco por ti, América taken in Porto Alegre, Brasil by @gceluppi

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3 years ago

by @gceluppi

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3 years ago

taken in Porto Alegre, Brasil by @gceluppi

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3 years ago

taken in Ferrel, Portugal by @gceluppi

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3 years ago

taken in Basel, Switzerland by @gceluppi

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3 years ago