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@getliber

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16

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17 days ago

where social feels human.

A gathering place for people creating, connecting, and
inspiring across

Art
Business
Culture
Design
Fashion
Film
Food
Music
Photography
Sport
Travel Wellness

Apply now via link in bio. taken in Italy by @getliber

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4 months ago

where social feels human.

A gathering place for people creating, connecting, and
inspiring across

Art
Business
Culture
Design
Fashion
Film
Food
Music
Photography
Sport
Travel Wellness

Apply now via link in bio. by @getliber

208

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4 months ago

Released in 2006, Electroma is one of the most unusual projects ever created by Daft Punk.

Directed by Thomas Bangalter and Guy-Manuel de Homem-Christo, the film follows two robots on a quiet journey to become human. With almost no dialogue and no conventional plot, it relies on atmosphere, imagery, and silence to tell its story.

What begins as a simple premise gradually becomes a reflection on identity, loneliness, and the universal desire to belong. Beneath the chrome helmets lies something deeply human: the search for acceptance, connection, and meaning.

Perhaps most surprisingly, despite being a Daft Punk film, Electroma contains no original music by the duo, featuring instead a soundtrack that includes Brian Eno, Todd Rundgren, Curtis Mayfield, and Jackson C. Frank.

Minimalist, melancholic, and visually unforgettable, Electroma feels less like a film and more like a dream slowly fading away. @cinema.verseee taken in Europe by @getliber

15k

21

3 months ago

A haunting and introspective drama from Michelangelo Antonioni, The Passenger (1975) follows a disillusioned journalist, played by Jack Nicholson, who stumbles upon an unusual escape: assuming the identity of a dead man he finds in a remote desert hotel. What begins as an impulsive reinvention soon entangles him in a web of danger, secrecy, and moral ambiguity.

Rather than delivering conventional thrills, the film unfolds with quiet intensity—lingering on isolation, identity, and the illusion of freedom. Antonioni’s signature style favors atmosphere over action, inviting the viewer into a slow, hypnotic journey where every landscape feels as empty and uncertain as the man at its center.

Anchored by a mesmerizing performance from Nicholson and complemented by Maria Schneider, the film builds toward one of cinema’s most celebrated long takes—an ending that blurs the boundary between observer and participant, leaving you to question whether escape is ever truly possible.

via @the_goodfilms by @getliber

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21

6 months ago

Excerpt from a speech by Luciano Pavarotti.

Luciano Pavarotti was more than an opera singer; he was a cultural phenomenon who transformed the way the world perceived classical music. Born in Modena, Italy, in 1935, he developed a passion for singing at an early age and went on to become one of the most celebrated tenors of all time.

His career spanned more than four decades, during which he performed on the stages of the world’s leading opera houses, including La Scala, Metropolitan Opera, and Royal Opera House. Renowned for the clarity, power, and warmth of his voice, Pavarotti captivated audiences with performances that combined technical brilliance with genuine emotional depth.

Beyond opera, he played a crucial role in bringing classical music to a wider audience. Through the global success of The Three Tenors alongside Plácido Domingo and José Carreras, he introduced millions of people to a musical tradition they might never have otherwise discovered. His performances demonstrated that great art can transcend language, culture, and generation.

Pavarotti’s influence extended far beyond the concert hall. He supported numerous humanitarian causes, organized charitable events, and used his fame to raise awareness and funds for people in need around the world. His legacy is not only preserved in his recordings and performances, but also in the countless artists and listeners he inspired.

Today, Luciano Pavarotti remains a symbol of artistic excellence, dedication, and the universal power of music. His voice continues to resonate across generations, reminding us that true greatness is measured not only by talent, but by the ability to touch the lives of others. taken in Italy by @getliber

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3 months ago

POV: you arrive with no plans beyond staying until sunset.

The heat of the day is beginning to fade. The sea is almost motionless. Glasses are half full, conversations drift in and out, and nobody seems particularly concerned about what time it is.

For a while, nothing really happens.

And that is precisely the point.

The most memorable places are rarely the ones that demand your attention. They simply create the conditions for something to unfold.

A conversation.
A meeting.
A feeling.

Scorpios has always felt more like a mood than a destination.

Part beach club, part restaurant, part gathering place, yet somehow not entirely any of those things.

There is no single view, meal, song, or photograph that explains why people return.

It lives in the spaces between.

The long tables.
The sound of the wind moving through the fabric roofs.
The slow transition from afternoon light to dusk.
The sense that everyone has, consciously or not, decided to be present for a few hours.

As the sun lowers itself into the Aegean, the crowd grows quieter.

Not silent.

Just attentive.

The sky changes colour by the minute. Gold becomes amber, amber becomes pink, and for a brief moment everything seems suspended between day and night.

Nobody owns sunsets.

Yet some places know how to frame them.

Years from now, most people will forget what they ordered, what they wore, or which song was playing.

What they will remember is the atmosphere.

A table filled with friends.
A stranger who became a conversation.
The feeling of nowhere else to be.

Some places leave photographs.

Others leave memories.

The best ones leave both.

@scorpios.mykonos taken in Scorpios by @getliber

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3 months ago

“I wanted to make architecture that could be touched with the eyes.”
Carlo Scarpa ( 1906-1978)

There are architects who design buildings, and there are architects who design experiences.

Born in Venice in 1906, he spent most of his life moving between architecture, craftsmanship, history and art, developing a language that was impossible to imitate. While modernism often pursued abstraction, Scarpa remained fascinated by materials, by the way stone meets water, how brass ages with time, how light travels across a surface during the day.

His buildings ask you to slow down.

Perhaps nowhere is this more evident than at the Brion Cemetery, often considered his masterpiece. Part memorial, part garden, part meditation on love and mortality, the project transforms concrete into something unexpectedly delicate. Every path, reflection pool and opening feels charged with meaning, as if architecture itself had become a form of memory.

At Castelvecchio Museum, Scarpa demonstrated a radically different approach to restoration. Rather than recreating the past, he allowed centuries to coexist. Medieval walls, modern steel details, suspended artworks and carefully framed views create a dialogue between different moments in time. The building does not hide its history; it reveals it.

His intervention at the Querini Stampalia Foundation remains one of the most beautiful examples of architecture responding to its environment. In a city defined by water, Scarpa welcomed it inside. Channels, thresholds and stone surfaces transform flooding from a problem into part of the experience itself.

Even his smallest works carry the same intensity. The Tomba Biondi, the Negozio Olivetti beneath St. Mark’s Square, the Gipsoteca Canoviana and the Museo di Castelvecchio all reveal the same obsession with proportion, texture and detail.

Scarpa rarely spoke about architecture in grand ideological terms. His work feels personal rather than theoretical. You sense the hand of the maker everywhere: in a stair detail, a brass hinge, a stone joint, a window frame aligned perfectly with a tree outside. taken in Venezia by @getliber

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4 months ago

Long before algorithms, endless feeds and infinite scrolling, Fellini was already describing a world becoming incapable of paying attention.

For him, cinema was never just entertainment. It was a ritual. A dark room, a story, a surrender. The willingness to stay with a feeling long enough for it to transform you.

What worried him was not technology itself, but distraction. The habit of constantly switching, consuming, skipping. The inability to remain present with a face, a voice, a moment, an emotion.

Decades later, his words feel less like a reflection on cinema and more like a reflection on modern life.

We move faster than ever, yet struggle to stay with anything for very long. A film. A conversation. A place. A person. Even ourselves.

Perhaps attention is one of the last forms of respect.
And perhaps meaning begins exactly where interruption ends.

Federico Fellini remains one of the greatest filmmakers of all time not simply because of the worlds he created, but because he understood something essential about being human:

Some experiences are not meant to be consumed.
They are meant to be lived. taken in Italy by @getliber

6

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4 months ago

Where are you spending your Mediterranean summer? by @getliber

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4 months ago

To create something exceptional, your mindset must be relentlessly focused on the smallest detail.

Few designers have shaped modern elegance as profoundly as Giorgio Armani.

Born in Piacenza in 1934, Armani did not begin his career in fashion. After studying medicine and working in department stores, he gradually found his way into design, eventually founding his own label in 1975.

At a time when fashion was defined by structure and excess, Armani introduced a new language: softer tailoring, effortless sophistication, and a sense of confidence that never needed to announce itself. His vision transformed the modern suit, blurred the boundaries between formal and casual, and redefined luxury for an entire generation.

For more than five decades, his work has remained remarkably consistent. Not driven by trends, but by proportion, restraint, and an obsessive attention to detail.

What distinguishes Armani is not only what he created, but what he removed. The unnecessary. The decorative. The loud.

In a culture that often celebrates more, Giorgio Armani built an empire around less.

And in doing so, became one of the most influential designers of the modern era.

#giorgioarmani #fashion #90s taken in Milan,Italy by @getliber

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4 months ago

Every Malick film begins the same way, with light.

The kind that arrives sideways, in the last twenty minutes before sunset, when everything it touches looks like it’s being seen for the last time.

He never asks his characters to face the camera.
He lets them walk away, look at the sky, disappear into the grass.
As if the most honest thing a person can do is turn their back on you.

And somewhere underneath all of it, underneath Badlands and the wheatfields of Days of Heaven, underneath the jungle and the coral and the quiet of The Tree of Life, there is always the same question being asked.

Where did I go wrong. What was I before I became this. Is there still time.

And Nobody answers. #cinema #theartof #humanexperience by @getliber

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4 months ago